bell hooks, ‘Black Looks : Race and Representation’ (Routledge, 2014) <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=1813137&ppg=179>
Cook, Pam, The Cinema Book (BFI, 1985)
Doane, MA, ‘Film and the Masquerade: Theorising the Female Spectator’ (1982) 23(3–4) Screen 74
Halberstam, J., ‘The Boys Don’t Cry Debate: The Transgender Gaze in Boys Don’t Cry’ (2001) 42(3) Screen 294 <https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=TN_scopus2-s2.0-63849329481&context=PC&vid=VUWNUI&lang=en_US&search_scope=64VUW_ALL&adaptor=primo_central_multiple_fe&tab=all&query=any,contains,The%20Transgender%20Gaze%20in%20Boys%20Don%E2%80%99t%20Cry>
Hollinger, Karen, ‘Theorizing Mainstream Female Spectatorship: The Case of the Popular Lesbian Film’ (1998) 37(2) Cinema Journal
Karl Schoonover , and Rosalind Galt, ‘Queer Cinema in the World (Introduction: “Queer, World, Cinema”’ (Duke University Press, 2016) <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=4742062&ppg=14>
Keegan, Cael M., ‘Moving Bodies: Sympathetic Migrations in Transgender Narrativity’ Genders <https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=TN_gale_ofa324981029&context=PC&vid=VUWNUI〈=en_NZ&search_scope=64VUW_ALL&adaptor=primo_central_multiple_fe&tab=all&query=any,contains,Moving%20Bodies:%20Sympathetic%20Migrations%20in%20Transgender%20Narrativity&sortby=rank&offset=0>
Keeling, K et al, ‘Pariah and Black Independent Cinema Today: A Roundtable Discussion’ (2015) 21(2–3) GLQ: A Journal of Lesbian and Gay Studies 423
Kristin Lené Hole, , Jelač, , E. Ann Kaplan, , and Patrice Petro, ‘‘African "First Films”’ (Routledge, 2016) <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=4741929&ppg=254>
Mulvey, Laura, ‘Visual Pleasure and Narrative Cinema’ (1975) 16(3) Screen 6
‘“Queering the Globe: A Conversation with Rosalind Galt and Karl Schoonover...”’ <https://fq.ucpress.edu/content/ucpfq/70/2/94.full.pdf>
Smelik, Anneke, ‘“In Pursuit of the Author: On Cinematic Directorship”’ (Palgrave, 2001)
White, Patricia, ‘Girls Still Cry.’ [2001] Screen 217 <https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=TN_proquest1746556692&context=PC&vid=VUWNUI&lang=en_US&search_scope=64VUW_ALL&adaptor=primo_central_multiple_fe&tab=all&query=any,contains,Girls%20Still%20Cry>
White, Patricia, ‘“Pink Material”’ (Routledge, 2016) <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=4741929&ppg=232>
Wilson, E, ‘SCENES OF HURT AND RAPTURE: CELINE SCIAMMA’S GIRLHOOD’ (2017) 70(3) Film Quarterly 10 <https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=TN_wos000394920900002&context=PC&vid=VUWNUI&lang=en_US&search_scope=64VUW_ALL&adaptor=primo_central_multiple_fe&tab=all&query=any,contains,Scenes%20of%20Hurt%20and%20Rapture:%20C%C3%A9line%20Sciamma%27s%20Girlhood&offset=0>
‘“Womanliness as a Masquerade”’ <http://mariabuszek.com/mariabuszek/kcai/DadaSurrealism/DadaSurrReadings/RiviereMask.pdf>
‘Women’s Cinema as Counter-Cinema’ <https://www.jstor.org/stable/pdf/10.1525/j.ctt5vk01n.106.pdf?refreqid=excelsior%3Aaf966544fc09fe60e6d844ba95a97b6a>
Woodward, Suzanne, ‘Being Both: Gender and Indigeneity in Two Pacific Documentary Films’ (2015) 21(2) Pacific Journalism Review
Yue, Audrey, ‘What’s so Queer about Happy Together? A.k.a. Queer (N) Asian: Interface, Community, Belonging’ (2000) 1(2) Inter-Asia Cultural Studies 251
