Adam, P. (7AD) The House of the Novel. Pantograph Punch. Available at: https://www.pantograph-punch.com/post/the-house-of-the-novel.
Alison, J. (27AD) Beyond the Narrative Arc. The Paris Review. Available at: https://www.theparisreview.org/blog/2019/03/27/beyond-the-narrative-arc/.
Beard, J.A. (no date) The Fourth State of Matter | The New Yorker. Available at: https://www.newyorker.com/magazine/1996/06/24/the-fourth-state-of-matter.
Bird, H.L. (2016) ‘I don’t care I don’t care I don’t care or NOtes from an abandoned love story’, in Mimicry. Wellington: Holly Hunter, pp. 34–37.
Birk, H. (2015) ‘Chapter 11’, in F. Gounder (ed.) Narrative and identity construction in the Pacific Islands. Amsterdam, Netherlands: John Benjamins Publishing Company. Available at: http://ebookcentral.proquest.com/lib/vuw/detail.action?docID=2040187.
Blanchfield, B. (2016) ‘A Note and On Minutes’, in Proxies: essays near knowing. New York: Nightboat Books, p. vii-viii and-57-62.
Boruch, M. (2011) ‘Memoir: Chapters 1 - 13’, in The glimpse traveler. Bloomington: Indiana University Press, pp. 3–33. Available at: http://ebookcentral.proquest.com/lib/vuw/detail.action?docID=670310.
Boruch, M. (no date) ‘“Once Made of Feathers and an Ounce of Blood”, “The Art of Poetry”’, in Eventually One Dreams the Real Thing. Copper Canyon Press.
Bose, S. (no date) ‘Wasafiri 27:1 : interview with Jeet Thayil’, pp. 38–43. Available at: https://doi.org/10.1080/02690055.2012.636895.
Bunting, B. (2000) ‘Complete Poems’, in Complete poems. Newcastle upon Tyne: Bloodaxe, pp. 61–64. Available at: https://www.proquest.com/publication/2058505?accountid=14782.
Burnside, J. (no date) ‘John Burnside’, in R. Robertson (ed.) Mortification. Harper Perennial, pp. 15–16.
Calvino, I. (1982) ‘Excerpt: Chapter One’, in If on a winter’s night a traveler. London: Picador in association with Secker & Warburg, pp. 9–13.
Carson, A. and Christakos, M. (2015) Short talks. Brick books classics first edition, 2015. London, Ontario: Brick Books.
Chanwai-Earle, L. (2016) Shift, Man in a Suitcase. Edited by D. O’Donnell. Wellington: Playmarket.
Charlotte Wood (2008) The children. Crows Nest, N.S.W: Allen & Unwin.
Convery, S. (no date) We need to talk about cultural appropriation. Available at: https://www.theguardian.com/books/2016/sep/15/we-need-to-talk-about-cultural-appropriation-why-lionel-shrivers-speech-touched-a-nerve.
D’Agata, J. (2003) ‘Introduction: To the Reader’, in The next American essay. Saint Paul, Minn: Graywolf Press.
D’Agata, J. and Fingal, J. (2012) ‘No title’, in The lifespan of a fact. New York: W. W. Norton, pp. 15-19 PLUS-107–108.
Desmond, P. (2009) Trust: a true story of women and gangs, Survival Skills. Auckland, N.Z.: Random House New Zealand.
Desmond, P. (2018) Song for Rosaleen, Excerpt from Chapter 7. Massey University Press. Available at: https://doi.org/https://ebookcentral-proquest-com.helicon.vuw.ac.nz/lib/vuw/detail.action?docID=5439085.
Diaz, J. (no date) MFA vs. POC - The New Yorker. Available at: http://www.newyorker.com/books/page-turner/mfa-vs-poc.
Dillon, B. (2017) ‘Essayism’, in Essayism. London, United Kingdom: Fitzcarraldo Editions, pp. 40–53.
Duignan, K. (2018) ‘Seven excerpts’, in The new ships. Wellington: Victoria University Press.
