Abbate, C. (2003) In search of opera. Princeton, N.J.: Princeton University Press.
Abbate, Carolyn (no date a) ‘Brünnhilde Walks By Night’, in Unsung Voices. Available at: http://search.proquest.com/docview/1703522313/fulltextPDF/E10729D6F7474637PQ/1?accountid=14782.
Abbate, Carolyn (no date b) In Search of Opera - Chapter 1:  Orpheus. Available at: http://search.proquest.com/docview/1703520149/fulltextPDF/1806FCECEEB34B53PQ/1?accountid=14782.
Adorno, T. (2005) ‘Chapter “Phantasmagoria”, from In search of Wagner’, in In search of Wagner. New ed. London: Verso.
Andrew Porter (1992) ‘Mozart on the Modern Stage’, Early Music, 20(1), pp. 132–138. Available at: http://www.jstor.org/stable/3127673?Search=yes&resultItemClick=true&searchText=no:1&searchText=AND&searchText=sn:03061078&searchText=AND&searchText=vo:20&searchText=AND&searchText=year:1992&searchUri=/action/doBasicSearch?ymod=Your+inbound+link+did+not+have+an+exact+match+in+our+database.+But+based+on+the+elements+we+could+match,+we+have+returned+the+following+results.&Query=no:1+AND+sn:03061078+AND+vo:20+AND+year:1992&amp=&seq=1#page_scan_tab_contents.
Anne Sofie von Otter; ‘Che farò senza Euridice’; Orfeo ed Euridice; Christoph Willibald Gluck / ViewPure (no date). Available at: http://viewpure.com/eYiOPac-bwI?start=0&end=0.
Auslander, P. (1999) ‘Chapter 2: Live performance in a mediatized culture’, in Liveness: performance in a mediatized culture. London: Routledge.
Baileyshea, M. (2007) ‘The Struggle for Orchestral Control: Power, Dialogue, and the Role of the Orchestra in Wagner’s’, 19th-Century Music, 31(1), pp. 003–027. Available at: https://doi.org/10.1525/ncm.2007.31.1.003.
Balthazar, S.L. (2004) ‘The forms of set pieces’, in S.L. Balthazar (ed.) The Cambridge Companion to Verdi. Cambridge: Cambridge University Press, pp. 47–68. Available at: https://doi.org/10.1017/CCOL9780521632287.005.
Barthes, R. (1988) ‘Chapter “The Grain of the Voice”,’ in Image, music, text. New York, N.Y.: Noonday Press.
Berlioz, H. (1999) ‘Chapter’, in Evenings with the orchestra. Chicago: University of Chicago Press.
Bit.Tube | Verdi - La Traviata (Eng. Subs) - NY Met. (Zeffirelli, 2007) (no date). Available at: https://bit.tube/play?hash=QmRk1TPZiUHD9mfhrbJpXtPYJ9H7UYH82An1dygCK9bHTm&channel=65357.
Buch, D.J. (2009) ‘Section’, in Magic Flutes and Enchanted Forests. University of Chicago Press. Available at: http://ebookcentral.proquest.com/lib/VUW/reader.action?docID=448531&ppg=30.
Chéreau, P. et al. (2005) ‘Der Ring des Nibelungen: a stage-festival drama for three days and a preliminary evening, Die Walküre’. Hamburg: Deutsche Grammophon.
‘Christian Gerhaher sings “Possente spirto” from Monteverdi’s L’ORFEO’ (21AD). Available at: http://viewpure.com/-xQvuCZ7glE?start=0&end=0.
Clemens Risi (no date) ‘The Diva’s Fans: Opera and bodily participation’. Available at: http://www.tandfonline.com/doi/pdf/10.1080/13528165.2011.606025?needAccess=true.
Clément, C. (1989) ‘Chapter 3: Family Affairs, or the Parents Terribles, from Opera, or the Undoing of Women’, in Opera, or, The undoing of women. London: Virago.
‘Das Rheingold (The Copenhagen Ring)’ (6AD). Available at: https://www.youtube.com/watch?v=r5__IeJtGIE.
Dolar, M. and Žižek, S. (2002) ‘Sections’, in Opera’s second death. New York: Routledge.
Don Giovanni, Mozart - Losey - AH TACI INGIUSTO CORE, DEH VIENI ALLA FINESTRA (14) / ViewPure (no date). Available at: http://viewpure.com/2gcFAxCU0YE?start=0&end=0.
