Adam, Pip. The House of the Novel. Pantograph Punch, 7AD, https://www.pantograph-punch.com/post/the-house-of-the-novel.
Alison, Jane. Beyond the Narrative Arc. The Paris Review, 27AD, https://www.theparisreview.org/blog/2019/03/27/beyond-the-narrative-arc/.
Beard, Jo Ann. The Fourth State of Matter | The New Yorker. https://www.newyorker.com/magazine/1996/06/24/the-fourth-state-of-matter.
Bird, Hera Lindsay. ‘I Don’t Care I Don’t Care I Don’t Care or NOtes from an Abandoned Love Story’. Mimicry, Holly Hunter, 2016, pp. 34–37.
Birk, Hanne. ‘Chapter 11’. Narrative and Identity Construction in the Pacific Islands, edited by Farzana Gounder, vol. Volume 21, John Benjamins Publishing Company, 2015, http://ebookcentral.proquest.com/lib/vuw/detail.action?docID=2040187.
Blanchfield, Brian. ‘A Note and On Minutes’. Proxies: Essays near Knowing, Nightboat Books, 2016, p. vii-viii and-57-62.
Boruch, Marianne. ‘Memoir: Chapters 1 - 13’. The Glimpse Traveler, vol. Break away books, Indiana University Press, 2011, pp. 3–33, http://ebookcentral.proquest.com/lib/vuw/detail.action?docID=670310.
---. ‘“Once Made of Feathers and an Ounce of Blood”, “The Art of Poetry”’. Eventually One Dreams the Real Thing, Copper Canyon Press.
Bose, Siddhartha. Wasafiri 27:1 : Interview with Jeet Thayil. pp. 38–43, https://doi.org/10.1080/02690055.2012.636895.
Bunting, Basil. ‘Complete Poems’. Complete Poems, Bloodaxe, 2000, pp. 61–64, https://www.proquest.com/publication/2058505?accountid=14782.
Burnside, John. ‘John Burnside’. Mortification, edited by Robin Robertson, Harper Perennial, pp. 15–16.
Calvino, Italo. ‘Excerpt: Chapter One’. If on a Winter’s Night a Traveler, Picador in association with Secker & Warburg, 1982, pp. 9–13.
Carson, Anne, and Margaret Christakos. Short Talks. Brick books classics first edition, 2015, vol. Brick Books classics, Brick Books, 2015.
Chanwai-Earle, Lynda. ‘Shift’. Man in a Suitcase, edited by David O’Donnell, Playmarket, 2016.
Charlotte Wood. The Children. Allen & Unwin, 2008.
Convery, Stephanie. We Need to Talk about Cultural Appropriation. https://www.theguardian.com/books/2016/sep/15/we-need-to-talk-about-cultural-appropriation-why-lionel-shrivers-speech-touched-a-nerve.
D’Agata, John. ‘Introduction: To the Reader’. The next American Essay, Graywolf Press, 2003.
D’Agata, John, and Jim Fingal. ‘No Title’. The Lifespan of a Fact, W. W. Norton, 2012, pp. 15-19 PLUS-107–08.
Desmond, Pip. ‘Song for Rosaleen’. Excerpt from Chapter 7, Massey University Press, 2018, https://doi.org/https://ebookcentral-proquest-com.helicon.vuw.ac.nz/lib/vuw/detail.action?docID=5439085.
---. ‘Trust: A True Story of Women and Gangs’. Survival Skills, Random House New Zealand, 2009.
Diaz, Junot. MFA vs. POC - The New Yorker. http://www.newyorker.com/books/page-turner/mfa-vs-poc.
Dillon, Brian. ‘Essayism’. Essayism, Fitzcarraldo Editions, 2017, pp. 40–53.
Duignan, Kate. ‘Seven Excerpts’. The New Ships, Victoria University Press, 2018.
Eagleton, Terry. ‘Hasped and Hooped and Hirpling: Heaney Conquers Beowulf’. Guardian, 3 Nov. 1999, https://www.theguardian.com/books/1999/nov/03/seamusheaney.
Elizabeth Hardwick J.M. Cameron Eleanor Clark Douglas Cooper Andrew Hacker Liesl Schillinger Michael Massing Kate Bolick Christopher Alessandrini Tareq Baconi. ‘Billie Holiday’. The New York Review of Books, no. March 4, 1976, 1976, https://www.nybooks.com/articles/1976/03/04/billie-holiday/.