Eagleton, T. (1999) Hasped and hooped and hirpling: Heaney conquers Beowulf, Guardian. Available at: https://www.theguardian.com/books/1999/nov/03/seamusheaney.
Elizabeth Hardwick                      J.M. Cameron                    Eleanor Clark                    Douglas Cooper                    Andrew Hacker              Liesl Schillinger            Michael Massing            Kate Bolick            Christopher Alessandrini            Tareq Baconi (1976) ‘Billie Holiday’, The New York Review of Books [Preprint], (March 4, 1976). Available at: https://www.nybooks.com/articles/1976/03/04/billie-holiday/.
Fergus Barrowman, H.H.& (no date) Quick Ten with Elizabeth Knox & Fergus Barrowman | HelenHeath.com. Available at: http://www.helenheath.com/4-jul-2010/quick-ten-elizabeth-knox-fergus-barrowman.
Ferrante, E. (2015) ‘Excerpt’, in transl. Ann Goldstein (ed.) The Days of Abandonment. Text, pp. 115–118. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=1052821&ppg=114.
Field, T. (2008) Apparatus for the Inscription of a Falling Body., Seneca Review. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=32009524&site=ehost-live.
Figiel, S. (1996) ‘Excerpt from “where we once belonged”:  Buzzing...everywhere’, in Where we once belonged. Auckland, N.Z.: Pasifika Press, pp. 1–17.
Figiel, S. (2006a) ‘The Dancers’, in S.T. Marsh (ed.) Niu Voices. Huia, pp. 195–201.
Figiel, S. (2006b) ‘The Dancers’, in Niu voices. Wellington, N.Z.: Huia, pp. 195–201.
Forster, E.M. (1927) ‘People’, in Aspects of the novel. London: Edward  Arnold & Co, pp. 81–84.
Franz, C. (2011) ‘Chapter 1 from The Absent Sea’, in The absent sea. Kingston, N.Y: McPherson & Company, pp. 1–16.
Galloway, J. (no date) ‘nor smelleth so sour’, in R. Robertson (ed.) Mortification. Harper Perennial, pp. 8–11.
Gardner, J. (1991) ‘Common Errors’, in The art of fiction: notes on craft for young writers. Vintage Books ed. New York: Vintage Books.
Gildea, A. (2016) Poroporoaki to the Lord my God: weaving the Via Dolorosa : ekphrasis in response to Walk (Series C) by Colin McCahon. 1st edition. Wellington, New Zealand: Seraph Press.
Gildea, A. (2017) ‘Speaking Rights’, in P. Temple and E. Neale (eds) Manifesto Aotearoa: 101 political poems. University of Otago, pp. 98–99. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5973932&ppg=98.
Gildea, A. (no date a) Bone Shame: Grief, Te Ao Māori and the Liminal Space where Translation Fails | Cordite Poetry Review. Available at: http://cordite.org.au/essays/bone-shame/.
Gildea, A. (no date b) The Thief. Available at: http://www.takahe.org.nz/t82/.
Gilfillan, M. (1997) ‘Satin Street’, in Satin street. Wakefield, R.I: Asphodel Press, pp. 10–14.
Gilfillan, M. (2003) ‘Magpie Rising’, in Magpie rising. Lincoln: University of Nebraska Press, pp. 1–5.
Glück, L. (no date) ‘Against Sincerity’, in Proofs and Theories. Ecco, pp. 33–45.
Grace, P. (1986) ‘Excerpt from Potiki’, in Potiki. Auckland, N.Z.: Penguin Books, pp. 7-12-170–180.
Graham, J. (1996) ‘Imperialism’, in The Dream of the Unified Field. Carcanet Press, pp. 90–94.
Guriel, J. (no date) I Don’t Care about Your Life · thewalrus.ca. Available at: https://thewalrus.ca/i-dont-care-about-your-life/#.VxdLNJkJ88uk.twitter.
Haami, B. (2012) ‘Ta Te Ao Maori: Writing the Maori World’, in Huia histories of Māori: ngā Tāhuhu Kōrero. Wellington, N.Z.: Huia, pp. 163–195.
