Armstrong, Edward G. ‘Eminem’s Construction of Authenticity’. Popular Music and Society, vol. 27, no. 3, Sept. 2004, pp. 335–55, https://doi.org/10.1080/03007760410001733170.
Dyson, Michael Eric. ‘It’s Trendy to Be the Conscious MC’. Know What I Mean? : Reflections on Hip-Hop, Basic Books, 2007, https://doi.org/10.1016/.
Edited by Justin D. Burton and Jason Lee Oakes. ‘"I Still Don’t Understand Award Shows”: Kanye West and Hip Hop Celebrity in the Twenty-First Century’. The Oxford Handbook of Hip Hop Music, https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780190281090.001.0001/oxfordhb-9780190281090-e-27.
Elflein, Dietmar. ‘From Krauts with Attitudes to Turks with Attitudes: Some Aspects of Hip-Hop History in Germany’. Popular Music, vol. 17, no. 3, Oct. 1998, pp. 255–65, https://doi.org/10.1017/S0261143000008539.
ERIC CHARRY. A Capsule History of African Rap. https://www.jstor.org/stable/j.ctt16gz8kj.4?refreqid=excelsior%3Af2008ffa8b6b912a802f84431f8b7356&seq=1#metadata_info_tab_contents.
Fabian Holt. ‘Chapter 1: Introduction’. Genre in Popular Music, University of Chicago Press, 2007, https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=686254.
Forman, Murray. ‘The ’hood Comes First: Race, Space, and Place in Rap and Hip-Hop’. Old School Geography: From the Disco to the Street, Wesleyan University Press, 2002.
Grem, Darren E. ‘“The South Got Something to Say”: Atlanta’s Dirty South and the Southernization of Hip Hop America.’ Southern Cultures, vol. 12, no. 4, 2013, pp. 55–73, https://go.gale.com/ps/i.do?p=AONE&u=vuw&id=GALE%7CA155871520&v=2.1&it=r.
Henderson, April K. ‘Dancing Between Islands’: The Vinyl Ain’t Final, edited by Dipannita Basu and Sidney J. Lemelle, Pluto Press, 2015, pp. 180–99, https://doi.org/10.2307/j.ctt18mbd22.17.
Kautny, Oliver. ‘Lyrics and Flow in Rap Music’. The Cambridge Companion to Hip-Hop, edited by Justin A Williams, Cambridge University Press, 2015, pp. 101–17, https://doi.org/10.1017/CCO9781139775298.011.
Mark Katz. ‘Out of the Bronx and into the Shadows: 1978-1983.’ Groove Music : The Art and Culture of the Hip-Hop DJ, Oxford University Press USA - OSO, 2012, https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=886549.
Michael Eric Dyson. ‘Culture, Rhetoric, Crack, and the Politics of Hip Hop’. Know What I Mean?: Reflections on Hip-Hop, Civitas Books.
Oware, Matthew. ‘Brotherly Love: Homosociality and Black Masculinity in Gangsta Rap Music’. Journal of African American Studies, vol. 15, no. 1, Mar. 2011, pp. 22–39, https://doi.org/10.1007/s12111-010-9123-4.
Rose, Tricia. ‘Hip Hop Demeans Women’. The Hip Hop Wars: What We Talk about When We Talk about Hip Hop--and Why It Matters, BasicCivitas, 2008, https://www.fulcrum.org/epubs/70795816m?locale=en#/6/250[xhtml00000125]!/4/1:0.
---. ‘Introduction’. The Hip Hop Wars: What We Talk about When We Talk about Hip Hop--and Why It Matters, BasicCivitas, 2008.
Shelley Brunt , and Geoff Stahl. ‘Giving Back in Wellington: Deep Relations, Whakapapa and Reciprocity in Transnational Hip Hop’. Made in Australia and Aotearoa/New Zealand : Studies in Popular Music, Routledge, 2018, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5398326&ppg=184.
View of The Great Hip Hop Grant Scandal. https://ojs.victoria.ac.nz/jnzs/article/view/136/87.
Williams, Justin A., editor. ‘Chapter 1: MC Origins : Rap and Spoken Word Poetry’. The Cambridge Companion to Hip-Hop, Cambridge University Press, 2015, https://doi.org/10.1017/CCO9781139775298.