Fergus Barrowman, Helen Heath &. Quick Ten with Elizabeth Knox & Fergus Barrowman | HelenHeath.Com. http://www.helenheath.com/4-jul-2010/quick-ten-elizabeth-knox-fergus-barrowman.
Ferrante, Elena. ‘Excerpt’. The Days of Abandonment, edited by transl. Ann Goldstein, Text, 2015, pp. 115–18, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=1052821&ppg=114.
Field, Thalia. ‘Apparatus for the Inscription of a Falling Body.’ Seneca Review, 2008, http://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=32009524&site=ehost-live.
Figiel, Sia. ‘Excerpt from “Where We Once Belonged”: Buzzing...Everywhere’. Where We Once Belonged, Pasifika Press, 1996, pp. 1–17.
---. ‘The Dancers’. Niu Voices, edited by Selina Tusitala Marsh, Huia, 2006, pp. 195–201.
---. ‘The Dancers’. Niu Voices, vol. 1, Huia, 2006, pp. 195–201.
Forster, E. M. ‘People’. Aspects of the Novel, Edward Arnold & Co, 1927, pp. 81–84.
Franz, Carlos. ‘Chapter 1 from The Absent Sea’. The Absent Sea, McPherson & Company, 2011, pp. 1–16.
Galloway, Janice. ‘Nor Smelleth so Sour’. Mortification, edited by Robin Robertson, Harper Perennial, pp. 8–11.
Gardner, John. ‘Common Errors’. The Art of Fiction: Notes on Craft for Young Writers, Vintage Books ed, Vintage Books, 1991.
Gildea, Anahera. Bone Shame: Grief, Te Ao Māori and the Liminal Space Where Translation Fails | Cordite Poetry Review. http://cordite.org.au/essays/bone-shame/.
---. Poroporoaki to the Lord My God: Weaving the Via Dolorosa : Ekphrasis in Response to Walk (Series C) by Colin McCahon. 1st edition, Seraph Press, 2016.
---. ‘Speaking Rights’. Manifesto Aotearoa: 101 Political Poems, edited by Philip Temple and Emma Neale, University of Otago, 2017, pp. 98–99, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5973932&ppg=98.
---. The Thief. http://www.takahe.org.nz/t82/.
Gilfillan, Merrill. ‘Magpie Rising’. Magpie Rising, University of Nebraska Press, 2003, pp. 1–5.
---. ‘Satin Street’. Satin Street, Asphodel Press, 1997, pp. 10–14.
Glück, Louise. ‘Against Sincerity’. Proofs and Theories, Ecco, pp. 33–45.
Grace, Patricia. ‘Excerpt from Potiki’. Potiki, Penguin Books, 1986, pp. 7-12-170–80.
Graham, Jorie. ‘Imperialism’. The Dream of the Unified Field, Carcanet Press, 1996, pp. 90–94.
Guriel, Jason. I Don’t Care about Your Life · Thewalrus.Ca. https://thewalrus.ca/i-dont-care-about-your-life/#.VxdLNJkJ88uk.twitter.
Haami, Bradford. ‘Ta Te Ao Maori: Writing the Maori World’. Huia Histories of Māori: Ngā Tāhuhu Kōrero, Huia, 2012, pp. 163–95.
Hass, Robert. ‘My Mother’s Nipples’. Sun Under Wood, 1996, pp. 12–22, https://www.proquest.com/publication/2060499?accountid=14782.
Heaney (translator), Seamus. ‘Excerpt from Beowulf’. Beowulf: An Illustrated Edition, 1st ed, W. W. Norton, 2008, p. Line #: 63-Line # 143.
Hejinian, Lyn. My Life. http://epc.buffalo.edu/authors/hejinian/life.html.
Hoagland, Tony. ‘Negative Capability: How to Talk Mean and Influence People’. Real Sofistikashun: Essays on Poetry and Craft, Graywolf Press, 2006, http://www.loc.gov/catdir/toc/fy0705/2006924335.html.
---. ‘Sad Anthropologists: The Dialectical Use of Tone’. Real Sofistikashun, Graywolf, 2006, pp. 83–93.
Holiday, Harmony. The City Admits No Wrongdoing | Prac Crit. http://www.praccrit.com/poems/the-city-admits-no-wrongdoing/.
Interviews from Writers Week 2016 Audio Collection | Radio New Zealand. http://www.radionz.co.nz/collections/u/writers-and-readers-festivals/writers-week-wellington-2016/interviews.
