‘3 A Good Black Music Story? Black American Stars in  Australian Musical Entertainment Before ‘Jazz’’. Popular Music, Stars and Stardom, https://www.jstor.org/stable/j.ctv301dk8.
Anderson, Iain. ‘Free Jazz and Black Nationalism’. The Arts and Intellectual Life in Modern America : This Is Our Music : Free Jazz, the Sixties, and American Culture, University of Pennsylvania Press, 2012, http://site.ebrary.com/lib/vuw/reader.action?docID=10576113&ppg=100.
Atkins, E. Taylor. ‘Black Internationale: Notes on the Chinese Jazz Age’. Jazz Planet, University Press of Mississippi, 2003, http://www.jstor.org/stable/10.2307/j.ctt2tvdb8.
Baraka, Amiri. ‘Chapter 10: . . . Swing – from Verb to Noun’. Blues People: Negro Music in White America, 1st Quill ed, William Morrow, 1999.
Berrett, Joshua. ‘Chapter 2 “Satchmo: My Life in New Orleans (Excerpts) (1954)”’. The Louis Armstrong Companion: Eight Decades of Commentary, Schirmer Books, 1999.
Clark, Andrew, 1938-. Riffs & Choruses : A New Jazz Anthology. New York : Continuum, 2001.
Collier, James Lincoln. ‘The First Genius: Louis Armstrong’. The Making of Jazz: A Comprehensive History, Macmillan, 1981.
Cooke, Mervyn, and David Horn, editors. ‘Chapter 11: Free Jazz and the Avant-Garde’. The Cambridge Companion to Jazz, vol. Cambridge Companions to Music, Cambridge University Press, 2003, http://dx.doi.org/10.1017/CCOL9780521663205.
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Davis, Angela Y. ‘Mama’s Got the Blues’. Blues Legacies and Black Feminism: Gertrude ‘Ma’ Rainey, Bessie Smith, and Billie Holiday, Pantheon Books, 1998, http://web.b.ebscohost.com/ehost/ebookviewer/ebook/bmxlYmtfXzcyNjMxMF9fQU41?sid=ea7a18a4-617c-411b-855e-65d9b2f1f9b6@pdc-v-sessmgr02&vid=0&format=EK&lpid=c02&rid=0.
DeVeaux, Scott. ‘Constructing the Jazz Tradition: Jazz Historiography’. Black American Literature Forum, vol. 25, no. 3, Autumn 1991, https://doi.org/10.2307/3041812.
Gary Giddins. ‘Chapter 38: Miles Davis (Kinds of Blues)’. Visions of Jazz: The First Century - Gary Giddins - Google Books, Oxford University Press, 1998, https://books.google.co.nz/books/about/Visions_of_Jazz.html?id=JtEKSpyt2SUC&redir_esc=y.
Giddins, Gary. ‘John Coltrane’. Visions of Jazz: The First Century, Oxford University Press, 1998.
Gourse, Leslie. ‘Chapters 1 and 2’. Madame Jazz : Contemporary Women Instrumentalists, Oxford University Press, 1996, http://site.ebrary.com/lib/vuw/detail.action?docID=10087248.
Howland, John. ‘Jazz Rhapsodies in Black and White: James P. Johnson’s “Yamekraw”’. American Music, vol. 24, no. 4, Dec. 2006, https://doi.org/10.2307/25046051.
Joyner, David. ‘Analyzing Third Stream’. Contemporary Music Review, vol. 19, no. 1, Jan. 2000, pp. 63–87, https://doi.org/10.1080/07494460000640141.
Kevin Fellezs. ‘Chameleon: Herbie Hancock’. Birds of Fire : Jazz, Rock, Funk, and the Creation of Fusion, Duke University Press, 2011, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=1172987&ppg=196.
Kirchner, Bill. ‘“Duke Ellington” from The Oxford Companion to Jazz’. The Oxford Companion to Jazz, Oxford University Press, 2000.
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---. The Oxford Companion to Jazz. Oxford University Press, 2000, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5745928.
Kisliuk, Michelle Robin and Ebooks Corporation. ‘"At Ndaga: Life in  an African Forest” (Pp. 35-58),’. Seize the Dance!: BaAka Musical Life and the Ethnography of Performance, Oxford University Press, 1998, https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=431001.
---. ‘“Yodeling For Alternatives” (Pp. 3-10)’. Seize the Dance!: BaAka Musical Life and the Ethnography of Performance, Oxford University Press, 1998, https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=431001.
Lott, Eric. ‘Double V, Double-Time: Bebop’s Politics of Style’. Callaloo, no. 36, Summer 1988, https://doi.org/10.2307/2931544.
Marsalis, Wynton. MUSIC - What Jazz Is - and Isn’t - NYTimes.Com. https://wyntonmarsalis.org/news/entry/music-what-jazz-is-and-isnt.
Monson, Ingrid. ‘“Fitting the Part”’. Big Ears: Listening for Gender in Jazz Studies, Duke University Press, 2008, pp. 267–87.
