Abbate, Carolyn, ‘Brünnhilde Walks By Night’ in Unsung Voices <http://search.proquest.com/docview/1703522313/fulltextPDF/E10729D6F7474637PQ/1?accountid=14782>
Abbate, Carolyn, In Search of Opera (Princeton University Press, 2003)
Abbate, Carolyn, In Search of Opera - Chapter 1: Orpheus. <http://search.proquest.com/docview/1703520149/fulltextPDF/1806FCECEEB34B53PQ/1?accountid=14782>
Adorno, Theodor, ‘Chapter “Phantasmagoria”, from In Search of Wagner’ in In Search of Wagner (Verso, New ed, 2005)
Andrew Porter, ‘Mozart on the Modern Stage’ (1992) 20(1) Early Music 132 <http://www.jstor.org/stable/3127673?Search=yes&resultItemClick=true&searchText=no:1&searchText=AND&searchText=sn:03061078&searchText=AND&searchText=vo:20&searchText=AND&searchText=year:1992&searchUri=/action/doBasicSearch?ymod=Your+inbound+link+did+not+have+an+exact+match+in+our+database.+But+based+on+the+elements+we+could+match,+we+have+returned+the+following+results.&Query=no:1+AND+sn:03061078+AND+vo:20+AND+year:1992&=&seq=1#page_scan_tab_contents>
Auslander, Philip, ‘Chapter 2: Live Performance in a Mediatized Culture’ in Liveness: Performance in a Mediatized Culture (Routledge, 1999)
Baileyshea, Matt, ‘The Struggle for Orchestral Control: Power, Dialogue, and the Role of the Orchestra in Wagner’s’ (2007) 31(1) 19th-Century Music 003
Balthazar, Scott L, ‘The Forms of Set Pieces’ in Scott L Balthazar (ed), The Cambridge Companion to Verdi (Cambridge University Press, 2004) 47 <http://universitypublishingonline.org/ref/id/companions/CBO9781139001052A009>
Barthes, Roland, ‘Chapter “The Grain of the Voice”,’ in Image, Music, Text (Noonday Press, 1988)
Berlioz, Hector, ‘Chapter’ in Evenings with the Orchestra (University of Chicago Press, 1999)
Buch, David J, ‘Section’ in Magic Flutes and Enchanted Forests (University of Chicago Press, 2009) <http://ebookcentral.proquest.com/lib/VUW/reader.action?docID=448531&ppg=30>
Clemens Risi, ‘The Diva’s Fans: Opera and Bodily Participation’ <http://www.tandfonline.com/doi/pdf/10.1080/13528165.2011.606025?needAccess=true>
Clément, Catherine, ‘Chapter 3: Family Affairs, or the Parents Terribles, from Opera, or the Undoing of Women’ in Opera, or, The Undoing of Women (Virago, 1989)
Dolar, Mladen and Slavoj Žižek, ‘Sections’ in Opera’s Second Death (Routledge, 2002)
Feldman, M et al, ‘Why Voice Now?’ (2015) 68(3) Journal of the American Musicological Society 653
Gundula Kreuzer, ‘Wagner-Dampf: Steam in Der Ring Des Nibelungen and Operatic Production’ (2012) 27(2) The Opera Quarterly 179 <https://muse.jhu.edu/article/467662>
Hadlock, Heather, ‘Introduction’ in Mad Loves: Women and Music in Offenbach’s Les Contes d’Hoffmann <http://search.proquest.com/docview/1703522264/fulltextPDF/EE0369BF7E0F400CPQ/1?accountid=14782>
Heather Hadlock, ‘Return of the Repressed: The Prima Donna from Hoffmann’s “Tales” to Offenbach’s “Contes”’ (1994) 6(3) Cambridge Opera Journal 221 <http://www.jstor.org/stable/823733?seq=1#page_scan_tab_contents>
Hoffmann, ETA and Everett Franklin Bleiler, ‘Rath Krespel’ in The Best Tales of Hoffmann (Dover, 1967)
Joe, Jeongwon and Rose Theresa, ‘Chapter 5: Why Does Hollywood like Opera? - Marc Weiner: Between Opera and Cinema’ (Routledge, 2002) <https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=64VUW_INST21120888750002386&context=L&vid=VUWNUI&search_scope=64VUW_ALL&tab=all&lang=en_US>
Kerman, Joseph, ‘Chapter 2: Opera and the Morbidity of Music’ in Opera and the Morbidity of Music (New York Review Books, 2008)
Kerman, Joseph, ‘Chapter 13 The Magic Flute, from Opera and the Morbidity of Music’ in Opera and the Morbidity of Music (New York Review Books, 2008)
