Armstrong, Edward G, ‘Eminem’s Construction of Authenticity’ (2004) 27(3) Popular Music and Society 335
Dyson, Michael Eric, ‘It’s Trendy to Be the Conscious MC’ in Know What I Mean? : Reflections on Hip-Hop (Basic Books, 2007) <https://www.fulcrum.org/epubs/pk02cb470?locale=en#/6/180[xhtml00000090]!/4/4/1:0>
Edited by Justin D. Burton and Jason Lee Oakes, ‘"I Still Don’t Understand Award Shows”: Kanye West and Hip Hop Celebrity in the Twenty-First Century’ in The Oxford Handbook of Hip Hop Music <https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780190281090.001.0001/oxfordhb-9780190281090-e-27>
Elflein, Dietmar, ‘From Krauts with Attitudes to Turks with Attitudes: Some Aspects of Hip-Hop History in Germany’ (1998) 17(3) Popular Music 255
ERIC CHARRY, ‘A Capsule History of African Rap’ <https://www.jstor.org/stable/j.ctt16gz8kj.4?refreqid=excelsior%3Af2008ffa8b6b912a802f84431f8b7356&seq=1#metadata_info_tab_contents>
Fabian Holt, ‘Chapter 1: Introduction’ in Genre in Popular Music (University of Chicago Press, 2007) <https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=686254>
Forman, Murray, The ’hood Comes First: Race, Space, and Place in Rap and Hip-Hop (Wesleyan University Press, 2002)
Grem, Darren E., ‘“The South Got Something to Say”: Atlanta’s Dirty South and the Southernization of Hip Hop America.’ (2013) 12(4) Southern Cultures 55 <https://go.gale.com/ps/i.do?p=AONE&u=vuw&id=GALE%7CA155871520&v=2.1&it=r>
Henderson, April K, ‘Dancing Between Islands’: in Dipannita Basu and Sidney J Lemelle (eds), The Vinyl Ain’t Final (Pluto Press, 2015) 180 <https://www.jstor.org/stable/10.2307/j.ctt18mbd22.17>
Kautny, Oliver, ‘Lyrics and Flow in Rap Music’ in Justin A Williams (ed), The Cambridge Companion to Hip-Hop (Cambridge University Press, 2015) 101 <https://www.cambridge.org/core/product/identifier/9781139775298%23c03746-784/type/book_part>
Mark Katz, ‘Out of the Bronx and into the Shadows: 1978-1983.’ in Groove Music : The Art and Culture of the Hip-Hop DJ (Oxford University Press USA - OSO, 2012) <https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=886549>
Michael Eric Dyson, ‘Culture, Rhetoric, Crack, and the Politics of Hip Hop’ in Know What I Mean?: Reflections on Hip-Hop (Civitas Books)
Oware, Matthew, ‘Brotherly Love: Homosociality and Black Masculinity in Gangsta Rap Music’ (2011) 15(1) Journal of African American Studies 22
Rose, Tricia, ‘Hip Hop Demeans Women’ in The Hip Hop Wars: What We Talk about When We Talk about Hip Hop--and Why It Matters (BasicCivitas, 2008) <https://www.fulcrum.org/epubs/70795816m?locale=en#/6/250[xhtml00000125]!/4/1:0>
Rose, Tricia, ‘Introduction’ in The Hip Hop Wars: What We Talk about When We Talk about Hip Hop--and Why It Matters (BasicCivitas, 2008)
Shelley Brunt , and Geoff Stahl, ‘Giving Back in Wellington: Deep Relations, Whakapapa and Reciprocity in Transnational Hip Hop’ in Made in Australia and Aotearoa/New Zealand : Studies in Popular Music (Routledge, 2018) <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5398326&ppg=184>
‘View of The Great Hip Hop Grant Scandal’ <https://ojs.victoria.ac.nz/jnzs/article/view/136/87>
Williams, Justin A (ed), ‘Chapter 1: MC Origins : Rap and Spoken Word Poetry’ in The Cambridge Companion to Hip-Hop (Cambridge University Press, 2015) <https://doi.org/10.1017/CCO9781139775298>
