‘3 A Good Black Music Story? Black American Stars in  Australian Musical Entertainment Before ‘Jazz’’. n.d. In Popular Music, Stars and Stardom. https://www.jstor.org/stable/j.ctv301dk8.
Anderson, Iain. 2012. ‘Free Jazz and Black Nationalism’. In The Arts and Intellectual Life in Modern America : This Is Our Music : Free Jazz, the Sixties, and American Culture. University of Pennsylvania Press. http://site.ebrary.com/lib/vuw/reader.action?docID=10576113&ppg=100.
Atkins, E. Taylor. 2003. ‘Black Internationale: Notes on the Chinese Jazz Age’. In Jazz Planet. Jackson: University Press of Mississippi. http://www.jstor.org/stable/10.2307/j.ctt2tvdb8.
Baraka, Amiri. 1999. ‘Chapter 10: . . . Swing – from Verb to Noun’. In Blues People: Negro Music in White America, 1st Quill ed. New York: William Morrow.
Berrett, Joshua. 1999. ‘Chapter 2 “Satchmo: My Life in New Orleans (Excerpts) (1954)”’. In The Louis Armstrong Companion: Eight Decades of Commentary. New York: Schirmer Books.
Clark, Andrew, 1938-. 2001. Riffs & Choruses : A New Jazz Anthology. New York : Continuum.
Collier, James Lincoln. 1981. ‘The First Genius: Louis Armstrong’. In The Making of Jazz: A Comprehensive History. London: Macmillan.
Cooke, Mervyn, and David Horn, eds. 2003a. ‘Chapter 11: Free Jazz and the Avant-Garde’. In The Cambridge Companion to Jazz. Vol. Cambridge Companions to Music. Cambridge: Cambridge University Press. http://dx.doi.org/10.1017/CCOL9780521663205.
———, eds. 2003b. The Cambridge Companion to Jazz. Cambridge: Cambridge University Press. https://doi.org/10.1017/CCOL9780521663205.
Davis, Angela Y. 1998. ‘Mama’s Got the Blues’. In Blues Legacies and Black Feminism: Gertrude ‘Ma’ Rainey, Bessie Smith, and Billie Holiday. New York: Pantheon Books. http://web.b.ebscohost.com/ehost/ebookviewer/ebook/bmxlYmtfXzcyNjMxMF9fQU41?sid=ea7a18a4-617c-411b-855e-65d9b2f1f9b6@pdc-v-sessmgr02&vid=0&format=EK&lpid=c02&rid=0.
DeVeaux, Scott. 1991. ‘Constructing the Jazz Tradition: Jazz Historiography’. Black American Literature Forum 25 (3). https://doi.org/10.2307/3041812.
Gary Giddins. n.d. ‘Chapter 38: Miles Davis (Kinds of Blues)’. In Visions of Jazz: The First Century - Gary Giddins - Google Books. Oxford University Press, 1998. https://books.google.co.nz/books/about/Visions_of_Jazz.html?id=JtEKSpyt2SUC&redir_esc=y.
Giddins, Gary. 1998. ‘John Coltrane’. In Visions of Jazz: The First Century. New York: Oxford University Press.
Gourse, Leslie. 1996. ‘Chapters 1 and 2’. In Madame Jazz : Contemporary Women Instrumentalists. Oxford University Press. http://site.ebrary.com/lib/vuw/detail.action?docID=10087248.
Howland, John. 2006. ‘Jazz Rhapsodies in Black and White: James P. Johnson’s “Yamekraw”’. American Music 24 (4). https://doi.org/10.2307/25046051.
Joyner, David. 2000. ‘Analyzing Third Stream’. Contemporary Music Review 19 (1): 63–87. https://doi.org/10.1080/07494460000640141.
Kevin Fellezs. 2011. ‘Chameleon: Herbie Hancock’. In Birds of Fire : Jazz, Rock, Funk, and the Creation of Fusion. Duke University Press. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=1172987&ppg=196.
Kirchner, Bill. 2000a. ‘“Duke Ellington” from The Oxford Companion to Jazz’. In The Oxford Companion to Jazz. New York: Oxford University Press.
———. 2000b. ‘The Advent of Bebop’. In The Oxford Companion to Jazz. New York: Oxford University Press.
———. 2000c. The Oxford Companion to Jazz. New York: Oxford University Press. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5745928.
Kisliuk, Michelle Robin and Ebooks Corporation. 1998a. ‘"At Ndaga: Life in  an African Forest” (Pp. 35-58),’. In Seize the Dance!: BaAka Musical Life and the Ethnography of Performance. New York: Oxford University Press. https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=431001.
———. 1998b. ‘“Yodeling For Alternatives” (Pp. 3-10)’. In Seize the Dance!: BaAka Musical Life and the Ethnography of Performance. New York: Oxford University Press. https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=431001.
Lott, Eric. 1988. ‘Double V, Double-Time: Bebop’s Politics of Style’. Callaloo, no. 36 (Summer). https://doi.org/10.2307/2931544.
Marsalis, Wynton. n.d. ‘MUSIC - What Jazz Is - and Isn’t - NYTimes.Com’. https://wyntonmarsalis.org/news/entry/music-what-jazz-is-and-isnt.