Feldman, M. et al. (2015) ‘Why Voice Now?’, Journal of the American Musicological Society, 68(3), pp. 653–685. Available at: https://doi.org/10.1525/jams.2015.68.3.653.
Giacosa, G. et al. (2005) ‘Madama Butterfly: Japanese tragedy’. Hamburg: Deutsche Grammophon.
‘Gluck - Orfeo e Euridice - Che farò senza Euridice - Andreas Scholl’ (7AD). Available at: https://www.youtube.com/watch?v=nxhsCxT3y2w.
Gluck - Orfeo ed Euridice (Leppard) / ViewPure (no date). Available at: http://viewpure.com/EENw_ptgGcg?start=0&end=0.
Gundula Kreuzer (2012) ‘Wagner-Dampf: Steam in Der Ring des Nibelungen and Operatic Production’, The Opera Quarterly, 27(2), pp. 179–218. Available at: https://muse.jhu.edu/article/467662.
Hadlock, H. (no date) Violetta’s Passion, According to Zeffirelli, repercussions, Fall 2001, Vol. 9, No. 2. Available at: https://www.ocf.berkeley.edu/~repercus/repercussions-fall-2001-vol-9-no-2.
Hadlock, Heather (no date) ‘Introduction’, in Mad Loves: Women and Music in Offenbach’s Les Contes d’Hoffmann. Available at: http://search.proquest.com/docview/1703522264/fulltextPDF/EE0369BF7E0F400CPQ/1?accountid=14782.
Heather Hadlock (1994) ‘Return of the Repressed: The prima donna from Hoffmann’s “Tales” to Offenbach’s “Contes”’, Cambridge Opera Journal, 6(3), pp. 221–243. Available at: http://www.jstor.org/stable/823733?seq=1#page_scan_tab_contents.
Hoffmann, E.T.A. and Bleiler, E.F. (1967) ‘Rath Krespel’, in The best tales of Hoffmann. New York, N.Y.: Dover.
Huttenlochner sings - Possente spirito - L’Orfeo, Monteverdi / ViewPure (no date). Available at: http://viewpure.com/ZFe-xH7bblQ?start=0&end=0.
Joe, J. and Theresa, R. (2002) ‘Chapter 5: Why does Hollywood like opera? - Marc Weiner: Between opera and cinema’, in. New York: Routledge. Available at: https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=64VUW_INST21120888750002386&context=L&vid=VUWNUI&search_scope=64VUW_ALL&tab=all&lang=en_US.
Kerman, J. (1988) ‘Chapters 1 and 2’, in Opera as drama. New and rev. ed. Berkeley: University of California Press.
Kerman, J. (2008a) ‘Chapter 2: Opera and the Morbidity of Music’, in Opera and the morbidity of music. New York: New York Review Books.
Kerman, J. (2008b) ‘Chapter 13 The Magic Flute, from Opera and the Morbidity of Music’, in Opera and the morbidity of music. New York: New York Review Books.
Koestenbaum, W. (2001) ‘Chapter 2’, in The queen’s throat: opera, homosexuality, and the mystery of desire. 1st Da Capo ed. New York: Da Capo.
LA Opera (2013) ‘(2) The Magic Flute | LA Opera 2013/14 Season - YouTube’. Available at: https://www.youtube.com/watch?v=lS8m-ulLOK8.
L’Amour de Loin (no date). Available at: https://www.metopera.org/season/on-demand/opera/?upc=811357018828.
‘L’amour de Loin | Alexander Street’ (1999). Available at: http://search.alexanderstreet.com/view/work/bibliographic_entity|score|2195699#page/79/mode/1/chapter/bibliographic_entity|score_movement|2196279.
Locke, Ralph P (no date) ‘A Broader View of Musical Exoticism’, The Journal of Musicology, 24(4), pp. 477–521. Available at: http://search.proquest.com/docview/204919051?OpenUrlRefId=info:xri/sid:primo&accountid=14782.
Maalouf, A. et al. (2005) ‘L’amour de loin’. Hamburg: Deutsche Grammophon.
‘Maria Callas - J’ai perdu mon Eurydice.wmv’ (9AD). Available at: https://www.youtube.com/watch?v=sNEUdGZutGw.
McClary, S. (no date a) ‘Chapter 3: Images of race, class and gender in nineteenth-century French culture’, in Georges Bizet, Carmen. Available at: http://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=acls;cc=acls;rgn=full%20text;idno=heb07560.0001.001;didno=heb07560.0001.001;view=image;seq=00000041;node=heb07560.0001.001%3A5.