Johnston, Devin. ‘Creaturely’. Creaturely and Other Essays, Turtle Point Press, 2009, pp. 3–13.
---. ‘Far-Fetched’. Far-Fetched: Poems, First edition, Farrar, Straus and Giroux, 2015.
---. ‘Sources’. Sources, Turtle Point Press, 2008, pp. 46–46.
Koch, Stephen. ‘Chapter 6: The Story of the Self’. The Modern Library Writer’s Workshop: A Guide to the Craft of Fiction, Modern Library, 2003, pp. 135–53.
---. ‘The Story of the Self: Fact, Fiction and the Autobiographical Muse’. The Modern Library Writer’s Workshop: A Guide to the Craft of Fiction, Modern Library, 2003, pp. 135–56.
Kunzru et al, Hari. Whose Life Is It Anyway? Novelists Have Their Say on Cultural Appropriation | Books | The Guardian. https://www.theguardian.com/books/2016/oct/01/novelists-cultural-appropriation-literature-lionel-shriver.
Lazar, David. ‘Occasional Desire’. Truth in Nonfiction, University of Iowa Press, 2009, http://ebookcentral.proquest.com/lib/VUW/detail.action?docID=843187.
Leonard Michaels, Grace Paley and. ‘Threepenny Review: Conversations with Grace Paley’. Threepenny Review: Conversations with Grace Paley, edited by Gerhard Bach and Blaine Hall, no. 3, 1980, pp. 26–35.
Lopate, Philip. ‘Facts Have Implications: Or, Is Nonfiction Really Fiction?’ To Show and to Tell: The Craft of Literary Nonfiction, 1st Free Press trade paperback ed, Free Press, 2013, pp. 77–81.
---. ‘The Lyric Essay’. To Show and to Tell: The Craft of Literary Nonfiction, 1st Free Press trade paperback ed, Free Press, 2013, pp. 122–26.
Lowell, Robert. ‘Skunk Hour (from Life Studies)’. Life Studies, Farrar, Straus, and Cudahy, 1959.
Lutz, Gary. The Believer - The Sentence Is a Lonely Place. http://www.believermag.com/issues/200901/?read=article_lutz.
Makereti, Tina. ‘Chapter 5 and Pt Chapter 6 from Where the Rekohu Bone Sings’. Where the Rekohu Bone Sings, Vintage, 2014, pp. 76–89.
---. ‘Chapter 8’. The Imaginary Lives of James Poneke, Penguin Random House, 2018, pp. 117–33.
---. ‘Excerpt’. Where the Rekohu Bone Sings, Vintage, 2014, pp. 6-7-and 99.
---. ‘Kaitiaki from Once UPon a Time in Aotearoa’. Once upon a Time in Aotearoa, Huia, 2010, pp. 9–19.
---. Poutokomanawa – The Heartpost. ANZL: Academy of New Zealand Literature, 2017, https://www.anzliterature.com/feature/poutokomanawa-the-heartpost/.
---. ‘The Fuse Box: Essays on Writing from Victoria University’s International Institute of Modern Letters’. The Story That Matters, edited by Emily Perkins and Chris Price, Victoria University Press, 2017.
Manhire, Bill. ‘“Erebus Voices” and “Hotel Emergencies”’. Lifted, Victoria University Press, 2005, pp. 40-41-51–52.
---. ‘Luck: A Villanelle’. What to Call Your Child, Godwit, 1999, pp. 71–71.
---. ‘On Originiality’. Collected Poems, Victoria University Press, 2001, pp. 62–63.
---. ‘Various Poems from Some Things to Place in a Coffin’. Some Things to Place in a Coffin, Victoria University Press, pp. 41, 43, 46–57.
Manhire, Bill, and Anna Smaill. ‘Interview (an Interview by Anna Smaill)’. Sport 46, Fergus Barrowman, 2018, pp. 5–29, https://viewer.waireto.victoria.ac.nz/client/viewer/IE1190900/rep/REP1190903/FL1190926?dps_dvs=1616629515227~23.
McKee, Robert. ‘Chapter 12: Composition’. Story: Substance, Structure, Style, and the Principles of Screenwriting, Methuen, 1999, pp. 288–301.
Meredith, Courtney Sina. ‘Excerpt: Patriarch, Eldest Son, Ghost Son, Daughter’. Tail of the Taniwha: A Collection of Short Stories, Beatnik Publishing, 2016, pp. 114–19.
