[1]
S. DeVeaux, ‘Constructing the Jazz Tradition: Jazz Historiography’, Black American Literature Forum, vol. 25, no. 3, Autumn 1991, doi: 10.2307/3041812.
[2]
Timothy Rice , and  Dave Wilson, ‘Excerpt from Introduction to Gateways to Understanding Music’, in Gateways to Understanding Music, Routledge, 2019, pp. 3–12. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
[3]
Timothy Rice , and  Dave Wilson, ‘“Music of Small-Scale Societies” and “Music of Foragers”’, in Gateways to Understanding Music, Routledge, 2019, pp. 21–28. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
[4]
‘3 A Good Black Music Story? Black American Stars in  Australian Musical Entertainment Before ‘Jazz’’, in Popular Music, Stars and Stardom, [Online]. Available: https://www.jstor.org/stable/j.ctv301dk8
[5]
Timothy Rice , and  Dave Wilson, ‘“Music from the Turn of the Twentieth Century” and “The Blues”’, in Gateways to Understanding Music, Routledge, 2019, pp. 263–273. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
[6]
Timothy Rice , and  Dave Wilson, ‘“Ragtime”’, in Gateways to Understanding Music, Routledge, 2019, pp. 279–283. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
[7]
Timothy Rice , and  Dave Wilson, ‘“Early Jazz”’, in Gateways to Understanding Music, Routledge, 2019, pp. 301–308. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
[8]
A. Y. Davis, ‘Mama’s Got the Blues’, in Blues legacies and Black feminism: Gertrude ‘Ma’ Rainey, Bessie Smith, and Billie Holiday, New York: Pantheon Books, 1998. [Online]. Available: http://web.b.ebscohost.com/ehost/ebookviewer/ebook/bmxlYmtfXzcyNjMxMF9fQU41?sid=ea7a18a4-617c-411b-855e-65d9b2f1f9b6@pdc-v-sessmgr02&vid=0&format=EK&lpid=c02&rid=0
[9]
J. Berrett, ‘Chapter 2 “Satchmo: my life in New Orleans (excerpts) (1954)”’, in The Louis Armstrong companion: eight decades of commentary, New York: Schirmer Books, 1999.
[10]
Walser, Robert., ‘Sidney Bechet’s Musical Philosophy’, in Keeping time : readings in jazz history / edited by Robert Walser., 1999. [Online]. Available: http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28JNZS_vuw_ac_nz%29%2Cscope%3A%28Exams_vuw_ac_nz%29%2Cscope%3A%28NZJIR_vuw_ac_nz%29%2Cscope%3A%28researcharchive_vuw_ac_nz%29%2Cscope%3A%28NZREF_vuw_ac_nz%29%2Cscope%3A%28AJL_vuw_ac_nz%29%2Cscope%3A%28LEW_vuw_ac_nz%29%2Cscope%3A%28KOTARE_vuw_ac_nz%29%2Cscope%3A%28NZAROE_vuw_ac_nz%29%2Cscope%3A%2864VUW%29%2Cprimo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping%20time%20walser&dstmp=1468202059698
[11]
J. L. Collier, ‘The First Genius: Louis Armstrong’, in The making of jazz: a comprehensive history, London: Macmillan, 1981.
[12]
J. Howland, ‘Jazz Rhapsodies in Black and White: James P. Johnson’s “Yamekraw”’, American Music, vol. 24, no. 4, Dec. 2006, doi: 10.2307/25046051.
[13]
E. T. Atkins, ‘Black Internationale: Notes on the Chinese Jazz Age’, in Jazz Planet, Jackson: University Press of Mississippi, 2003. [Online]. Available: http://www.jstor.org/stable/10.2307/j.ctt2tvdb8
[14]
Timothy Rice , and  Dave Wilson, ‘“Swing”’, in Gateways to Understanding Music, Routledge, 2019, pp. 309–316. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
[15]
A. Baraka, ‘Chapter 10: . . . Swing – from Verb to Noun’, in Blues people: Negro music in white America, 1st Quill ed., New York: William Morrow, 1999.
[16]
Walser, Robert., ‘On the Road with Count Basie (Billie Holiday)’, in Keeping time : readings in jazz history / edited by Robert Walser., 1999. [Online]. Available: http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope:(JNZS_vuw_ac_nz),scope:(Exams_vuw_ac_nz),scope:(NZJIR_vuw_ac_nz),scope:(researcharchive_vuw_ac_nz),scope:(NZREF_vuw_ac_nz),scope:(AJL_vuw_ac_nz),scope:(LEW_vuw_ac_nz),scope:(KOTARE_vuw_ac_nz),scope:(NZAROE_vuw_ac_nz),scope:(64VUW),primo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping+time+walser&dstmp=1468202059698
[17]
Walser, Robert., ‘Duke Ellington Explains Swing’, in Keeping time : readings in jazz history / edited by Robert Walser., 1999. [Online]. Available: http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope:(JNZS_vuw_ac_nz),scope:(Exams_vuw_ac_nz),scope:(NZJIR_vuw_ac_nz),scope:(researcharchive_vuw_ac_nz),scope:(NZREF_vuw_ac_nz),scope:(AJL_vuw_ac_nz),scope:(LEW_vuw_ac_nz),scope:(KOTARE_vuw_ac_nz),scope:(NZAROE_vuw_ac_nz),scope:(64VUW),primo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping+time+walser&dstmp=1468202059698
[18]
B. Kirchner, ‘“Duke Ellington” from The Oxford companion to jazz’, in The Oxford companion to jazz, New York: Oxford University Press, 2000.