McClary, S. (no date b) ‘Chapter 4: The Musical Languages of Carmen’, in Georges Bizet, Carmen. Available at: http://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=acls;cc=acls;rgn=full%20text;idno=heb07560.0001.001;didno=heb07560.0001.001;view=image;seq=00000056;node=heb07560.0001.001%3A6.
Medlyn, M. (2018) ‘Chapter 5 “Wagner’s body”’, in Embodying Voice : Singing Verdi, Singing Wagner. Milton: Routledge. Available at: https://doi.org/10.1093/.
Metzer, D.J. (2009) ‘Chapter 4 “Lament”,’ in Musical modernism at the turn of the twenty-first century. Cambridge: Cambridge University Press.
Migenes-Johnson, J. et al. (1999) ‘Carmen’. Culver City, Calif: Columbia Tristar Home Video.
Novak, J. (2016) ‘Chapters 1 and 2’, in Postopera: reinventing the voice-body. London: Routledge. Available at: http://www.tandfebooks.com/isbn/9781315601717.
Offenbach, J. et al. (2005) Jacques Offenbach’s the tales of Hoffmann h [videorecording]: a fantastic opera. Special ed. [United States]: Criterion Collection.
Opera Carmen, a film by Francesco Rosi after Bizet’s opera - With Julia Migenes Johnson, Plácido Domingo, Ruggero Raimondi and Faith Esham - medici.tv (no date). Available at: https://edu.medici.tv/en/operas/carmen-georges-bizet-francesco-rosi/.
Parker, R. (2007) ‘Verdi and Verismo: The case of La Traviata’, in Essays in Honor of Lenore Coral : Music, Libraries, and the Academy. A-R Editions, Inc.,. Available at: http://site.ebrary.com/lib/vuw/reader.action?docID=10834547&ppg=228.
Parker, Roger (no date) ‘g2: Arts: Music: One fine obscenity: How can music be racist? When it’s in Madama Butterfly, writes Roger Parker’, The Guardian [Preprint]. Available at: http://search.proquest.com/docview/246587800?OpenUrlRefId=info:xri/sid:primo&accountid=14782.
Philadelphia - Opera Scene(La Mamma Morta) / ViewPure (no date). Available at: http://viewpure.com/DwRHwKZSu-w?start=0&end=0.
Piave, F.M. et al. (1999) ‘La traviata’. Universal City, CA: Universal Home Video.
Poizat, M. (1992) ‘Chapter 1’, in The angel’s cry: beyond the pleasure principle in opera. Ithaca: Cornell University Press.
Powerful people tied up in knots: a review of "The (no date). Available at: http://pantograph-punch.com/post/mikado-nzopera.
Powrie, P. et al. (2007) ‘Chapters 1 (Mapping Carmen), 2 (Theorizing Carmen) and 10 (Social-Realist Fantasies)’, in Carmen on film: a cultural history. Bloomington: Indiana University Press. Available at: http://www.loc.gov/catdir/toc/ecip074/2006037051.html.
Remember When ‘Figaro’ Was Set in Trump Tower? - The New York Times (no date). Available at: https://www.nytimes.com/2016/11/25/arts/music/remember-when-figaro-was-set-in-trump-tower.html.
Review: Blanc de Blanc and The Magic Flute at the Auckland Arts Festival | The Spinoff (no date). Available at: https://thespinoff.co.nz/society/10-03-2019/review-blanc-de-blanc-and-the-magic-flute-at-the-auckland-arts-festival/.
Review by:                          Richard Taruskin (1992) ‘Review: She Do the Ring in Different Voices’, Cambridge Opera Journal, 4(2), pp. 187–197. Available at: http://www.jstor.org/stable/823744?seq=1#page_scan_tab_contents.
Roccatagliati, A. (2004) ‘The Italian theatre of Verdi’s day’, in S.L. Balthazar (ed.) The Cambridge Companion to Verdi. Cambridge: Cambridge University Press, pp. 15–28. Available at: https://doi.org/10.1017/CCOL9780521632287.003.
Roger Parker (no date a) ‘Traviata, La’, The New Grove Dictionary of Opera [Preprint]. Available at: http://www.oxfordmusiconline.com/subscriber/article/grove/music/O005794?q=traviata&search=quick&pos=2&_start=1#firsthit.
Roger Parker (no date b) ‘Verdi, Giuseppe, §4: Operas: “Oberto” (1839) to “La traviata” (1853)’, Grove Music Online [Preprint]. Available at: http://www.oxfordmusiconline.com/subscriber/article/grove/music/29191pg4#S29191.4.
