Armstrong, Edward G. 2004. ‘Eminem’s Construction of Authenticity’. Popular Music and Society 27 (3): 335–55. https://doi.org/10.1080/03007760410001733170.
Dyson, Michael Eric. 2007. ‘It’s Trendy to Be the Conscious MC’. In Know What I Mean? : Reflections on Hip-Hop. Basic Books. https://doi.org/10.1016/.
Edited by Justin D. Burton and Jason Lee Oakes. n.d. ‘"I Still Don’t Understand Award Shows”: Kanye West and Hip Hop Celebrity in the Twenty-First Century’. In The Oxford Handbook of Hip Hop Music. https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780190281090.001.0001/oxfordhb-9780190281090-e-27.
Elflein, Dietmar. 1998. ‘From Krauts with Attitudes to Turks with Attitudes: Some Aspects of Hip-Hop History in Germany’. Popular Music 17 (3): 255–65. https://doi.org/10.1017/S0261143000008539.
ERIC CHARRY. n.d. ‘A Capsule History of African Rap’. https://www.jstor.org/stable/j.ctt16gz8kj.4?refreqid=excelsior%3Af2008ffa8b6b912a802f84431f8b7356&seq=1#metadata_info_tab_contents.
Fabian Holt. 2007. ‘Chapter 1: Introduction’. In Genre in Popular Music. University of Chicago Press. https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=686254.
Forman, Murray. 2002. The ’hood Comes First: Race, Space, and Place in Rap and Hip-Hop. Old School Geography: From the Disco to the Street. Middletown, Conn: Wesleyan University Press.
Grem, Darren E. 2013. ‘“The South Got Something to Say”: Atlanta’s Dirty South and the Southernization of Hip Hop America.’ Southern Cultures 12 (4): 55–73. https://go.gale.com/ps/i.do?p=AONE&u=vuw&id=GALE%7CA155871520&v=2.1&it=r.
Henderson, April K. 2015. ‘Dancing Between Islands’: In The Vinyl Ain’t Final, edited by Dipannita Basu and Sidney J. Lemelle, 180–99. Pluto Press. https://doi.org/10.2307/j.ctt18mbd22.17.
Kautny, Oliver. 2015. ‘Lyrics and Flow in Rap Music’. In The Cambridge Companion to Hip-Hop, edited by Justin A Williams, 101–17. Cambridge: Cambridge University Press. https://doi.org/10.1017/CCO9781139775298.011.
Mark Katz. 2012. ‘Out of the Bronx and into the Shadows: 1978-1983.’ In Groove Music : The Art and Culture of the Hip-Hop DJ. Oxford University Press USA - OSO. https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=886549.
Michael Eric Dyson. n.d. ‘Culture, Rhetoric, Crack, and the Politics of Hip Hop’. In Know What I Mean?: Reflections on Hip-Hop. Civitas Books.
Oware, Matthew. 2011. ‘Brotherly Love: Homosociality and Black Masculinity in Gangsta Rap Music’. Journal of African American Studies 15 (1): 22–39. https://doi.org/10.1007/s12111-010-9123-4.
Rose, Tricia. 2008a. ‘Hip Hop Demeans Women’. In The Hip Hop Wars: What We Talk about When We Talk about Hip Hop--and Why It Matters. New York: BasicCivitas. https://www.fulcrum.org/epubs/70795816m?locale=en#/6/250[xhtml00000125]!/4/1:0.
———. 2008b. ‘Introduction’. In The Hip Hop Wars: What We Talk about When We Talk about Hip Hop--and Why It Matters. New York: BasicCivitas.
Shelley Brunt , and  Geoff Stahl. 2018. ‘Giving Back in Wellington: Deep Relations, Whakapapa and Reciprocity in Transnational Hip Hop’. In Made in Australia and Aotearoa/New Zealand : Studies in Popular Music. Routledge. https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5398326&ppg=184.
‘View of The Great Hip Hop Grant Scandal’. n.d. https://ojs.victoria.ac.nz/jnzs/article/view/136/87.
Williams, Justin A., ed. 2015. ‘Chapter 1: MC Origins : Rap and Spoken Word Poetry’. In The Cambridge Companion to Hip-Hop. Cambridge: Cambridge University Press. https://doi.org/10.1017/CCO9781139775298.