Hass, R. (1996) ‘My Mother’s Nipples’, in Sun Under Wood, pp. 12–22. Available at: https://www.proquest.com/publication/2060499?accountid=14782.
Heaney (translator), S. (2008) ‘Excerpt from Beowulf’, in Beowulf: an illustrated edition. 1st ed. New York: W. W. Norton, p. Line #:  63-Line # 143.
Hejinian, L. (no date) My Life. Available at: http://epc.buffalo.edu/authors/hejinian/life.html.
Hoagland, T. (2006a) ‘Negative Capability: How to talk mean and influence people’, in Real sofistikashun: essays on poetry and craft. Saint Paul, Minn: Graywolf Press. Available at: http://www.loc.gov/catdir/toc/fy0705/2006924335.html.
Hoagland, T. (2006b) ‘Sad Anthropologists: The Dialectical Use of Tone’, in Real Sofistikashun. Graywolf, pp. 83–93.
Holiday, H. (no date) The City Admits no Wrongdoing | Prac Crit. Available at: http://www.praccrit.com/poems/the-city-admits-no-wrongdoing/.
Interviews from Writers Week 2016 Audio Collection | Radio New Zealand (no date). Available at: http://www.radionz.co.nz/collections/u/writers-and-readers-festivals/writers-week-wellington-2016/interviews.
Johnston, D. (2008) ‘Sources’, in Sources. Turtle Point Press, pp. 46–46.
Johnston, D. (2009) ‘Creaturely’, in Creaturely and Other Essays. Turtle Point Press, pp. 3–13.
Johnston, D. (2015) ‘Far-Fetched’, in Far-fetched: poems. First edition. New York: Farrar, Straus and Giroux.
Koch, S. (2003a) ‘Chapter 6: The Story of the Self’, in The modern library writer’s workshop: a guide to the craft of fiction. New York: Modern Library, pp. 135–153.
Koch, S. (2003b) ‘The story of the Self: Fact, Fiction and the Autobiographical Muse’, in The modern library writer’s workshop: a guide to the craft of fiction. New York: Modern Library, pp. 135–156.
Kunzru et al, H. (no date) Whose life is it anyway? Novelists have their say on cultural appropriation | Books | The Guardian. Available at: https://www.theguardian.com/books/2016/oct/01/novelists-cultural-appropriation-literature-lionel-shriver.
Lazar, D. (2009) ‘Occasional Desire’, in Truth in Nonfiction. University of Iowa Press. Available at: http://ebookcentral.proquest.com/lib/VUW/detail.action?docID=843187.
Leonard Michaels, G.P. and (1980) ‘Threepenny Review: Conversations with Grace Paley’, Threepenny Review: Conversations with Grace Paley. Edited by G.B. and Blaine Hall, (3), pp. 26–35.
Lopate, P. (2013a) ‘Facts Have Implications: or, Is Nonfiction Really Fiction?’, in To show and to tell: the craft of literary nonfiction. 1st Free Press trade paperback ed. New York: Free Press, pp. 77–81.
Lopate, P. (2013b) ‘The Lyric Essay’, in To show and to tell: the craft of literary nonfiction. 1st Free Press trade paperback ed. New York: Free Press, pp. 122–126.
Lowell, R. (1959) ‘Skunk Hour (from life Studies)’, in Life studies. Farrar, Straus, and Cudahy.
Lutz, G. (no date) The Believer - The Sentence Is a Lonely Place. Available at: http://www.believermag.com/issues/200901/?read=article_lutz.
Makereti, T. (2010) ‘Kaitiaki from Once UPon a Time in Aotearoa’, in Once upon a time in Aotearoa. Wellington, N.Z.: Huia, pp. 9–19.
Makereti, T. (2014a) ‘Chapter 5 and Pt Chapter 6 from Where the Rekohu bone sings’, in Where the Rekohu bone sings. Auckland: Vintage, pp. 76–89.
