‘3 A Good Black Music Story? Black American Stars in  Australian Musical Entertainment Before ‘Jazz’’ (no date) in Popular Music, Stars and Stardom. Available at: https://www.jstor.org/stable/j.ctv301dk8.
Anderson, Iain (2012) ‘Free Jazz and Black Nationalism’, in The Arts and Intellectual Life in Modern America : This Is Our Music : Free Jazz, the Sixties, and American Culture. University of Pennsylvania Press. Available at: http://site.ebrary.com/lib/vuw/reader.action?docID=10576113&ppg=100.
Atkins, E.T. (2003) ‘Black Internationale: Notes on the Chinese Jazz Age’, in Jazz Planet. Jackson: University Press of Mississippi. Available at: http://www.jstor.org/stable/10.2307/j.ctt2tvdb8.
Baraka, A. (1999) ‘Chapter 10: . . . Swing – from Verb to Noun’, in Blues people: Negro music in white America. 1st Quill ed. New York: William Morrow.
Berrett, J. (1999) ‘Chapter 2 “Satchmo: my life in New Orleans (excerpts) (1954)”’, in The Louis Armstrong companion: eight decades of commentary. New York: Schirmer Books.
Clark, Andrew, 1938- (2001) Riffs & choruses : a new jazz anthology. New York : Continuum.
Collier, J.L. (1981) ‘The First Genius: Louis Armstrong’, in The making of jazz: a comprehensive history. London: Macmillan.
Cooke, M. and Horn, D. (eds) (2003a) ‘Chapter 11: Free Jazz and the Avant-Garde’, in The Cambridge Companion to Jazz. Cambridge: Cambridge University Press. Available at: http://dx.doi.org/10.1017/CCOL9780521663205.
Cooke, M. and Horn, D. (eds) (2003b) The Cambridge Companion to Jazz. Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/CCOL9780521663205.
Davis, A.Y. (1998) ‘Mama’s Got the Blues’, in Blues legacies and Black feminism: Gertrude ‘Ma’ Rainey, Bessie Smith, and Billie Holiday. New York: Pantheon Books. Available at: https://search.ebscohost.com/login.aspx?direct=true&AuthType=sso&db=nlebk&AN=726310&site=ehost-live&custid=s5491658&ebv=EK&ppid=Page-__-45.
DeVeaux, S. (1991) ‘Constructing the Jazz Tradition: Jazz Historiography’, Black American Literature Forum, 25(3). Available at: https://doi.org/10.2307/3041812.
Gary Giddins (no date) ‘Chapter 38: Miles Davis (Kinds of Blues)’, in Visions of Jazz: The First Century - Gary Giddins - Google Books. Oxford University Press, 1998. Available at: https://books.google.co.nz/books/about/Visions_of_Jazz.html?id=JtEKSpyt2SUC&redir_esc=y.
Giddins, G. (1998) ‘John Coltrane’, in Visions of jazz: the first century. New York: Oxford University Press.
Gourse, Leslie (1996) ‘Chapters 1 and 2’, in Madame Jazz : Contemporary Women Instrumentalists. Oxford University Press. Available at: http://site.ebrary.com/lib/vuw/detail.action?docID=10087248.
Howland, J. (2006) ‘Jazz Rhapsodies in Black and White: James P. Johnson’s “Yamekraw” PAGES 445–65 ONLY’, American Music, 24(4). Available at: https://doi.org/10.2307/25046051.
Joyner, D. (2000) ‘Analyzing third stream’, Contemporary Music Review, 19(1), pp. 63–87. Available at: https://doi.org/10.1080/07494460000640141.
Kevin Fellezs (2011) ‘Chameleon: Herbie Hancock’, in Birds of Fire : Jazz, Rock, Funk, and the Creation of Fusion. Duke University Press. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=1172987&ppg=196.
Kirchner, B. (2000a) ‘“Duke Ellington” from The Oxford companion to jazz’, in The Oxford companion to jazz. New York: Oxford University Press.
Kirchner, B. (2000b) ‘The Advent of Bebop’, in The Oxford companion to jazz. New York: Oxford University Press.
Kirchner, B. (2000c) The Oxford companion to jazz. New York: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5745928.
Kisliuk, M.R. and Ebooks Corporation (1998a) ‘"At Ndaga: Life in  an African Forest” (pp. 35-58),’ in Seize the dance!: BaAka musical life and the ethnography of performance. New York: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=431001.
