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M. R. Kisliuk and Ebooks Corporation, ‘"At Ndaga: Life in  an African Forest” (pp. 35-58),’ in Seize the dance!: BaAka musical life and the ethnography of performance, New York: Oxford University Press, 1998. [Electronic resource]. Available: https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=431001
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A. Y. Davis, ‘Mama’s Got the Blues’, in Blues legacies and Black feminism: Gertrude ‘Ma’ Rainey, Bessie Smith, and Billie Holiday, New York: Pantheon Books, 1998. [Online]. Available: https://search.ebscohost.com/login.aspx?direct=true&AuthType=sso&db=nlebk&AN=726310&site=ehost-live&custid=s5491658&ebv=EK&ppid=Page-__-45
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J. Berrett, ‘Chapter 2 “Satchmo: my life in New Orleans (excerpts) (1954)”’, in The Louis Armstrong companion: eight decades of commentary, New York: Schirmer Books, 1999.
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Walser, Robert., ‘Sidney Bechet’s Musical Philosophy’, in Keeping time : readings in jazz history / edited by Robert Walser., 1999. [Online]. Available: http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28JNZS_vuw_ac_nz%29%2Cscope%3A%28Exams_vuw_ac_nz%29%2Cscope%3A%28NZJIR_vuw_ac_nz%29%2Cscope%3A%28researcharchive_vuw_ac_nz%29%2Cscope%3A%28NZREF_vuw_ac_nz%29%2Cscope%3A%28AJL_vuw_ac_nz%29%2Cscope%3A%28LEW_vuw_ac_nz%29%2Cscope%3A%28KOTARE_vuw_ac_nz%29%2Cscope%3A%28NZAROE_vuw_ac_nz%29%2Cscope%3A%2864VUW%29%2Cprimo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping%20time%20walser&dstmp=1468202059698
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J. L. Collier, ‘The First Genius: Louis Armstrong’, in The making of jazz: a comprehensive history, London: Macmillan, 1981.
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E. T. Atkins, ‘Black Internationale: Notes on the Chinese Jazz Age’, in Jazz Planet, Jackson: University Press of Mississippi, 2003. [Electronic resource]. Available: http://www.jstor.org/stable/10.2307/j.ctt2tvdb8
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A. Baraka, ‘Chapter 10: . . . Swing – from Verb to Noun’, in Blues people: Negro music in white America, 1st Quill ed., New York: William Morrow, 1999.
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Walser, Robert., ‘Duke Ellington Explains Swing’, in Keeping time : readings in jazz history / edited by Robert Walser., 1999. [Online]. Available: http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope:(JNZS_vuw_ac_nz),scope:(Exams_vuw_ac_nz),scope:(NZJIR_vuw_ac_nz),scope:(researcharchive_vuw_ac_nz),scope:(NZREF_vuw_ac_nz),scope:(AJL_vuw_ac_nz),scope:(LEW_vuw_ac_nz),scope:(KOTARE_vuw_ac_nz),scope:(NZAROE_vuw_ac_nz),scope:(64VUW),primo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping+time+walser&dstmp=1468202059698
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Walser, Robert., ‘On the Road with Count Basie (Billie Holiday)’, in Keeping time : readings in jazz history / edited by Robert Walser., 1999. [Online]. Available: http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope:(JNZS_vuw_ac_nz),scope:(Exams_vuw_ac_nz),scope:(NZJIR_vuw_ac_nz),scope:(researcharchive_vuw_ac_nz),scope:(NZREF_vuw_ac_nz),scope:(AJL_vuw_ac_nz),scope:(LEW_vuw_ac_nz),scope:(KOTARE_vuw_ac_nz),scope:(NZAROE_vuw_ac_nz),scope:(64VUW),primo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping+time+walser&dstmp=1468202059698
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B. Kirchner, ‘“Duke Ellington” from The Oxford companion to jazz’, in The Oxford companion to jazz, New York: Oxford University Press, 2000.
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A. Shipton, ‘Chapter 6: Small Groups in Transition’, in A new history of jazz, New York: Continuum, 2001.
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B. Kirchner, ‘The Advent of Bebop’, in The Oxford companion to jazz, New York: Oxford University Press, 2000.
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E. Lott, ‘Double V, Double-Time: Bebop’s Politics of Style’, Callaloo, no. 36, Summer 1988, doi: 10.2307/2931544.
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Monson, Ingrid T. (Ingrid Tolia), c1996., ‘Chapter 2: Grooving and Feeling’, in Saying something: jazz improvisation and interaction. [Online]. Available: https://www.fulcrum.org/concern/monographs/5d86p0666
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Gary Giddins, ‘Chapter 38: Miles Davis (Kinds of Blues)’, in Visions of Jazz: The First Century - Gary Giddins - Google Books, Oxford University Press, 1998. [Online]. Available: https://books.google.co.nz/books/about/Visions_of_Jazz.html?id=JtEKSpyt2SUC&redir_esc=y
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D. Joyner, ‘Analyzing third stream’, Contemporary Music Review, vol. 19, no. 1, pp. 63–87, Jan. 2000, doi: 10.1080/07494460000640141.
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A. Shipton, ‘Charles Mingus’, in A new history of jazz, New York: Continuum, 2007.
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D. H. Rosenthal, ‘Hard Bop and Its Critics’, The Black Perspective in Music, vol. 16, no. 1, Spring 1988, doi: 10.2307/1215124.
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G. Giddins, ‘John Coltrane’, in Visions of jazz: the first century, New York: Oxford University Press, 1998.
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L. Porter, ‘17 A Love Supreme’, in John Coltrane: his life and music, Ann Arbor: University of Michigan Press, 1998.
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Anderson, Iain, ‘Free Jazz and Black Nationalism’, in The Arts and Intellectual Life in Modern America : This Is Our Music : Free Jazz, the Sixties, and American Culture, University of Pennsylvania Press, 2012. [Online]. Available: http://site.ebrary.com/lib/vuw/reader.action?docID=10576113&ppg=100
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Kevin Fellezs, ‘Chameleon: Herbie Hancock’, in Birds of Fire : Jazz, Rock, Funk, and the Creation of Fusion, Duke University Press, 2011. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=1172987&ppg=196
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Gourse, Leslie, ‘Chapters 1 and 2’, in Madame Jazz : Contemporary Women Instrumentalists, Oxford University Press, 1996. [Online]. Available: http://site.ebrary.com/lib/vuw/detail.action?docID=10087248
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W. Marsalis, ‘MUSIC - What Jazz Is - and Isn’t - NYTimes.com’, [Online]. Available: https://wyntonmarsalis.org/news/entry/music-what-jazz-is-and-isnt
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Clark, Andrew, 1938-, Riffs & choruses : a new jazz anthology. New York : Continuum, 2001.
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R. G. O’Meally, B. H. Edwards, and F. J. Griffin, Uptown conversation: the new jazz studies. New York: Columbia University Press. [Electronic resource]. Available: http://www.jstor.org/stable/10.7312/omea12350
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A. Shipton, A new history of jazz. New York: Continuum, 2001.