Monson, Ingrid. 2008. ‘“Fitting the Part”’. In Big Ears: Listening for Gender in Jazz Studies, 267–87. Durham: Duke University Press.
Monson, Ingrid T. (Ingrid Tolia), c1996. n.d. ‘Chapter 2: Grooving and Feeling’. In Saying Something: Jazz Improvisation and Interaction. https://www.fulcrum.org/concern/monographs/5d86p0666.
O’Meally, Robert G., Brent Hayes Edwards, and Farah Jasmine Griffin. n.d. Uptown Conversation: The New Jazz Studies. New York: Columbia University Press. http://www.jstor.org/stable/10.7312/omea12350.
Porter, Lewis. 1998. ‘17 A Love Supreme’. In John Coltrane: His Life and Music. Ann Arbor: University of Michigan Press.
Rosenthal, David H. 1988. ‘Hard Bop and Its Critics’. The Black Perspective in Music 16 (1). https://doi.org/10.2307/1215124.
Sherrie Tucker. 2008. ‘When Did Jazz Go Straight?: A Queer Question for Jazz Studies’. Critical Studies in Improvisation / Études Critiques En Improvisation 4 (2). https://doi.org/10.21083/csieci.v4i2.850.
Shipton, Alyn. 2001a. A New History of Jazz. New York: Continuum.
———. 2001b. ‘Chapter 6: Small Groups in Transition’. In A New History of Jazz. New York: Continuum.
———. 2007. ‘Charles Mingus’. In A New History of Jazz. New York: Continuum.
Solis, Gabriel. 2019. ‘Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions’. Daedalus 148 (2): 23–35. https://doi.org/10.1162/daed_a_01740.
Timothy Rice , and  Dave Wilson. 2019a. ‘“Bebop”’. In Gateways to Understanding Music, 348–56. Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
———. 2019b. ‘“Early Jazz”’. In Gateways to Understanding Music, 301–8. Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
———. 2019c. ‘Excerpt from Introduction to Gateways to Understanding Music’. In Gateways to Understanding Music, 3–12. Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
———. 2019d. ‘“Jazz Today”’. In Gateways to Understanding Music, 445–52. Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
———. 2019e. ‘“Music from the Turn of the Twentieth Century” and “The Blues”’. In Gateways to Understanding Music, 263–73. Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
———. 2019f. ‘“Music of Small-Scale Societies” and “Music of Foragers”’. In Gateways to Understanding Music, 21–28. Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
———. 2019g. ‘“Neo-Traditional Jazz”’. In Gateways to Understanding Music, 419–25. Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
———. 2019h. ‘“New Directions in Jazz”’. In Gateways to Understanding Music, 382–90. Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
———. 2019i. ‘“Ragtime”’. In Gateways to Understanding Music, 279–83. Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
———. 2019j. ‘“Swing”’. In Gateways to Understanding Music, 309–16. Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090.
Walser, Robert. 1999a. ‘Duke Ellington Explains Swing’. In Keeping Time : Readings in Jazz History / Edited by Robert Walser. http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope:(JNZS_vuw_ac_nz),scope:(Exams_vuw_ac_nz),scope:(NZJIR_vuw_ac_nz),scope:(researcharchive_vuw_ac_nz),scope:(NZREF_vuw_ac_nz),scope:(AJL_vuw_ac_nz),scope:(LEW_vuw_ac_nz),scope:(KOTARE_vuw_ac_nz),scope:(NZAROE_vuw_ac_nz),scope:(64VUW),primo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping+time+walser&dstmp=1468202059698.
———. 1999b. ‘On the Road with Count Basie (Billie Holiday)’. In Keeping Time : Readings in Jazz History / Edited by Robert Walser. http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope:(JNZS_vuw_ac_nz),scope:(Exams_vuw_ac_nz),scope:(NZJIR_vuw_ac_nz),scope:(researcharchive_vuw_ac_nz),scope:(NZREF_vuw_ac_nz),scope:(AJL_vuw_ac_nz),scope:(LEW_vuw_ac_nz),scope:(KOTARE_vuw_ac_nz),scope:(NZAROE_vuw_ac_nz),scope:(64VUW),primo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping+time+walser&dstmp=1468202059698.
———. 1999c. ‘Sidney Bechet’s Musical Philosophy’. In Keeping Time : Readings in Jazz History / Edited by Robert Walser. http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28JNZS_vuw_ac_nz%29%2Cscope%3A%28Exams_vuw_ac_nz%29%2Cscope%3A%28NZJIR_vuw_ac_nz%29%2Cscope%3A%28researcharchive_vuw_ac_nz%29%2Cscope%3A%28NZREF_vuw_ac_nz%29%2Cscope%3A%28AJL_vuw_ac_nz%29%2Cscope%3A%28LEW_vuw_ac_nz%29%2Cscope%3A%28KOTARE_vuw_ac_nz%29%2Cscope%3A%28NZAROE_vuw_ac_nz%29%2Cscope%3A%2864VUW%29%2Cprimo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping%20time%20walser&dstmp=1468202059698.