Kerman, Joseph, ‘Chapters 1 and 2’ in Opera as Drama (University of California Press, New and rev. ed, 1988)
Koestenbaum, Wayne, ‘Chapter 2’ in The Queen’s Throat: Opera, Homosexuality, and the Mystery of Desire (Da Capo, 1st Da Capo ed, 2001)
Locke, Ralph P, ‘A Broader View of Musical Exoticism’ 24(4) The Journal of Musicology 477 <http://search.proquest.com/docview/204919051?OpenUrlRefId=info:xri/sid:primo&accountid=14782>
McClary, Susan, ‘Chapter 3: Images of Race, Class and Gender in Nineteenth-Century French Culture’ in Georges Bizet, Carmen <http://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=acls;cc=acls;rgn=full%20text;idno=heb07560.0001.001;didno=heb07560.0001.001;view=image;seq=00000041;node=heb07560.0001.001%3A5>
McClary, Susan, ‘Chapter 4: The Musical Languages of Carmen’ in Georges Bizet, Carmen <http://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=acls;cc=acls;rgn=full%20text;idno=heb07560.0001.001;didno=heb07560.0001.001;view=image;seq=00000056;node=heb07560.0001.001%3A6>
Medlyn, Margaret, ‘Chapter 5 “Wagner’s Body”’ in Embodying Voice : Singing Verdi, Singing Wagner (Routledge, 2018) <https://ebookcentral.proquest.com/lib/VUW/detail.action?docID=5602016>
Metzer, David Joel, ‘Chapter 4 “Lament”,’ in Musical Modernism at the Turn of the Twenty-First Century (Cambridge University Press, 2009)
Novak, Jelena, ‘Chapters 1 and 2’ in Postopera: Reinventing the Voice-Body (Routledge, 2016) <http://www.tandfebooks.com/isbn/9781315601717>
Offenbach, Jacques et al, Jacques Offenbach’s the Tales of Hoffmann h [Videorecording]: A Fantastic Opera, vol Criterion collection (Criterion Collection, Special ed, 2005)
Parker, Rober, ‘Verdi and Verismo: The Case of La Traviata’ in Essays in Honor of Lenore Coral : Music, Libraries, and the Academy (A-R Editions, Inc., 2007) <http://site.ebrary.com/lib/vuw/reader.action?docID=10834547&ppg=228>
Parker, Roger, ‘G2: Arts: Music: One Fine Obscenity: How Can Music Be Racist? When It’s in Madama Butterfly, Writes Roger Parker’ The Guardian <http://search.proquest.com/docview/246587800?OpenUrlRefId=info:xri/sid:primo&accountid=14782>
Poizat, Michel, ‘Chapter 1’ in The Angel’s Cry: Beyond the Pleasure Principle in Opera (Cornell University Press, 1992)
Powrie, Phil et al, ‘Chapters 1 (Mapping Carmen), 2 (Theorizing Carmen) and 10 (Social-Realist Fantasies)’ in Carmen on Film: A Cultural History (Indiana University Press, 2007) <http://www.loc.gov/catdir/toc/ecip074/2006037051.html>
Review by: Richard Taruskin, ‘Review: She Do the Ring in Different Voices’ (1992) 4(2) Cambridge Opera Journal 187 <http://www.jstor.org/stable/823744?seq=1#page_scan_tab_contents>
Roccatagliati, Alessandro, ‘The Italian Theatre of Verdi’s Day’ in Scott L Balthazar (ed), The Cambridge Companion to Verdi (Cambridge University Press, 2004) 15 <http://universitypublishingonline.org/ref/id/companions/CBO9781139001052A006>
Roger Parker, ‘Traviata, La’ The New Grove Dictionary of Opera <http://www.oxfordmusiconline.com/subscriber/article/grove/music/O005794?q=traviata&search=quick&pos=2&_start=1#firsthit>
Roger Parker, ‘Verdi, Giuseppe, §4: Operas: “Oberto” (1839) to “La Traviata” (1853)’ Grove Music Online <http://www.oxfordmusiconline.com/subscriber/article/grove/music/29191pg4#S29191.4>
Shaw, George Bernard, The Perfect Wagnerite <http://go.galegroup.com/ps/publicationSearch.do?lm=&qt=PU%7E%22The+Perfect+Wagnerite%22%7E%7EMC%7E5SLL%7E%7EDA%7E120080000&method=doLinkDirectedSearch&searchType=AdvancedSearchForm&userGroupName=vuw&inPS=true&prodId=LITF>