Moore, Lorrie. ‘Excerpt: How to Become a Writer’. Self-Help, Picador, 1987, pp. 119–23.
Morrison, Toni. ‘Excerpt from Jazz’. Jazz, 1st ed, Knopf, 1992, pp. 3–9.
Morrison, Toni, and Elissa Schappell. Paris Review - Toni Morrison, The Art of Fiction No. 134. The Paris Review, https://www.theparisreview.org/interviews/1888/toni-morrison-the-art-of-fiction-no-134-toni-morrison.
Moshfegh, Ottessa. ‘Excerpt’. Eileen: A Novel, Vintage, 2016, pp. 1–5.
Muller, Herta. ‘When We Don’t Speak We Become Unbearable’. Cristina and Her Double, Portobello, 2013, pp. 168–75.
New Zealand. Government Printing Office. ‘Proofreaders’ Marks’. Style Book: A Guide Addressed to All Writers, Editors, and Public Servants Who Prepare Manuscripts for Publication by the Government Printing Office, 3rd ed, Government Printer, 1981, pp. 30–35.
Niedecker, Lorine. ‘The Granite Pail’. The Granite Pail: The Selected Poems of Lorine Niedecker, North Point Press, 1985, pp. 69–69.
O’Hagan, Andrew. ‘Video Games; Jane Street; 2M2H’. The Illuminations, Faber & Faber, 2015, pp. 21–39, http://www.upcitemdb.com/upc/9780571273652.
Pack, Scott. Big Mouth Strikes Again - New Zealand Festival. http://www.festival.co.nz/article/big-mouth-strikes-again/.
Paley, Grace. ‘In This Country, But in Another Language, My Aunt Refuses to Marry the Men Everyone Wants Her To’. The Collected Stories, 1st ed, Farrar Straus Giroux, 1994, pp. 333–34.
---. ‘Some Notes on Teaching: Probably Spoken’. Writers as Teachers/Teachers as Writers., Holt, Rinehart and Winston, 1970, pp. 202–06.
---. ‘Two Ears, Three Lucks’. The Collected Stories, 1st ed, Farrar Straus Giroux, 1994, pp. xiii–xv.
Passarello, Elena. ‘Yuka’. Animals Strike Curious Poses, Sarabande Books, pp. 13–19.
Perec, Georges. An Attempt at Exhausting a Place in Paris. Wakefield Press, 2010, https://iitcoa3rdyr.files.wordpress.com/2014/09/perec_readings.pdf.
Perkins, Emily. ‘Excerpt from Not Her Real Name’. Not Her Real Name, and Other Stories, Victoria University Press, 1996, pp. 1–7.
---. ‘Excerpt from Novel about My Wife’. Novel about My Wife, Bloomsbury, 2008, pp. 1–7.
---. ‘Excerpt from The Forrests’. The Forrests, Bloomsbury, 2012, pp. 1–7.
Phang, Hai-Dan. #PoemResearch: Notes on Researching as a Poet. https://www.poetryfoundation.org/harriet/2017/02/poemresearch-notes-on-researching-as-a-poet/.
Plett, Casey. Rise of the Gender Novel. http://thewalrus.ca/rise-of-the-gender-novel/.
Price, Chris. ‘The Kingdom’. Beside Herself, Auckland University Press, 2016, pp. 13–14.
Pullman, Philip. ‘Excerpt from Introduction’. Northern Lights, vol. bk. 1, Scholastic, 1995, pp. 3–9.
---. ‘Making It Up and Writing It Down’. Daemon Voices, David Fickling Books, 2017, pp. 23–43.
Rankine, Claudia, and Tony Hoagland. Symposium on Subjectivity and Style | Fence Portal. http://www.fenceportal.org/?page_id=647.
Richardson, Brian. ‘Transgressing Self and Voice - Contemporary Fiction and the Death of the Narrator’. UNNATURAL VOICES, Ohio State University Press, 2006, pp. 1–13, https://tewaharoa.victoria.ac.nz/discovery/fulldisplay?docid=alma99179368498702386&context=L&vid=64VUW_INST:VUWNUI&search_scope=MyInst_and_CI&tab=all&lang=en.
Robbe-Grillet, Alain. ‘Excerpt’. Jealousy, Grove Press, translated by Richard Howard, 1965, pp. 39–45.