Makereti, T. (2014b) ‘Excerpt’, in Where the Rekohu bone sings. Auckland: Vintage, pp. 6-7-and 99.
Makereti, T. (2017a) Poutokomanawa – The Heartpost. ANZL: Academy of New Zealand Literature. Available at: https://www.anzliterature.com/feature/poutokomanawa-the-heartpost/.
Makereti, T. (2017b) The fuse box: essays on writing from Victoria University’s International Institute of Modern Letters, The Story that Matters. Edited by E. Perkins and C. Price. Wellington: Victoria University Press.
Makereti, T. (2018) ‘Chapter 8’, in The Imaginary Lives of James Poneke. Penguin Random House, pp. 117–133.
Manhire, B. (1999) ‘Luck: A Villanelle’, in What to call your child. Auckland, N.Z.: Godwit, pp. 71–71.
Manhire, B. (2001) ‘On Originiality’, in Collected poems. Wellington, N.Z.: Victoria University Press, pp. 62–63.
Manhire, B. (2005) ‘“Erebus Voices” and “Hotel Emergencies”’, in Lifted. Wellington, N.Z.: Victoria University Press, pp. 40-41-51–52.
Manhire, B. (no date) ‘Various poems from Some Things to Place in a Coffin’, in Some things to place in a coffin. Wellington: Victoria University Press, pp. 41, 43, 46–57.
Manhire, B. and Smaill, A. (2018) ‘Interview (an interview by Anna Smaill)’, in Sport 46. Fergus Barrowman, pp. 5–29. Available at: https://viewer.waireto.victoria.ac.nz/client/viewer/IE1190900/rep/REP1190903/FL1190926?dps_dvs=1616629515227~23.
McKee, R. (1999) ‘Chapter 12: Composition’, in Story: substance, structure, style, and the principles of screenwriting. London: Methuen, pp. 288–301.
Meredith, C.S. (2016) ‘Excerpt: Patriarch, Eldest Son, Ghost Son, Daughter’, in Tail of the Taniwha: a collection of short stories. Auckland: Beatnik Publishing, pp. 114–119.
Moore, L. (1987) ‘Excerpt: How to Become a Writer’, in Self-Help. Picador, pp. 119–123.
Morrison, T. (1992) ‘Excerpt from Jazz’, in Jazz. 1st ed. New York: Knopf, pp. 3–9.
Morrison, T. and Schappell, E. (no date) Paris Review - Toni Morrison, The Art of Fiction No. 134. The Paris Review. Available at: https://www.theparisreview.org/interviews/1888/toni-morrison-the-art-of-fiction-no-134-toni-morrison.
Moshfegh, O. (2016) ‘Excerpt’, in Eileen: A Novel. Vintage, pp. 1–5.
Muller, H. (2013) ‘When we don’t speak we become unbearable’, in Cristina and Her Double. Portobello, pp. 168–175.
New Zealand. Government Printing Office (1981) ‘Proofreaders’ marks’, in Style book: a guide addressed to all writers, editors, and public servants who prepare manuscripts for publication by the Government Printing Office. 3rd ed. Wellington, N.Z.: Government Printer, pp. 30–35.
Niedecker, L. (1985) ‘The Granite Pail’, in The granite pail: the selected poems of Lorine Niedecker. San Francisco: North Point Press, pp. 69–69.
O’Hagan, A. (2015) ‘Video Games; Jane Street; 2M2H’, in the illuminations. Faber & Faber, pp. 21–39. Available at: http://www.upcitemdb.com/upc/9780571273652.
Pack, S. (no date) Big mouth strikes again - New Zealand Festival. Available at: http://www.festival.co.nz/article/big-mouth-strikes-again/.
Paley, G. (1970) ‘Some Notes on Teaching: probably spoken’, in Writers as teachers/teachers as writers. New York: Holt, Rinehart and Winston, pp. 202–206.
Paley, G. (1994a) ‘In This Country, But in Another Language, My Aunt Refuses to Marry the Men Everyone Wants Her To’, in The collected stories. 1st ed. New York: Farrar Straus Giroux, pp. 333–334.