Kisliuk, M.R. and Ebooks Corporation (1998b) ‘“Yodeling For Alternatives” (pp. 3-10)’, in Seize the dance!: BaAka musical life and the ethnography of performance. New York: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=431001.
Lott, E. (1988) ‘Double V, Double-Time: Bebop’s Politics of Style’, Callaloo [Preprint], (36). Available at: https://doi.org/10.2307/2931544.
Marsalis, W. (no date) ‘MUSIC - What Jazz Is - and Isn’t - NYTimes.com’. Available at: https://wyntonmarsalis.org/news/entry/music-what-jazz-is-and-isnt.
Monson, Ingrid T. (Ingrid Tolia), c1996. (no date) ‘Chapter 2: Grooving and Feeling’, in Saying something: jazz improvisation and interaction. Available at: https://www.fulcrum.org/concern/monographs/5d86p0666.
O’Meally, R.G., Edwards, B.H. and Griffin, F.J. (no date) Uptown conversation: the new jazz studies [electronic resource]. New York: Columbia University Press. Available at: http://www.jstor.org/stable/10.7312/omea12350.
Porter, L. (1998) ‘17 A Love Supreme’, in John Coltrane: his life and music. Ann Arbor: University of Michigan Press.
Rosenthal, D.H. (1988) ‘Hard Bop and Its Critics’, The Black Perspective in Music, 16(1). Available at: https://doi.org/10.2307/1215124.
Shipton, A. (2001a) A new history of jazz. New York: Continuum.
Shipton, A. (2001b) ‘Chapter 6: Small Groups in Transition’, in A new history of jazz. New York: Continuum.
Shipton, A. (2007) ‘Charles Mingus’, in A new history of jazz. New York: Continuum.
Walser, Robert. (1999a) ‘Duke Ellington Explains Swing’, in Keeping time : readings in jazz history / edited by Robert Walser. Available at: http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope:(JNZS_vuw_ac_nz),scope:(Exams_vuw_ac_nz),scope:(NZJIR_vuw_ac_nz),scope:(researcharchive_vuw_ac_nz),scope:(NZREF_vuw_ac_nz),scope:(AJL_vuw_ac_nz),scope:(LEW_vuw_ac_nz),scope:(KOTARE_vuw_ac_nz),scope:(NZAROE_vuw_ac_nz),scope:(64VUW),primo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping+time+walser&dstmp=1468202059698.
Walser, Robert. (1999b) ‘On the Road with Count Basie (Billie Holiday)’, in Keeping time : readings in jazz history / edited by Robert Walser. Available at: http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope:(JNZS_vuw_ac_nz),scope:(Exams_vuw_ac_nz),scope:(NZJIR_vuw_ac_nz),scope:(researcharchive_vuw_ac_nz),scope:(NZREF_vuw_ac_nz),scope:(AJL_vuw_ac_nz),scope:(LEW_vuw_ac_nz),scope:(KOTARE_vuw_ac_nz),scope:(NZAROE_vuw_ac_nz),scope:(64VUW),primo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping+time+walser&dstmp=1468202059698.
Walser, Robert. (1999c) ‘Sidney Bechet’s Musical Philosophy’, in Keeping time : readings in jazz history / edited by Robert Walser. Available at: http://tewaharoa.victoria.ac.nz/primo_library/libweb/action/display.do?tabs=requestTab&ct=display&fn=search&doc=dedupmrg418607446&indx=1&recIds=dedupmrg418607446&recIdxs=0&elementId=0&renderMode=poppedOut&displayMode=full&frbrVersion=&frbg=&&dscnt=0&scp.scps=scope%3A%28JNZS_vuw_ac_nz%29%2Cscope%3A%28Exams_vuw_ac_nz%29%2Cscope%3A%28NZJIR_vuw_ac_nz%29%2Cscope%3A%28researcharchive_vuw_ac_nz%29%2Cscope%3A%28NZREF_vuw_ac_nz%29%2Cscope%3A%28AJL_vuw_ac_nz%29%2Cscope%3A%28LEW_vuw_ac_nz%29%2Cscope%3A%28KOTARE_vuw_ac_nz%29%2Cscope%3A%28NZAROE_vuw_ac_nz%29%2Cscope%3A%2864VUW%29%2Cprimo_central_multiple_fe&tb=t&vl(547469497UI0)=any&vid=VUW&mode=Basic&srt=rank&tab=all&dum=true&vl(freeText0)=keeping%20time%20walser&dstmp=1468202059698.