Robertson, Robin. ‘1946’. The Long Take, pp. 1–15, https://books.google.co.nz/books?id=yog6DwAAQBAJ&printsec=frontcover&dq=robin+robertson+the+long+take&hl=en&sa=X&ved=0ahUKEwiDpe_uwf_cAhXSad4KHQ5MABIQ6AEIJzAA#v=onepage&q=robin%20robertson%20the%20long%20take&f=false.
---. ‘By Clachan Bridge and The Wood of Lost Things’. The Wrecking Light, Anansi, 2010, pp. 6-7 and-67–69, https://books.google.co.nz/books?id=uL1pZATlFGcC&dq=inauthor:%22Robin+Robertson%22&hl=en&sa=X&ved=0ahUKEwiCmoHUv__cAhUSd94KHbKkBssQ6AEILTAB.
---. ‘From 1950’. The Long Take, pp. 100–05, https://books.google.co.nz/books?id=yog6DwAAQBAJ&printsec=frontcover&dq=robin+robertson+the+long+take&hl=en&sa=X&ved=0ahUKEwiDpe_uwf_cAhXSad4KHQ5MABIQ6AEIJzAA#v=onepage&q=robin%20robertson%20the%20long%20take&f=false.
---. ‘La Stanza Delle Mosche and Lizard’. Swithering, 1st U.S. ed, Harcourt, Inc, 2006, pp. 58–59.
---. ‘The Flaying of Marsyas’. A Painted Field, Harvest Books, pp. 10–13.
---. ‘The Flaying of Marsyas, Artichoke and Oyster’. A Painted Field, Harvest Books, pp. 10-13 and-52–53.
Roethke, Theodore. ‘My Papa’s Waltz from Collected Poems of Theodore Roethke.’ The Collected Poems of Theodore Roethke., Anchor Books, 1991, https://www.proquest.com/publication/2059714?accountid=14782.
Rose, Phyllis. ‘Whose Truth?’ Truth in Nonfiction, University of Iowa Press, 2009, http://ebookcentral.proquest.com/lib/VUW/detail.action?docID=843187.
Seshadri, Vijay. ‘Memoir’. The New Yorker, 28AD, pp. 58–58.
Sheilds, David. ‘G: Blur’. Reality Hunger: A Manifesto, 1st ed, Alfred A. Knopf, 2010, pp. 63–71.
Shepherd, Reginald. A Brief Manual for Swimmers. http://www.poetryfoundation.org/poetrymagazine/browse/164/5#!/20604097/0.
---. Hesitation Theory. http://www.poetryfoundation.org/poem/182353.
---. Phenomenology. http://www.poetryfoundation.org/poetrymagazine/browse/164/5#!/20604098/0.
---. The Other’s Other: Against Identity Poetry. http://quod.lib.umich.edu/cgi/t/text/text-idx?cc=mqr;c=mqr;c=mqrarchive;idno=act2080.0042.407;rgn=main;view=text;xc=1;g=mqrg.
Shields, David. ‘Excerpt from Reality Hunger’. Reality Hunger: A Manifesto, Hamish Hamilton, 2010.
Simic, Charles. ‘Hotel Insomnia’. Hotel Insomnia, 1st ed, Harcourt Brace Jovanovich, 1992, pp. 12–12.
---. ‘Makers of Labyrinths’. Hotel Insomnia, 1st ed, Harcourt Brace Jovanovich, 1992, pp. 14–15.
---. ‘The Little Venus of the Eskimos’. The Unemployed Fortune-Teller, University of Michigan Press, 1994, pp. 13–18.
Singer, Sean. ‘Black Swan’. Honey & Smoke, Eyewear, 2015, pp. 52–61.
Smaill, Anna. ‘Excerpt from The Chimes’. The Chimes, Sceptre, 2015, pp. 34–49.
---. ‘The Nightmare’. The Violinist in Spring, Victoria University Press, 2005, pp. 78–78.
Spufford, Francis. ‘Chapter of Red Plenty: The Cast, Introduction, The Prodigy’. Red Plenty, faber and faber, 2010, pp. ix–17.
---. ‘Excerpt from Golden Hill’. Golden Hill, faber and faber, 2016, pp. 3–19.
---. ‘True Stories & Other Essays: Introduction, Responsible Fiction, Irresponsible Fact, The Dyer’s Elbow’. True Stories & Other Essays, Yale University Press, 2017, pp. viii–xviii, 104-109-318–19.
