‘3 A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’’ in Popular Music, Stars and Stardom <https://www.jstor.org/stable/j.ctv301dk8>
Anderson, Iain, ‘Free Jazz and Black Nationalism’ in The Arts and Intellectual Life in Modern America : This Is Our Music : Free Jazz, the Sixties, and American Culture (University of Pennsylvania Press, 2012) <http://site.ebrary.com/lib/vuw/reader.action?docID=10576113&ppg=100>
Atkins, E Taylor, ‘Black Internationale: Notes on the Chinese Jazz Age’ in Jazz Planet (University Press of Mississippi, 2003) <http://www.jstor.org/stable/10.2307/j.ctt2tvdb8>
Baraka, Amiri, ‘Chapter 10: . . . Swing – from Verb to Noun’ in Blues People: Negro Music in White America (William Morrow, 1st Quill ed, 1999)
Berrett, Joshua, ‘Chapter 2 “Satchmo: My Life in New Orleans (Excerpts) (1954)”’ in The Louis Armstrong Companion: Eight Decades of Commentary (Schirmer Books, 1999)
Clark, Andrew, 1938-, Riffs & Choruses : A New Jazz Anthology (New York : Continuum, 2001)
Collier, James Lincoln, ‘The First Genius: Louis Armstrong’ in The Making of Jazz: A Comprehensive History (Macmillan, 1981)
Cooke, Mervyn and David Horn (eds), ‘Chapter 11: Free Jazz and the Avant-Garde’ in The Cambridge Companion to Jazz (Cambridge University Press, 2003) <http://dx.doi.org/10.1017/CCOL9780521663205>
Cooke, Mervyn and David Horn (eds), The Cambridge Companion to Jazz (Cambridge University Press, 2003) <http://universitypublishingonline.org/ref/id/companions/CBO9781139002233>
Davis, Angela Y, ‘Mama’s Got the Blues’ in Blues Legacies and Black Feminism: Gertrude ‘Ma’ Rainey, Bessie Smith, and Billie Holiday (Pantheon Books, 1998) <http://web.b.ebscohost.com/ehost/ebookviewer/ebook/bmxlYmtfXzcyNjMxMF9fQU41?sid=ea7a18a4-617c-411b-855e-65d9b2f1f9b6@pdc-v-sessmgr02&vid=0&format=EK&lpid=c02&rid=0>
DeVeaux, Scott, ‘Constructing the Jazz Tradition: Jazz Historiography’ (1991) 25(3) Black American Literature Forum
Gary Giddins, ‘Chapter 38: Miles Davis (Kinds of Blues)’ in Visions of Jazz: The First Century - Gary Giddins - Google Books (Oxford University Press, 1998) <https://books.google.co.nz/books/about/Visions_of_Jazz.html?id=JtEKSpyt2SUC&redir_esc=y>
Giddins, Gary, ‘John Coltrane’ in Visions of Jazz: The First Century (Oxford University Press, 1998)
Gourse, Leslie, ‘Chapters 1 and 2’ in Madame Jazz : Contemporary Women Instrumentalists (Oxford University Press, 1996) <http://site.ebrary.com/lib/vuw/detail.action?docID=10087248>
Howland, John, ‘Jazz Rhapsodies in Black and White: James P. Johnson’s “Yamekraw”’ (2006) 24(4) American Music
Joyner, David, ‘Analyzing Third Stream’ (2000) 19(1) Contemporary Music Review 63
Kevin Fellezs, ‘Chameleon: Herbie Hancock’ in Birds of Fire : Jazz, Rock, Funk, and the Creation of Fusion (Duke University Press, 2011) <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=1172987&ppg=196>
Kirchner, Bill, ‘“Duke Ellington” from The Oxford Companion to Jazz’ in The Oxford Companion to Jazz (Oxford University Press, 2000)
Kirchner, Bill, ‘The Advent of Bebop’ in The Oxford Companion to Jazz (Oxford University Press, 2000)
Kirchner, Bill, The Oxford Companion to Jazz (Oxford University Press, 2000) <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5745928>
Kisliuk, Michelle Robin and Ebooks Corporation, ‘"At Ndaga: Life in an African Forest” (Pp. 35-58),’ in Seize the Dance!: BaAka Musical Life and the Ethnography of Performance (Oxford University Press, 1998) <https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=431001>
Kisliuk, Michelle Robin and Ebooks Corporation, ‘“Yodeling For Alternatives” (Pp. 3-10)’ in Seize the Dance!: BaAka Musical Life and the Ethnography of Performance (Oxford University Press, 1998) <https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=431001>
Lott, Eric, ‘Double V, Double-Time: Bebop’s Politics of Style’ [1988] (36) Callaloo
Marsalis, Wynton, ‘MUSIC - What Jazz Is - and Isn’t - NYTimes.Com’ <https://wyntonmarsalis.org/news/entry/music-what-jazz-is-and-isnt>
Monson, Ingrid, ‘“Fitting the Part”’ in Big Ears: Listening for Gender in Jazz Studies (Duke University Press, 2008) 267
Monson, Ingrid T. (Ingrid Tolia), c1996., ‘Chapter 2: Grooving and Feeling’ in Saying Something: Jazz Improvisation and Interaction <https://www.fulcrum.org/concern/monographs/5d86p0666>
