@inbook{bell hooks_2014, title={Black Looks : Race and Representation}, url={https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=1813137&ppg=179}, publisher={Routledge}, author={bell hooks}, year={2014} }
@book{Cook_1985, address={London}, title={The Cinema book}, publisher={BFI}, author={Cook, Pam}, year={1985} }
@article{Doane_1982, title={Film and the Masquerade: Theorising the Female Spectator}, volume={23}, DOI={10.1093/screen/23.3-4.74}, number={3–4}, journal={Screen}, author={Doane, M. A.}, year={1982}, month={Sep}, pages={74–88} }
@article{Halberstam, J._2001, title={The Boys Don’t Cry debate: The transgender gaze in Boys Don’t Cry}, volume={42}, url={https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=TN_scopus2-s2.0-63849329481&context=PC&vid=VUWNUI&lang=en_US&search_scope=64VUW_ALL&adaptor=primo_central_multiple_fe&tab=all&query=any,contains,The%20Transgender%20Gaze%20in%20Boys%20Don%E2%80%99t%20Cry}, DOI={10.1007/}, number={3}, journal={Screen}, author={Halberstam, J.}, year={2001}, pages={294–298} }
@article{Hollinger_1998, title={Theorizing Mainstream Female Spectatorship: The Case of the Popular Lesbian Film}, volume={37}, DOI={10.2307/1225639}, number={2}, journal={Cinema Journal}, author={Hollinger, Karen}, year={1998}, month={Winter} }
@inbook{Karl Schoonover , and Rosalind Galt_2016, title={Queer Cinema in the World (Introduction: ‘Queer, World, Cinema’}, url={https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=4742062&ppg=14}, publisher={Duke University Press}, author={Karl Schoonover , and Rosalind Galt}, year={2016} }
@article{Keegan, Cael M., title={Moving bodies: sympathetic migrations in transgender narrativity}, url={https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=TN_gale_ofa324981029&context=PC&vid=VUWNUI〈=en_NZ&search_scope=64VUW_ALL&adaptor=primo_central_multiple_fe&tab=all&query=any,contains,Moving%20Bodies:%20Sympathetic%20Migrations%20in%20Transgender%20Narrativity&sortby=rank&offset=0}, journal={Genders}, author={Keegan, Cael M.} }
@article{Keeling_DeClue_Welbon_Stewart_Rastegar_2015, title={Pariah and Black Independent Cinema Today: A Roundtable Discussion}, volume={21}, DOI={10.1215/10642684-2843251}, number={2–3}, journal={GLQ: A Journal of Lesbian and Gay Studies}, author={Keeling, K. and DeClue, J. and Welbon, Y. and Stewart, J. and Rastegar, R.}, year={2015}, month={Jan}, pages={423–439} }
@inbook{Kristin Lené Hole, , Jelač, , E. Ann Kaplan, , and Patrice Petro_2016, title={‘African "First Films”}, url={https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=4741929&ppg=254}, publisher={Routledge}, author={Kristin Lené Hole, , Jelač, , E. Ann Kaplan, , and Patrice Petro}, year={2016} }
@article{Mulvey_1975, title={Visual Pleasure and Narrative Cinema}, volume={16}, DOI={10.1093/screen/16.3.6}, number={3}, journal={Screen}, author={Mulvey, Laura}, year={1975}, month={Sep}, pages={6–18} }
@inbook{Smelik_2001, address={Basingstoke}, title={‘In Pursuit of the Author: On Cinematic Directorship’}, publisher={Palgrave}, author={Smelik, Anneke}, year={2001} }
@article{White, Patricia_2001, title={Girls still cry.}, url={https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=TN_proquest1746556692&context=PC&vid=VUWNUI&lang=en_US&search_scope=64VUW_ALL&adaptor=primo_central_multiple_fe&tab=all&query=any,contains,Girls%20Still%20Cry}, DOI={10.1093/}, journal={Screen}, author={White, Patricia}, year={2001}, pages={217–221} }
@inbook{White, Patricia_2016, title={‘Pink Material’}, url={https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=4741929&ppg=232}, publisher={Routledge}, author={White, Patricia}, year={2016} }
@article{Wilson, E_2017, title={SCENES OF HURT AND RAPTURE: CELINE SCIAMMA’S GIRLHOOD}, volume={70}, url={https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=TN_wos000394920900002&context=PC&vid=VUWNUI&lang=en_US&search_scope=64VUW_ALL&adaptor=primo_central_multiple_fe&tab=all&query=any,contains,Scenes%20of%20Hurt%20and%20Rapture:%20C%C3%A9line%20Sciamma%27s%20Girlhood&offset=0}, number={3}, journal={Film Quarterly}, author={Wilson, E}, year={2017}, pages={10–22} }
@article{Woodward_2015, title={Being both: Gender and indigeneity in two Pacific documentary films}, volume={21}, DOI={10.24135/pjr.v21i2.117}, number={2}, journal={Pacific Journalism Review}, author={Woodward, Suzanne}, year={2015}, month={Oct} }
@article{Yue_2000, title={What’s so queer about Happy Together? a.k.a. Queer (N) Asian: interface, community, belonging}, volume={1}, DOI={10.1080/14649370050141131}, number={2}, journal={Inter-Asia Cultural Studies}, author={Yue, Audrey}, year={2000}, month={Jan}, pages={251–264} }
@inbook{Women’s Cinema as Counter-Cinema, url={https://www.jstor.org/stable/pdf/10.1525/j.ctt5vk01n.106.pdf?refreqid=excelsior%3Aaf966544fc09fe60e6d844ba95a97b6a} }
@article{‘Womanliness as a Masquerade’, url={http://mariabuszek.com/mariabuszek/kcai/DadaSurrealism/DadaSurrReadings/RiviereMask.pdf} }
@article{‘Queering the Globe: A Conversation with Rosalind Galt and Karl Schoonover...’, url={https://fq.ucpress.edu/content/ucpfq/70/2/94.full.pdf} }