Ronit Seter (2016) ‘Saariaho Interview_14 November 2015 - YouTube’. Available at: https://www.youtube.com/watch?v=Qmg7Qyhwxr0.
Saariaho’s opera ‘L’Amour de Loin’ at the Met -- a landmark achievement by a woman composer / ViewPure (no date). Available at: http://viewpure.com/2L1M0S30q1w?start=0&end=0.
Shaw, G.B. (no date) The Perfect Wagnerite. Available at: http://go.galegroup.com/ps/publicationSearch.do?lm=&qt=PU%7E%22The+Perfect+Wagnerite%22%7E%7EMC%7E5SLL%7E%7EDA%7E120080000&method=doLinkDirectedSearch&searchType=AdvancedSearchForm&userGroupName=vuw&inPS=true&prodId=LITF.
Smart, M.A. (2004) Mimomania: music and gesture in nineteenth-century opera. Berkeley: University of California Press. Available at: http://www.jstor.org/stable/10.1525/j.ctt1pnbwr.
Stern, L. (2002) ‘Chapter 3: THe Tales of Hoffmann, An Instance of Operality’, in Between opera and cinema. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=1099048.
Steven Watson (2017) ‘(2) Madama Butterfly - YouTube’. Available at: https://www.youtube.com/watch?v=Xh6EgYzMXIk.
‘Taci, ingiusto core’ from Don Giovanni, dir. Peter Sellars (no date). Available at: http://viewpure.com/7SNdQBcdQAc?start=0&end=0.
University of Chicago. Press (2006) ‘The Chicago manual of style online’. [Chicago]: University of Chicago Press. Available at: http://www.chicagomanualofstyle.org/16/contents.html.
‘WAGNER - DAS RHEINGOLD - SAWALLISCH’ (13AD). Available at: https://www.youtube.com/watch?v=iJZDoaVHkhw.
‘Wagner - Der Ring Des Nibelungen: Das Rheingold [Boulez] - English Subs’ (2014). Available at: https://www.youtube.com/watch?v=3ZP-yXsNV2E.
‘Wagner - Der Ring Des Nibelungen: Siegfried [Act I/II; Boulez] - English Subs’ (2014). Available at: https://www.youtube.com/watch?v=7Y2-aiKrvAw.
‘Wagner, Götterdämmerung, Boulez, Bayreuth ’79’ (2AD). Available at: https://www.youtube.com/watch?v=_ww4JHkloa8.
Wagner, R., Goldman, A. and Sprinchorn, E. (1992) On music and drama. Lincoln: University of Nebraska Press.
Wells, Brianna (no date) ‘“Secret Mechanism”: Les Contes d’Hoffmann and the Intermedial Uncanny in the Metropolitan Opera’s Live in HD Series’, Nineteenth Century Music, 36(2), pp. 191–204. Available at: http://search.proquest.com/docview/1269661887/fulltext/7CF73164464C479APQ/1?accountid=14782.
Wilson, Alexandra (no date) ‘Torrefranca vs. Puccini: Embodying a Decadent Italy’, Cambridge Opera Journal, 13(1), pp. 29–53. Available at: http://search.proquest.com/docview/1436778/fulltextPDF/3AC73B89E52A4CD4PQ/1?accountid=14782.
Wood, E. (2006) ‘Chapter 3 “Sapphonics”, from Queering the pitch: the new gay and lesbian musicology’, in Queering the pitch: the new gay and lesbian musicology. 2nd ed. New York: Routledge. Available at: http://www.loc.gov/catdir/toc/ecip0611/2006009928.html.
Yael Kaduri (no date) Sound and Image in Western Art. Available at: https://books.google.co.nz/books?hl=en&lr=&id=r80wDAAAQBAJ&oi=fnd&pg=PA83&dq=saariaho+l%27amour+sellars&ots=B0p7orWBM1&sig=89UohoyNfLHvapsKW69yT3DGHOk#v=onepage&q=l’amour&f=false.
Yoshihara, Mari (no date) ‘The Flight of the Japanese Butterfly: Orientalism, Nationalism, and Performances of Japanese Womanhood’, American Quarterly, 56(4), pp. 975–1001. Available at: http://search.proquest.com/docview/223303542/fulltextPDF/5CFE5037C1B344CCPQ/1?accountid=14782.
Zollo, C.F. et al. (2000) Trollflöjten: The magic flute. Digitally remastered version. Irvington, NY: Criterion Collection.