3 A Good Black Music Story? Black American Stars in  Australian Musical Entertainment Before ‘Jazz’. (n.d.). In Popular Music, Stars and Stardom. https://www.jstor.org/stable/j.ctv301dk8
Anderson, Iain. (2012). Free Jazz and Black Nationalism. In The Arts and Intellectual Life in Modern America : This Is Our Music : Free Jazz, the Sixties, and American Culture. University of Pennsylvania Press. http://site.ebrary.com/lib/vuw/reader.action?docID=10576113&ppg=100
Atkins, E. T. (2003). Black Internationale: Notes on the Chinese Jazz Age. In Jazz Planet. University Press of Mississippi. http://www.jstor.org/stable/10.2307/j.ctt2tvdb8
Baraka, A. (1999). Chapter 10: . . . Swing – from Verb to Noun. In Blues people: Negro music in white America (1st Quill ed). William Morrow.
Berrett, J. (1999). Chapter 2 ‘Satchmo: my life in New Orleans (excerpts) (1954)’. In The Louis Armstrong companion: eight decades of commentary. Schirmer Books.
Clark, Andrew, 1938-. (2001). Riffs & choruses : a new jazz anthology. New York : Continuum.
Collier, J. L. (1981). The First Genius: Louis Armstrong. In The making of jazz: a comprehensive history. Macmillan.
Cooke, M., & Horn, D. (Eds.). (2003a). Chapter 11: Free Jazz and the Avant-Garde. In The Cambridge Companion to Jazz: Vol. Cambridge Companions to Music. Cambridge University Press. http://dx.doi.org/10.1017/CCOL9780521663205
Cooke, M., & Horn, D. (Eds.). (2003b). The Cambridge Companion to Jazz. Cambridge University Press. https://doi.org/10.1017/CCOL9780521663205
Davis, A. Y. (1998). Mama’s Got the Blues. In Blues legacies and Black feminism: Gertrude ‘Ma’ Rainey, Bessie Smith, and Billie Holiday. Pantheon Books. http://web.b.ebscohost.com/ehost/ebookviewer/ebook/bmxlYmtfXzcyNjMxMF9fQU41?sid=ea7a18a4-617c-411b-855e-65d9b2f1f9b6@pdc-v-sessmgr02&vid=0&format=EK&lpid=c02&rid=0
DeVeaux, S. (1991). Constructing the Jazz Tradition: Jazz Historiography. Black American Literature Forum, 25(3). https://doi.org/10.2307/3041812
Gary Giddins. (n.d.). Chapter 38: Miles Davis (Kinds of Blues). In Visions of Jazz: The First Century - Gary Giddins - Google Books. Oxford University Press, 1998. https://books.google.co.nz/books/about/Visions_of_Jazz.html?id=JtEKSpyt2SUC&redir_esc=y
Giddins, G. (1998). John Coltrane. In Visions of jazz: the first century. Oxford University Press.
Gourse, Leslie. (1996). Chapters 1 and 2. In Madame Jazz : Contemporary Women Instrumentalists. Oxford University Press. http://site.ebrary.com/lib/vuw/detail.action?docID=10087248
Howland, J. (2006). Jazz Rhapsodies in Black and White: James P. Johnson’s ‘Yamekraw’. American Music, 24(4). https://doi.org/10.2307/25046051
Joyner, D. (2000). Analyzing third stream. Contemporary Music Review, 19(1), 63–87. https://doi.org/10.1080/07494460000640141
Kevin Fellezs. (2011). Chameleon: Herbie Hancock. In Birds of Fire : Jazz, Rock, Funk, and the Creation of Fusion. Duke University Press. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=1172987&ppg=196
Kirchner, B. (2000a). ‘Duke Ellington’ from The Oxford companion to jazz. In The Oxford companion to jazz. Oxford University Press.
Kirchner, B. (2000b). The Advent of Bebop. In The Oxford companion to jazz. Oxford University Press.
Kirchner, B. (2000c). The Oxford companion to jazz. Oxford University Press. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5745928
Kisliuk, M. R. & Ebooks Corporation. (1998a). "At Ndaga: Life in  an African Forest” (pp. 35-58),. In Seize the dance!: BaAka musical life and the ethnography of performance. Oxford University Press. https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=431001
Kisliuk, M. R. & Ebooks Corporation. (1998b). ‘Yodeling For Alternatives’ (pp. 3-10). In Seize the dance!: BaAka musical life and the ethnography of performance. Oxford University Press. https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=431001
Lott, E. (1988). Double V, Double-Time: Bebop’s Politics of Style. Callaloo, 36. https://doi.org/10.2307/2931544
Marsalis, W. (n.d.). MUSIC - What Jazz Is - and Isn’t - NYTimes.com. https://wyntonmarsalis.org/news/entry/music-what-jazz-is-and-isnt
Monson, I. (2008). ‘Fitting the Part’. In Big ears: listening for gender in jazz studies (pp. 267–287). Duke University Press.
