@article{Abbate_2004, title={Music—Drastic or Gnostic?}, volume={30}, DOI={10.1086/421160}, number={3}, journal={Critical Inquiry}, author={Abbate, Carolyn}, year={2004}, month={Mar}, pages={505–536} }
@book{Abbate_Parker_Cornell Verdi-Wagner Conference_1989, address={Berkeley}, title={Analyzing opera: Verdi and Wagner}, volume={California studies in 19th century music}, publisher={University of California Press}, author={Abbate, Carolyn and Parker, Roger and Cornell Verdi-Wagner Conference}, year={1989} }
@article{Agawu_1997, title={Analyzing Music under the New Musicological Regime}, volume={15}, DOI={10.2307/763911}, number={3}, journal={The Journal of Musicology}, author={Agawu, Kofi}, year={1997}, month={Jul}, pages={297–307} }
@misc{Babbitt, title={Who Cares if You Listen?}, url={http://www.palestrant.com/babbitt.html}, author={Babbitt, Milton} }
@book{Barthes_Heath_1988, address={New York, N.Y.}, title={Image, music, text}, publisher={Noonday Press}, author={Barthes, Roland and Heath, Stephen}, year={1988} }
@book{Barz, Gregory F., Cooley, Timothy J._2008, title={Shadows in the Field}, url={http://site.ebrary.com/lib/vuw/reader.action?docID=10263700&ppg=97}, publisher={Oxford University Press, USA}, author={Barz, Gregory F., Cooley, Timothy J.}, year={2008} }
@book{Beard_Gloag_2005a, address={Abingdon, Oxfordshire}, title={Musicology: the key concepts}, url={http://www.loc.gov/catdir/toc/ecip0420/2004017044.html}, publisher={Routledge}, author={Beard, David and Gloag, Kenneth}, year={2005} }
@book{Beard_Gloag_2005b, address={Abingdon, Oxfordshire}, title={Musicology: the key concepts}, url={http://www.loc.gov/catdir/toc/ecip0420/2004017044.html}, publisher={Routledge}, author={Beard, David and Gloag, Kenneth}, year={2005} }
@article{BERGER_2005, title={Musicology According to Don Giovanni, or: Should We Get Drastic?}, volume={22}, DOI={10.1525/jm.2005.22.3.490}, number={3}, journal={Journal of Musicology}, author={BERGER, KAROL}, year={2005}, month={Jul}, pages={490–501} }
@book{Bohlman_Bohlman_2011, address={New York}, edition={2nd ed}, title={Focus: music, nationalism, and the making of the new Europe}, volume={Focus on world music}, publisher={Routledge}, author={Bohlman, Philip V. and Bohlman, Philip Vilas}, year={2011} }
@article{Born_2010, title={For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn}, volume={135}, url={https://www.jstor.org/stable/40961943?seq=1#metadata_info_tab_contents}, DOI={10.1080/02690403.2010.506265}, number={2}, journal={Journal of the Royal Musical Association}, author={Born, Georgina}, year={2010}, month={Nov}, pages={205–243} }
@article{Botstein_2016, title={Facing the Music: Scholarship and the Teaching of Music in the American University in the Era of Donald Trump}, volume={99}, DOI={10.1093/musqtl/gdx013}, number={3–4}, journal={The Musical Quarterly}, author={Botstein, Leon}, year={2016}, pages={281–285} }
@article{Brett_1997, title={Piano Four-Hands: Schubert and the Performance of Gay Male Desire}, volume={21}, DOI={10.2307/746896}, number={2}, journal={19th-Century Music}, author={Brett, Philip}, year={1997}, month={Oct}, pages={149–176} }
@book{Bujic_1988, address={Cambridge, U.K.}, title={Music in European thought, 1851-1912}, volume={Cambridge readings in the literature of music}, publisher={Cambridge University Press}, author={Bujic, Bojan}, year={1988} }
@book{Clayton_Herbert_Middleton_2012, address={New York}, edition={2nd ed}, title={The cultural study of music: a critical introduction}, publisher={Routledge}, author={Clayton, Martin and Herbert, Trevor and Middleton, Richard}, year={2012} }
@book{Cook_Everist_1999a, address={Oxford}, title={Rethinking music}, publisher={Oxford University Press}, author={Cook, Nicholas and Everist, Mark}, year={1999} }
@book{Cook_Everist_1999b, address={Oxford}, title={Rethinking music}, publisher={Oxford University Press}, author={Cook, Nicholas and Everist, Mark}, year={1999} }
@inbook{Cook_Everist_Cusick_1999, address={Oxford}, title={‘Gender, musicology and feminism’}, url={https://rl.talis.com/3/victoria/items/255B8FA5-ABD4-C8CF-7362-B6DADD203A56.html}, booktitle={Rethinking music}, publisher={Oxford University Press}, author={Cook, Nicholas and Everist, Mark and Cusick, Suzanne}, year={1999} }