[19]
Timothy Rice , and  Dave Wilson, ‘“Bebop”’, in Gateways to Understanding Music, Routledge, 2019, pp. 348–356. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
[20]
E. Lott, ‘Double V, Double-Time: Bebop’s Politics of Style’, Callaloo, no. 36, Summer 1988, doi: 10.2307/2931544.
[21]
B. Kirchner, ‘The Advent of Bebop’, in The Oxford companion to jazz, New York: Oxford University Press, 2000.
[22]
A. Shipton, ‘Chapter 6: Small Groups in Transition’, in A new history of jazz, New York: Continuum, 2001.
[23]
Gary Giddins, ‘Chapter 38: Miles Davis (Kinds of Blues)’, in Visions of Jazz: The First Century - Gary Giddins - Google Books, Oxford University Press, 1998. [Online]. Available: https://books.google.co.nz/books/about/Visions_of_Jazz.html?id=JtEKSpyt2SUC&redir_esc=y
[24]
I. Monson, ‘“Fitting the Part”’, in Big ears: listening for gender in jazz studies, Durham: Duke University Press, 2008, pp. 267–287.
[25]
Sherrie Tucker, ‘When Did Jazz Go Straight?: a queer question for jazz studies’, Critical Studies in Improvisation / Études critiques en improvisation, vol. 4, no. 2, 2008, doi: 10.21083/csieci.v4i2.850.
[26]
D. Joyner, ‘Analyzing third stream’, Contemporary Music Review, vol. 19, no. 1, pp. 63–87, Jan. 2000, doi: 10.1080/07494460000640141.
[27]
A. Shipton, ‘Charles Mingus’, in A new history of jazz, New York: Continuum, 2007.
[28]
D. H. Rosenthal, ‘Hard Bop and Its Critics’, The Black Perspective in Music, vol. 16, no. 1, Spring 1988, doi: 10.2307/1215124.
[29]
Timothy Rice , and  Dave Wilson, ‘“New Directions in Jazz”’, in Gateways to Understanding Music, Routledge, 2019, pp. 382–390. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
[30]
G. Giddins, ‘John Coltrane’, in Visions of jazz: the first century, New York: Oxford University Press, 1998.
[31]
L. Porter, ‘17 A Love Supreme’, in John Coltrane: his life and music, Ann Arbor: University of Michigan Press, 1998.
[32]
M. Cooke and D. Horn, Eds., ‘Chapter 11: Free Jazz and the Avant-Garde’, in The Cambridge Companion to Jazz, vol. Cambridge Companions to Music, Cambridge: Cambridge University Press, 2003. [Online]. Available: http://dx.doi.org/10.1017/CCOL9780521663205
[33]
Anderson, Iain, ‘Free Jazz and Black Nationalism’, in The Arts and Intellectual Life in Modern America : This Is Our Music : Free Jazz, the Sixties, and American Culture, University of Pennsylvania Press, 2012. [Online]. Available: http://site.ebrary.com/lib/vuw/reader.action?docID=10576113&ppg=100
[34]
Kevin Fellezs, ‘Chameleon: Herbie Hancock’, in Birds of Fire : Jazz, Rock, Funk, and the Creation of Fusion, Duke University Press, 2011. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=1172987&ppg=196
[35]
Timothy Rice , and  Dave Wilson, ‘“Neo-traditional Jazz”’, in Gateways to Understanding Music, Routledge, 2019, pp. 419–425. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
[36]
W. Marsalis, ‘MUSIC - What Jazz Is - and Isn’t - NYTimes.com’, [Online]. Available: https://wyntonmarsalis.org/news/entry/music-what-jazz-is-and-isnt
[37]
Timothy Rice , and  Dave Wilson, ‘“Jazz Today”’, in Gateways to Understanding Music, Routledge, 2019, pp. 445–452. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5640090
[38]
G. Solis, ‘Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions’, Daedalus, vol. 148, no. 2, pp. 23–35, Apr. 2019, doi: 10.1162/daed_a_01740.
[39]
Gourse, Leslie, ‘Chapters 1 and 2’, in Madame Jazz : Contemporary Women Instrumentalists, Oxford University Press, 1996. [Online]. Available: http://site.ebrary.com/lib/vuw/detail.action?docID=10087248
[40]
Monson, Ingrid T. (Ingrid Tolia), c1996., ‘Chapter 2: Grooving and Feeling’, in Saying something: jazz improvisation and interaction, [Online]. Available: https://www.fulcrum.org/concern/monographs/5d86p0666
[41]
M. R. Kisliuk and Ebooks Corporation, ‘"At Ndaga: Life in  an African Forest” (pp. 35-58),’ in Seize the dance!: BaAka musical life and the ethnography of performance, New York: Oxford University Press, 1998. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=431001
[42]
M. R. Kisliuk and Ebooks Corporation, ‘“Yodeling For Alternatives” (pp. 3-10)’, in Seize the dance!: BaAka musical life and the ethnography of performance, New York: Oxford University Press, 1998. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=431001
[43]
M. Cooke and D. Horn, Eds., The Cambridge Companion to Jazz. Cambridge: Cambridge University Press, 2003. doi: 10.1017/CCOL9780521663205.
[44]
Clark, Andrew, 1938-, Riffs & choruses : a new jazz anthology. New York : Continuum, 2001.
[45]
B. Kirchner, The Oxford companion to jazz. New York: Oxford University Press, 2000. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5745928
[46]
R. G. O’Meally, B. H. Edwards, and F. J. Griffin, Uptown conversation: the new jazz studies. New York: Columbia University Press. [Online]. Available: http://www.jstor.org/stable/10.7312/omea12350
[47]
A. Shipton, A new history of jazz. New York: Continuum, 2001.