Paley, G. (1994b) ‘Two Ears, Three Lucks’, in The collected stories. 1st ed. New York: Farrar Straus Giroux, pp. xiii–xv.
Passarello, E. (no date) ‘Yuka’, in Animals Strike Curious Poses. Sarabande Books, pp. 13–19.
Perec, G. (2010) An Attempt at Exhausting a Place in Paris. Wakefield Press. Available at: https://iitcoa3rdyr.files.wordpress.com/2014/09/perec_readings.pdf.
Perkins, E. (1996) ‘Excerpt from Not her real name’, in Not her real name, and other stories. Wellington [N.Z.]: Victoria University Press, pp. 1–7.
Perkins, E. (2008) ‘Excerpt from Novel about my wife’, in Novel about my wife. London: Bloomsbury, pp. 1–7.
Perkins, E. (2012) ‘Excerpt from The Forrests’, in The Forrests. London: Bloomsbury, pp. 1–7.
Phang, H.-D. (no date) #PoemResearch: Notes on Researching as a Poet. Available at: https://www.poetryfoundation.org/harriet/2017/02/poemresearch-notes-on-researching-as-a-poet/.
Plett, C. (no date) Rise of the Gender Novel. Available at: http://thewalrus.ca/rise-of-the-gender-novel/.
Price, C. (2016) ‘The Kingdom’, in Beside herself. Auckland, New Zealand: Auckland University Press, pp. 13–14.
Pullman, P. (1995) ‘Excerpt from Introduction’, in Northern lights. London: Scholastic, pp. 3–9.
Pullman, P. (2017) ‘Making It Up and Writing It Down’, in Daemon Voices. David Fickling Books, pp. 23–43.
Rankine, C. and Hoagland, T. (no date) Symposium on Subjectivity and Style | Fence Portal. Available at: http://www.fenceportal.org/?page_id=647.
Richardson, B. (2006) ‘Transgressing Self and Voice - Contemporary Fiction and the Death of the Narrator’, in UNNATURAL VOICES. Ohio State University Press, pp. 1–13. Available at: https://tewaharoa.victoria.ac.nz/discovery/fulldisplay?docid=alma99179368498702386&context=L&vid=64VUW_INST:VUWNUI&search_scope=MyInst_and_CI&tab=all&lang=en.
Robbe-Grillet, A. (1965) ‘Excerpt’, in Jealousy. London: Grove Press, translated by Richard Howard, pp. 39–45.
Robertson, R. (2006) ‘La Stanza Delle Mosche and Lizard’, in Swithering. 1st U.S. ed. Orlando: Harcourt, Inc, pp. 58–59.
Robertson, R. (no date a) ‘1946’, in The Long Take, pp. 1–15. Available at: https://books.google.co.nz/books?id=yog6DwAAQBAJ&printsec=frontcover&dq=robin+robertson+the+long+take&hl=en&sa=X&ved=0ahUKEwiDpe_uwf_cAhXSad4KHQ5MABIQ6AEIJzAA#v=onepage&q=robin%20robertson%20the%20long%20take&f=false.
Robertson, R. (no date b) ‘By Clachan Bridge  and  The Wood of Lost Things’, in The Wrecking Light. Anansi, 2010, pp. 6-7  and-67–69. Available at: https://books.google.co.nz/books?id=uL1pZATlFGcC&dq=inauthor:%22Robin+Robertson%22&hl=en&sa=X&ved=0ahUKEwiCmoHUv__cAhUSd94KHbKkBssQ6AEILTAB.
Robertson, R. (no date c) ‘from 1950’, in The Long Take, pp. 100–105. Available at: https://books.google.co.nz/books?id=yog6DwAAQBAJ&printsec=frontcover&dq=robin+robertson+the+long+take&hl=en&sa=X&ved=0ahUKEwiDpe_uwf_cAhXSad4KHQ5MABIQ6AEIJzAA#v=onepage&q=robin%20robertson%20the%20long%20take&f=false.