Monson, Ingrid T. (Ingrid Tolia), c1996. ‘Chapter 2: Grooving and Feeling’. Saying Something: Jazz Improvisation and Interaction, https://www.fulcrum.org/concern/monographs/5d86p0666.
O’Meally, Robert G., et al. Uptown Conversation: The New Jazz Studies. Columbia University Press, http://www.jstor.org/stable/10.7312/omea12350.
Porter, Lewis. ‘17 A Love Supreme’. John Coltrane: His Life and Music, University of Michigan Press, 1998.
Rosenthal, David H. ‘Hard Bop and Its Critics’. The Black Perspective in Music, vol. 16, no. 1, Spring 1988, https://doi.org/10.2307/1215124.
Sherrie Tucker. ‘When Did Jazz Go Straight?: A Queer Question for Jazz Studies’. Critical Studies in Improvisation / Études Critiques En Improvisation, vol. 4, no. 2, 2008, https://doi.org/10.21083/csieci.v4i2.850.
Shipton, Alyn. A New History of Jazz. Continuum, 2001.
---. ‘Chapter 6: Small Groups in Transition’. A New History of Jazz, Continuum, 2001.
---. ‘Charles Mingus’. A New History of Jazz, Continuum, 2007.
Solis, Gabriel. ‘Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions’. Daedalus, vol. 148, no. 2, Apr. 2019, pp. 23–35, https://doi.org/10.1162/daed_a_01740.
Timothy Rice , and  Dave Wilson. ‘“Bebop”’. Gateways to Understanding Music, Routledge, 2019, pp. 348–56, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
---. ‘“Early Jazz”’. Gateways to Understanding Music, Routledge, 2019, pp. 301–08, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
---. ‘Excerpt from Introduction to Gateways to Understanding Music’. Gateways to Understanding Music, Routledge, 2019, pp. 3–12, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
---. ‘“Jazz Today”’. Gateways to Understanding Music, Routledge, 2019, pp. 445–52, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
---. ‘“Music from the Turn of the Twentieth Century” and “The Blues”’. Gateways to Understanding Music, Routledge, 2019, pp. 263–73, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
---. ‘“Music of Small-Scale Societies” and “Music of Foragers”’. Gateways to Understanding Music, Routledge, 2019, pp. 21–28, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
---. ‘“Neo-Traditional Jazz”’. Gateways to Understanding Music, Routledge, 2019, pp. 419–25, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
---. ‘“New Directions in Jazz”’. Gateways to Understanding Music, Routledge, 2019, pp. 382–90, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
---. ‘“Ragtime”’. Gateways to Understanding Music, Routledge, 2019, pp. 279–83, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
---. ‘“Swing”’. Gateways to Understanding Music, Routledge, 2019, pp. 309–16, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
Walser, Robert. ‘Duke Ellington Explains Swing’. Keeping Time : Readings in Jazz History / Edited by Robert Walser., 1999, http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope:(JNZS_vuw_ac_nz),scope:(Exams_vuw_ac_nz),scope:(NZJIR_vuw_ac_nz),scope:(researcharchive_vuw_ac_nz),scope:(NZREF_vuw_ac_nz),scope:(AJL_vuw_ac_nz),scope:(LEW_vuw_ac_nz),scope:(KOTARE_vuw_ac_nz),scope:(NZAROE_vuw_ac_nz),scope:(64VUW),primo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping+time+walser&dstmp=1468202059698.
---. ‘On the Road with Count Basie (Billie Holiday)’. Keeping Time : Readings in Jazz History / Edited by Robert Walser., 1999, http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope:(JNZS_vuw_ac_nz),scope:(Exams_vuw_ac_nz),scope:(NZJIR_vuw_ac_nz),scope:(researcharchive_vuw_ac_nz),scope:(NZREF_vuw_ac_nz),scope:(AJL_vuw_ac_nz),scope:(LEW_vuw_ac_nz),scope:(KOTARE_vuw_ac_nz),scope:(NZAROE_vuw_ac_nz),scope:(64VUW),primo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping+time+walser&dstmp=1468202059698.
---. ‘Sidney Bechet’s Musical Philosophy’. Keeping Time : Readings in Jazz History / Edited by Robert Walser., 1999, http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28JNZS_vuw_ac_nz%29%2Cscope%3A%28Exams_vuw_ac_nz%29%2Cscope%3A%28NZJIR_vuw_ac_nz%29%2Cscope%3A%28researcharchive_vuw_ac_nz%29%2Cscope%3A%28NZREF_vuw_ac_nz%29%2Cscope%3A%28AJL_vuw_ac_nz%29%2Cscope%3A%28LEW_vuw_ac_nz%29%2Cscope%3A%28KOTARE_vuw_ac_nz%29%2Cscope%3A%28NZAROE_vuw_ac_nz%29%2Cscope%3A%2864VUW%29%2Cprimo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping%20time%20walser&dstmp=1468202059698.