O’Meally, Robert G, Brent Hayes Edwards and Farah Jasmine Griffin, Uptown Conversation: The New Jazz Studies (Columbia University Press) <http://www.jstor.org/stable/10.7312/omea12350>
Porter, Lewis, ‘17 A Love Supreme’ in John Coltrane: His Life and Music (University of Michigan Press, 1998)
Rosenthal, David H, ‘Hard Bop and Its Critics’ (1988) 16(1) The Black Perspective in Music
Sherrie Tucker, ‘When Did Jazz Go Straight?: A Queer Question for Jazz Studies’ (2008) 4(2) Critical Studies in Improvisation / Études critiques en improvisation <https://www.criticalimprov.com/index.php/csieci/article/view/850>
Shipton, Alyn, A New History of Jazz (Continuum, 2001)
Shipton, Alyn, ‘Chapter 6: Small Groups in Transition’ in A New History of Jazz (Continuum, 2001)
Shipton, Alyn, ‘Charles Mingus’ in A New History of Jazz (Continuum, 2007)
Solis, Gabriel, ‘Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions’ (2019) 148(2) Daedalus 23
Timothy Rice , and Dave Wilson, ‘“Bebop”’ in Gateways to Understanding Music (Routledge, 2019) 348 <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090>
Timothy Rice , and Dave Wilson, ‘“Early Jazz”’ in Gateways to Understanding Music (Routledge, 2019) 301 <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090>
Timothy Rice , and Dave Wilson, ‘Excerpt from Introduction to Gateways to Understanding Music’ in Gateways to Understanding Music (Routledge, 2019) 3 <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090>
Timothy Rice , and Dave Wilson, ‘“Jazz Today”’ in Gateways to Understanding Music (Routledge, 2019) 445 <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090>
Timothy Rice , and Dave Wilson, ‘“Music from the Turn of the Twentieth Century” and “The Blues”’ in Gateways to Understanding Music (Routledge, 2019) 263 <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090>
Timothy Rice , and Dave Wilson, ‘“Music of Small-Scale Societies” and “Music of Foragers”’ in Gateways to Understanding Music (Routledge, 2019) 21 <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090>
Timothy Rice , and Dave Wilson, ‘“Neo-Traditional Jazz”’ in Gateways to Understanding Music (Routledge, 2019) 419 <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090>
Timothy Rice , and Dave Wilson, ‘“New Directions in Jazz”’ in Gateways to Understanding Music (Routledge, 2019) 382 <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090>
Timothy Rice , and Dave Wilson, ‘“Ragtime”’ in Gateways to Understanding Music (Routledge, 2019) 279 <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090>
Timothy Rice , and Dave Wilson, ‘“Swing”’ in Gateways to Understanding Music (Routledge, 2019) 309 <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090>
Walser, Robert., ‘Duke Ellington Explains Swing’ in Keeping Time : Readings in Jazz History / Edited by Robert Walser. (1999) <http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope:(JNZS_vuw_ac_nz),scope:(Exams_vuw_ac_nz),scope:(NZJIR_vuw_ac_nz),scope:(researcharchive_vuw_ac_nz),scope:(NZREF_vuw_ac_nz),scope:(AJL_vuw_ac_nz),scope:(LEW_vuw_ac_nz),scope:(KOTARE_vuw_ac_nz),scope:(NZAROE_vuw_ac_nz),scope:(64VUW),primo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping+time+walser&dstmp=1468202059698>
Walser, Robert., ‘On the Road with Count Basie (Billie Holiday)’ in Keeping Time : Readings in Jazz History / Edited by Robert Walser. (1999) <http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope:(JNZS_vuw_ac_nz),scope:(Exams_vuw_ac_nz),scope:(NZJIR_vuw_ac_nz),scope:(researcharchive_vuw_ac_nz),scope:(NZREF_vuw_ac_nz),scope:(AJL_vuw_ac_nz),scope:(LEW_vuw_ac_nz),scope:(KOTARE_vuw_ac_nz),scope:(NZAROE_vuw_ac_nz),scope:(64VUW),primo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping+time+walser&dstmp=1468202059698>
Walser, Robert., ‘Sidney Bechet’s Musical Philosophy’ in Keeping Time : Readings in Jazz History / Edited by Robert Walser. (1999) <http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28JNZS_vuw_ac_nz%29%2Cscope%3A%28Exams_vuw_ac_nz%29%2Cscope%3A%28NZJIR_vuw_ac_nz%29%2Cscope%3A%28researcharchive_vuw_ac_nz%29%2Cscope%3A%28NZREF_vuw_ac_nz%29%2Cscope%3A%28AJL_vuw_ac_nz%29%2Cscope%3A%28LEW_vuw_ac_nz%29%2Cscope%3A%28KOTARE_vuw_ac_nz%29%2Cscope%3A%28NZAROE_vuw_ac_nz%29%2Cscope%3A%2864VUW%29%2Cprimo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping%20time%20walser&dstmp=1468202059698>