Robertson, R. (no date d) ‘The Flaying of Marsyas’, in A Painted Field. Harvest Books, pp. 10–13.
Robertson, R. (no date e) ‘The Flaying of Marsyas, Artichoke and Oyster’, in A Painted Field. Harvest Books, pp. 10-13 and-52–53.
Roethke, T. (1991) ‘My Papa’s Waltz from Collected Poems of Theodore Roethke.’, in The collected poems of Theodore Roethke. New York: Anchor Books. Available at: https://www.proquest.com/publication/2059714?accountid=14782.
Rose, P. (2009) ‘Whose Truth?’, in Truth in Nonfiction. University of Iowa Press. Available at: http://ebookcentral.proquest.com/lib/VUW/detail.action?docID=843187.
Seshadri, V. (28AD) ‘Memoir’, The New Yorker, pp. 58–58.
Sheilds, D. (2010) ‘g: blur’, in Reality hunger: a manifesto. 1st ed. New York: Alfred A. Knopf, pp. 63–71.
Shepherd, R. (no date a) A Brief Manual for Swimmers. Available at: http://www.poetryfoundation.org/poetrymagazine/browse/164/5#!/20604097/0.
Shepherd, R. (no date b) Hesitation Theory. Available at: http://www.poetryfoundation.org/poem/182353.
Shepherd, R. (no date c) Phenomenology. Available at: http://www.poetryfoundation.org/poetrymagazine/browse/164/5#!/20604098/0.
Shepherd, R. (no date d) The Other’s Other: Against Identity Poetry. Available at: http://quod.lib.umich.edu/cgi/t/text/text-idx?cc=mqr;c=mqr;c=mqrarchive;idno=act2080.0042.407;rgn=main;view=text;xc=1;g=mqrg.
Shields, D. (2010) ‘Excerpt from Reality Hunger’, in Reality Hunger: A Manifesto. Hamish Hamilton.
Simic, C. (1992a) ‘Hotel insomnia’, in Hotel insomnia. 1st ed. San Diego: Harcourt Brace Jovanovich, pp. 12–12.
Simic, C. (1992b) ‘Makers of Labyrinths’, in Hotel insomnia. 1st ed. San Diego: Harcourt Brace Jovanovich, pp. 14–15.
Simic, C. (1994) ‘The Little Venus of the Eskimos’, in The Unemployed Fortune-Teller. University of Michigan Press, pp. 13–18.
Singer, S. (2015) ‘Black Swan’, in Honey & Smoke. Eyewear, pp. 52–61.
Smaill, A. (2005) ‘The Nightmare’, in The violinist in spring. Wellington [N.Z.]: Victoria University Press, pp. 78–78.
Smaill, A. (2015) ‘Excerpt from The Chimes’, in The Chimes. London: Sceptre, pp. 34–49.
Spufford, F. (2010) ‘Chapter of Red Plenty: The Cast, Introduction, The Prodigy’, in Red Plenty. faber and faber, pp. ix–17.
Spufford, F. (2016) ‘Excerpt from Golden Hill’, in Golden Hill. faber and faber, pp. 3–19.
Spufford, F. (2017) ‘True Stories & Other Essays: Introduction, Responsible Fiction, Irresponsible Fact, The Dyer’s Elbow’, in True Stories & Other Essays. Yale University Press, pp. viii–xviii, 104-109-318–319.
Strawson, G. (2004) ‘Against Narrativity’, Ratio, 17(4), pp. 428–452. Available at: https://doi.org/10.1111/j.1467-9329.2004.00264.x.
Svoboda, T. (2008) ‘Chapter 1 & 2 from Black Glases Like Clark Kent’, in Black glasses like Clark Kent: a GI’s secret from postwar Japan. Saint Paul, Minn: Graywolf Press, pp. 1–10.
Svoboda, T. (2009) ‘Secret Executions of Black GIs in Japan from “Weapons Grade”’, in Weapons Grade: poems. Fayetteville: University of Arkansas Press. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?ppg=22&docID=2007643&tm=1523221968098.