Monson, Ingrid T. (Ingrid Tolia), c1996. (n.d.). Chapter 2: Grooving and Feeling. In Saying something: jazz improvisation and interaction. https://www.fulcrum.org/concern/monographs/5d86p0666
O’Meally, R. G., Edwards, B. H., & Griffin, F. J. (n.d.). Uptown conversation: the new jazz studies. Columbia University Press. http://www.jstor.org/stable/10.7312/omea12350
Porter, L. (1998). 17 A Love Supreme. In John Coltrane: his life and music. University of Michigan Press.
Rosenthal, D. H. (1988). Hard Bop and Its Critics. The Black Perspective in Music, 16(1). https://doi.org/10.2307/1215124
Sherrie Tucker. (2008). When Did Jazz Go Straight?: a queer question for jazz studies. Critical Studies in Improvisation / Études Critiques En Improvisation, 4(2). https://doi.org/10.21083/csieci.v4i2.850
Shipton, A. (2001a). A new history of jazz. Continuum.
Shipton, A. (2001b). Chapter 6: Small Groups in Transition. In A new history of jazz. Continuum.
Shipton, A. (2007). Charles Mingus. In A new history of jazz. Continuum.
Solis, G. (2019). Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions. Daedalus, 148(2), 23–35. https://doi.org/10.1162/daed_a_01740
Timothy Rice , and  Dave Wilson. (2019a). ‘Bebop’. In Gateways to Understanding Music (pp. 348–356). Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
Timothy Rice , and  Dave Wilson. (2019b). ‘Early Jazz’. In Gateways to Understanding Music (pp. 301–308). Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
Timothy Rice , and  Dave Wilson. (2019c). Excerpt from Introduction to Gateways to Understanding Music. In Gateways to Understanding Music (pp. 3–12). Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
Timothy Rice , and  Dave Wilson. (2019d). ‘Jazz Today’. In Gateways to Understanding Music (pp. 445–452). Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
Timothy Rice , and  Dave Wilson. (2019e). ‘Music from the Turn of the Twentieth Century’ and ‘The Blues’. In Gateways to Understanding Music (pp. 263–273). Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
Timothy Rice , and  Dave Wilson. (2019f). ‘Music of Small-Scale Societies’ and ‘Music of Foragers’. In Gateways to Understanding Music (pp. 21–28). Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
Timothy Rice , and  Dave Wilson. (2019g). ‘Neo-traditional Jazz’. In Gateways to Understanding Music (pp. 419–425). Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
Timothy Rice , and  Dave Wilson. (2019h). ‘New Directions in Jazz’. In Gateways to Understanding Music (pp. 382–390). Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
Timothy Rice , and  Dave Wilson. (2019i). ‘Ragtime’. In Gateways to Understanding Music (pp. 279–283). Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
Timothy Rice , and  Dave Wilson. (2019j). ‘Swing’. In Gateways to Understanding Music (pp. 309–316). Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
Walser, Robert. (1999a). Duke Ellington Explains Swing. In Keeping time : readings in jazz history / edited by Robert Walser. http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope:(JNZS_vuw_ac_nz),scope:(Exams_vuw_ac_nz),scope:(NZJIR_vuw_ac_nz),scope:(researcharchive_vuw_ac_nz),scope:(NZREF_vuw_ac_nz),scope:(AJL_vuw_ac_nz),scope:(LEW_vuw_ac_nz),scope:(KOTARE_vuw_ac_nz),scope:(NZAROE_vuw_ac_nz),scope:(64VUW),primo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping+time+walser&dstmp=1468202059698
Walser, Robert. (1999b). On the Road with Count Basie (Billie Holiday). In Keeping time : readings in jazz history / edited by Robert Walser. http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope:(JNZS_vuw_ac_nz),scope:(Exams_vuw_ac_nz),scope:(NZJIR_vuw_ac_nz),scope:(researcharchive_vuw_ac_nz),scope:(NZREF_vuw_ac_nz),scope:(AJL_vuw_ac_nz),scope:(LEW_vuw_ac_nz),scope:(KOTARE_vuw_ac_nz),scope:(NZAROE_vuw_ac_nz),scope:(64VUW),primo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping+time+walser&dstmp=1468202059698
Walser, Robert. (1999c). Sidney Bechet’s Musical Philosophy. In Keeping time : readings in jazz history / edited by Robert Walser. http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28JNZS_vuw_ac_nz%29%2Cscope%3A%28Exams_vuw_ac_nz%29%2Cscope%3A%28NZJIR_vuw_ac_nz%29%2Cscope%3A%28researcharchive_vuw_ac_nz%29%2Cscope%3A%28NZREF_vuw_ac_nz%29%2Cscope%3A%28AJL_vuw_ac_nz%29%2Cscope%3A%28LEW_vuw_ac_nz%29%2Cscope%3A%28KOTARE_vuw_ac_nz%29%2Cscope%3A%28NZAROE_vuw_ac_nz%29%2Cscope%3A%2864VUW%29%2Cprimo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping%20time%20walser&dstmp=1468202059698