Bibliography for FILM302 BETA

bell hooks (2014) ‘Black Looks : Race and Representation’, in. Routledge. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=1813137&ppg=179.

Cook, P. (1985) The Cinema book. London: BFI.

Doane, M.A. (1982) ‘Film and the Masquerade: Theorising the Female Spectator’, Screen, 23(3–4), pp. 74–88. Available at: https://doi.org/10.1093/screen/23.3-4.74.

Halberstam, J. (2001) ‘The Boys Don’t Cry debate: The transgender gaze in Boys Don’t Cry’, Screen, 42(3), pp. 294–298. Available at: https://doi.org/10.1007/.

Hollinger, K. (1998) ‘Theorizing Mainstream Female Spectatorship: The Case of the Popular Lesbian Film’, Cinema Journal, 37(2). Available at: https://doi.org/10.2307/1225639.

Karl Schoonover , and  Rosalind Galt (2016) ‘Queer Cinema in the World (Introduction: “Queer, World, Cinema”’, in. Duke University Press. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=4742062&ppg=14.

Keegan, Cael M. (no date) ‘Moving bodies: sympathetic migrations in transgender narrativity’, Genders [Preprint]. Available at: https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=TN_gale_ofa324981029&context=PC&vid=VUWNUI〈=en_NZ&search_scope=64VUW_ALL&adaptor=primo_central_multiple_fe&tab=all&query=any,contains,Moving%20Bodies:%20Sympathetic%20Migrations%20in%20Transgender%20Narrativity&sortby=rank&offset=0.

Keeling, K. et al. (2015) ‘Pariah and Black Independent Cinema Today: A Roundtable Discussion’, GLQ: A Journal of Lesbian and Gay Studies, 21(2–3), pp. 423–439. Available at: https://doi.org/10.1215/10642684-2843251.

Kristin Lené Hole, , Jelač, ,  E. Ann Kaplan, , and  Patrice Petro (2016) ‘‘African "First Films”’, in. Routledge. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=4741929&ppg=254.

Mulvey, L. (1975) ‘Visual Pleasure and Narrative Cinema’, Screen, 16(3), pp. 6–18. Available at: https://doi.org/10.1093/screen/16.3.6.

‘“Queering the Globe: A Conversation with Rosalind Galt and Karl Schoonover...”’ (no date). Available at: https://fq.ucpress.edu/content/ucpfq/70/2/94.full.pdf.

Smelik, A. (2001) ‘“In Pursuit of the Author: On Cinematic Directorship”’, in. Basingstoke: Palgrave.

White, Patricia (2001) ‘Girls still cry.’, Screen, pp. 217–221. Available at: https://doi.org/10.1093/.

White, Patricia (2016) ‘“Pink Material”’, in. Routledge. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=4741929&ppg=232.

Wilson, E (2017) ‘SCENES OF HURT AND RAPTURE: CELINE SCIAMMA’S GIRLHOOD’, Film Quarterly, 70(3), pp. 10–22. Available at: https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=TN_wos000394920900002&context=PC&vid=VUWNUI&lang=en_US&search_scope=64VUW_ALL&adaptor=primo_central_multiple_fe&tab=all&query=any,contains,Scenes%20of%20Hurt%20and%20Rapture:%20C%C3%A9line%20Sciamma%27s%20Girlhood&offset=0.

‘“Womanliness as a Masquerade”’ (no date). Available at: http://mariabuszek.com/mariabuszek/kcai/DadaSurrealism/DadaSurrReadings/RiviereMask.pdf.

‘Women’s Cinema as Counter-Cinema’ (no date) in. Available at: https://www.jstor.org/stable/pdf/10.1525/j.ctt5vk01n.106.pdf?refreqid=excelsior%3Aaf966544fc09fe60e6d844ba95a97b6a.

Woodward, S. (2015) ‘Being both: Gender and indigeneity in two Pacific documentary films’, Pacific Journalism Review, 21(2). Available at: https://doi.org/10.24135/pjr.v21i2.117.

Yue, A. (2000) ‘What’s so queer about Happy Together? a.k.a. Queer (N) Asian: interface, community, belonging’, Inter-Asia Cultural Studies, 1(2), pp. 251–264. Available at: https://doi.org/10.1080/14649370050141131.