Svoboda, T. (2016) ‘Chapter 3 and 23 from Anything That Burns You | Independent Publishers Group’, in Anything That Burns You | Independent Publishers Group. Independent Publishers Group, pp. 27-32-218–226.
Tan, M. (no date) Indigenous writer Bruce Pascoe: ‘We need novels that are true to the land’. Available at: http://www.theguardian.com/books/2016/feb/18/indigenous-writer-bruce-pascoe-on-why-australias-literary-giants-have-failed?CMP=twt_books_b-gdnbooks.
Thayil, J. (2012) ‘Excerpt from Narcopolis’, in Narcopolis. Faber & Faber, pp. 1–15.
Thayil, J. (2018) Excerpt from The Book of Chocolate Saints, The Book of Chocolate Saints. FABER & FABER, pp. 1–15.
Thayil, J. (no date a) Four poems. Available at: https://www.poemhunter.com/jeet-thayil/.
Thayil, J. (no date b) Six poems. Available at: http://www.nicolestellon.com/wp-content/uploads/2016/04/JeetThayilPoems.pdf.
The Day Lady Died by Frank O’Hara (1964). Poetry Foundadtion. Available at: https://www.poetryfoundation.org/poems/42657/the-day-lady-died.
Thomson, R. (no date) ‘in the padded cell’, in R. Robertson (ed.) Mortification. Harper Perennial, pp. 12–14.
Tony Hoagland, C.R. and (no date) FENCE: Symposium on Subjectivity and Style. Available at: https://www.fenceportal.org/symposium-on-subjectivity-and-style/.
Tremewan, T., Lincoln University Press, and Daphne Brasell Associates (1997) ‘The Standard Marks’, in Write, edit, print: style manual for Aotearoa New Zealand. Canberra, A.C.T.: AGPS Press, part of the Australian Government Publishing Service in association with Lincoln University Press, pp. 320–327.
Tumarkin, M. (2AD) What The Essayist Spills: The Unspeakable by Meghan Daum |. Sydney Review of Books. Available at: https://sydneyreviewofbooks.com/the-unspeakable-meghan-daum/.
Tumarkin, M. (2014) ‘This narrated life: The limits of storytelling’, Griffith REVIEW [Preprint]. Edited by J. Schulz. Available at: https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=TN_informit429797931647507&context=PC&vid=VUWNUI&lang=en_NZ&search_scope=64VUW_ALL&adaptor=primo_central_multiple_fe&tab=all&query=any,contains,tumarkin,%20maria&facet=rtype,exclude,newspaper_articles&facet=rtype,exclude,reviews.
Tumarkin, M. (2018) ‘you can’t enter the same river twice’, in Axiomatic. Brow Books, Melbourne, pp. 185–201. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5755359&ppg=127.
Weinberger, E. (2000) ‘An Archaeology of Dreams’, in Karmic traces. New York: New Directions Books, pp. 12–15.
Wellesley, M. (30AD) ‘Short Cuts’, in London Review of Books. Available at: https://www.lrb.co.uk/v40/n16/mary-wellesley/short-cuts.
Wood, C. (2015) ‘Excerpts’, in The Natural Way of Things. Allen and Unwin, pp. 1-13-59–69. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5145431&ppg=6.
Wood, J. (2009) ‘Narrating’, in How Fiction Works. New York: Picador, pp. 5–21.
Young, A. (2012a) ‘The Rest is Easy’, in Magnificent moon. Wellington [N.Z.]: Victoria University Press, pp. 39–40.
Young, A. (2012b) ‘Tight Formations’, in Magnificent moon. Wellington [N.Z.]: Victoria University Press, pp. 54–55.
Zucker, R. (no date) Confessionalography: A GNAT (Grossly Non-Academic Talk) on ‘I’ in Poetry. Available at: https://www.poets.org/poetsorg/text/confessionalography-gnat-grossly-non-academic-talk-i-poetry.