Strawson, Galen. ‘Against Narrativity’. Ratio, vol. 17, no. 4, Dec. 2004, pp. 428–52, https://doi.org/10.1111/j.1467-9329.2004.00264.x.
Svoboda, Terese. ‘Chapter 1 & 2 from Black Glases Like Clark Kent’. Black Glasses like Clark Kent: A GI’s Secret from Postwar Japan, Graywolf Press, 2008, pp. 1–10.
---. ‘Chapter 3 and 23 from Anything That Burns You | Independent Publishers Group’. Anything That Burns You | Independent Publishers Group, Independent Publishers Group, 2016, pp. 27-32-218–26.
---. ‘Secret Executions of Black GIs in Japan from “Weapons Grade”’. Weapons Grade: Poems, University of Arkansas Press, 2009, https://ebookcentral.proquest.com/lib/vuw/reader.action?ppg=22&docID=2007643&tm=1523221968098.
Tan, Monica. Indigenous Writer Bruce Pascoe: ‘We Need Novels That Are True to the Land’. http://www.theguardian.com/books/2016/feb/18/indigenous-writer-bruce-pascoe-on-why-australias-literary-giants-have-failed?CMP=twt_books_b-gdnbooks.
Thayil, Jeet. ‘Excerpt from Narcopolis’. Narcopolis, Faber & Faber, 2012, pp. 1–15.
---. ‘Excerpt from The Book of Chocolate Saints’. The Book of Chocolate Saints, FABER & FABER, 2018, pp. 1–15.
---. Four Poems. https://www.poemhunter.com/jeet-thayil/.
---. Six Poems. http://www.nicolestellon.com/wp-content/uploads/2016/04/JeetThayilPoems.pdf.
The Day Lady Died by Frank O’Hara. Poetry Foundadtion, 1964, https://www.poetryfoundation.org/poems/42657/the-day-lady-died.
Thomson, Rupert. ‘In the Padded Cell’. Mortification, edited by Robin Robertson, Harper Perennial, pp. 12–14.
Tony Hoagland, Claudia Rankine and. FENCE: Symposium on Subjectivity and Style. https://www.fenceportal.org/symposium-on-subjectivity-and-style/.
Tremewan, Tanya, et al. ‘The Standard Marks’. Write, Edit, Print: Style Manual for Aotearoa New Zealand, AGPS Press, part of the Australian Government Publishing Service in association with Lincoln University Press, 1997, pp. 320–27.
Tumarkin, Maria. ‘This Narrated Life: The Limits of Storytelling’. Griffith REVIEW, edited by Julianne Schulz, 2014, https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=TN_informit429797931647507&context=PC&vid=VUWNUI&lang=en_NZ&search_scope=64VUW_ALL&adaptor=primo_central_multiple_fe&tab=all&query=any,contains,tumarkin,%20maria&facet=rtype,exclude,newspaper_articles&facet=rtype,exclude,reviews.
---. What The Essayist Spills: The Unspeakable by Meghan Daum |. Sydney Review of Books, 2AD, https://sydneyreviewofbooks.com/the-unspeakable-meghan-daum/.
---. ‘You Can’t Enter the Same River Twice’. Axiomatic, Brow Books, Melbourne, 2018, pp. 185–201, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5755359&ppg=127.
Weinberger, Eliot. ‘An Archaeology of Dreams’. Karmic Traces, New Directions Books, 2000, pp. 12–15.
Wellesley, Mary. ‘Short Cuts’. London Review of Books, 30AD, https://www.lrb.co.uk/v40/n16/mary-wellesley/short-cuts.
Wood, Charlotte. ‘Excerpts’. The Natural Way of Things, Allen and Unwin, 2015, pp. 1-13-59–69, https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=5145431&ppg=6.
Wood, James. ‘Narrating’. How Fiction Works, New York: Picador, 2009, pp. 5–21.
Young, Ashleigh. ‘The Rest Is Easy’. Magnificent Moon, Victoria University Press, 2012, pp. 39–40.
---. ‘Tight Formations’. Magnificent Moon, Victoria University Press, 2012, pp. 54–55.
Zucker, Rachel. Confessionalography: A GNAT (Grossly Non-Academic Talk) on ‘I’ in Poetry. https://www.poets.org/poetsorg/text/confessionalography-gnat-grossly-non-academic-talk-i-poetry.