Smart, Mary Ann, Mimomania: Music and Gesture in Nineteenth-Century Opera, vol 13 (University of California Press, 2004) <http://www.jstor.org/stable/10.1525/j.ctt1pnbwr>
Stern, Lesley, ‘Chapter 3: THe Tales of Hoffmann, An Instance of Operality’ in Between Opera and Cinema (Routledge, 2002) <https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=1099048>
Wagner, Richard, Albert Goldman and Evert Sprinchorn, On Music and Drama, vol A Bison book (University of Nebraska Press, 1992)
Wells, Brianna, ‘“Secret Mechanism”: Les Contes d’Hoffmann and the Intermedial Uncanny in the Metropolitan Opera’s Live in HD Series’ 36(2) Nineteenth Century Music 191 <http://search.proquest.com/docview/1269661887/fulltext/7CF73164464C479APQ/1?accountid=14782>
Wilson, Alexandra, ‘Torrefranca vs. Puccini: Embodying a Decadent Italy’ 13(1) Cambridge Opera Journal 29 <http://search.proquest.com/docview/1436778/fulltextPDF/3AC73B89E52A4CD4PQ/1?accountid=14782>
Wood, Elizabeth, ‘Chapter 3 “Sapphonics”, from Queering the Pitch: The New Gay and Lesbian Musicology’ in Queering the Pitch: The New Gay and Lesbian Musicology (Routledge, 2nd ed, 2006) <http://www.loc.gov/catdir/toc/ecip0611/2006009928.html>
Yael Kaduri, Sound and Image in Western Art <https://books.google.co.nz/books?hl=en&lr=&id=r80wDAAAQBAJ&oi=fnd&pg=PA83&dq=saariaho+l%27amour+sellars&ots=B0p7orWBM1&sig=89UohoyNfLHvapsKW69yT3DGHOk#v=onepage&q=l’amour&f=false>
Yoshihara, Mari, ‘The Flight of the Japanese Butterfly: Orientalism, Nationalism, and Performances of Japanese Womanhood’ 56(4) American Quarterly 975 <http://search.proquest.com/docview/223303542/fulltextPDF/5CFE5037C1B344CCPQ/1?accountid=14782>
Zollo, Carmen F et al, Trollflöjten: The Magic Flute, vol 71 (Criterion Collection, Digitally remastered version, 2000)
‘Anne Sofie von Otter; “Che Farò Senza Euridice”; Orfeo Ed Euridice; Christoph Willibald Gluck / ViewPure’ <http://viewpure.com/eYiOPac-bwI?start=0&end=0>
‘Bit.Tube | Verdi - La Traviata (Eng. Subs) - NY Met. (Zeffirelli, 2007)’ <https://bit.tube/play?hash=QmRk1TPZiUHD9mfhrbJpXtPYJ9H7UYH82An1dygCK9bHTm&channel=65357>
Chéreau, Patrice et al, ‘Der Ring Des Nibelungen: A Stage-Festival Drama for Three Days and a Preliminary Evening, Die Walküre’
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Giacosa, Giuseppe et al, ‘Madama Butterfly: Japanese Tragedy’
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‘Gluck - Orfeo Ed Euridice (Leppard) / ViewPure’ <http://viewpure.com/EENw_ptgGcg?start=0&end=0>
Hadlock, Heather, ‘Violetta’s Passion, According to Zeffirelli’, repercussions, Fall 2001, Vol. 9, No. 2 <https://www.ocf.berkeley.edu/~repercus/repercussions-fall-2001-vol-9-no-2>
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‘Review: Blanc de Blanc and The Magic Flute at the Auckland Arts Festival | The Spinoff’ <https://thespinoff.co.nz/society/10-03-2019/review-blanc-de-blanc-and-the-magic-flute-at-the-auckland-arts-festival/>
Ronit Seter, ‘Saariaho Interview_14 November 2015 - YouTube’ <https://www.youtube.com/watch?v=Qmg7Qyhwxr0>
‘Saariaho’s Opera “L’Amour de Loin” at the Met -- a Landmark Achievement by a Woman Composer / ViewPure’ <http://viewpure.com/2L1M0S30q1w?start=0&end=0>
Steven Watson, ‘(2) Madama Butterfly - YouTube’ <https://www.youtube.com/watch?v=Xh6EgYzMXIk>
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‘Wagner - Der Ring Des Nibelungen: Das Rheingold [Boulez] - English Subs’ <https://www.youtube.com/watch?v=3ZP-yXsNV2E>
‘Wagner - Der Ring Des Nibelungen: Siegfried [Act I/II; Boulez] - English Subs’ <https://www.youtube.com/watch?v=7Y2-aiKrvAw>
‘Wagner, Götterdämmerung, Boulez, Bayreuth ’79’ <https://www.youtube.com/watch?v=_ww4JHkloa8>