@book{Cook, Nicholas, c1993., title={Beethoven, Symphony no. 9}, url={http://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=acls&cc=acls&idno=heb07594.0001.001&node=heb07594.0001.001%3A7&view=image&seq=103&size=100}, author={Cook, Nicholas, c1993.} }
@inbook{Cusick_1999a, address={Oxford}, title={‘Gender, musicology and feminism’ - Chapter}, booktitle={Rethinking music}, publisher={Oxford University Press}, author={Cusick, Suzanne}, year={1999} }
@inbook{Cusick_1999b, address={Zurich}, title={On Musical Performances of Gender and Sex - Chapter}, booktitle={Audible traces: gender, identity, and music}, publisher={Carciofoli}, author={Cusick, Suzanne}, year={1999} }
@book{Dahlhaus_1980, address={Berkeley}, title={Between romanticism and modernism: four studies in the music of the later nineteenth century}, volume={California studies in 19th century music}, publisher={University of California Press}, author={Dahlhaus, Carl}, year={1980} }
@book{Dahlhaus, Carl, c1983., title={Foundations of music history}, url={http://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=acls;cc=acls;rgn=full%20text;idno=heb06253.0001.001;didno=heb06253.0001.001;view=image;seq=00000011;node=heb06253.0001.001%3A3}, author={Dahlhaus, Carl, c1983.} }
@inbook{Danaher_Schirato_Webb_2000, address={St. Leonards, N.S.W.}, title={Chapters 1 and 2}, booktitle={Understanding Foucault}, publisher={Allen & Unwin}, author={Danaher, Geoff and Schirato, Tony and Webb, Jen}, year={2000}, pages={1–29} }
@book{Derrida_1978, address={Chicago}, title={Writing and difference}, publisher={University of Chicago Press}, author={Derrida, Jacques}, year={1978} }
@inbook{Dreyfus_2011, address={Farnham, England}, title={Postscript}, volume={Library of essays on music performance practice}, booktitle={Baroque music}, publisher={Ashgate Publishing Ltd}, author={Dreyfus, Laurence}, year={2011} }
@article{Gabriel Solis_2004, title={‘A Unique Chunk of Jazz Reality’: Authorship, Musical Work Concepts, and Thelonious Monk’s Live Recordings from the Five Spot, 1958}, volume={48}, url={http://www.jstor.org/stable/30046284?seq=1#page_scan_tab_contents}, number={3}, journal={Ethnomusicology}, publisher={University of Illinois PressSociety for EthnomusicologySociety for Ethnomusicology}, author={Gabriel Solis}, year={2004}, pages={315–347} }
@inbook{Gloag, title={Canon formation and the postmodern condition (in Section IV)}, url={https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=4442914}, booktitle={Critical Music Historiography: Probing Canons, Ideologies and Institutions}, publisher={Routledge}, author={Gloag, Kenneth} }
@inbook{Goehr_1992, address={Oxford}, title={9 Werktreue: Confirmation and Challenge in Contemporary Movements}, booktitle={The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music}, publisher={Clarendon}, author={Goehr, Lydia}, year={1992} }
@inbook{Goehr_1994, title={Musical Production Without the Work‐Concept}, url={http://www.oxfordscholarship.com/view/10.1093/0198235410.001.0001/acprof-9780198235415-chapter-8}, DOI={10.1093/0198235410.003.0008}, booktitle={The Imaginary Museum of Musical Works}, publisher={Oxford University Press}, author={Goehr, Lydia}, year={1994}, month={Oct}, pages={176–204} }
@article{Hepokoski_1991, title={The Dahlhaus Project and Its Extra-Musicological Sources}, volume={14}, DOI={10.2307/746536}, number={3}, journal={19th-Century Music}, author={Hepokoski, James}, year={1991}, month={Apr}, pages={221–246} }
@inbook{Hokowhitu_2014, title={Haka: Colonized Physicality, Body-Logic, and Embodied Sovereignty}, url={https://www.jstor.org/stable/10.2307/j.ctt1d9nmw6}, DOI={10.2307/j.ctt1d9nmw6}, booktitle={Performing Indigeneity}, publisher={UNP - Nebraska}, author={Hokowhitu, Brendan}, editor={Graham, Laura R. and Penny, H. Glenn}, year={2014}, month={Dec} }
@article{Jim Samson, title={Canon (iii)}, url={http://www.oxfordmusiconline.com/subscriber/article/grove/music/40598?q=canon&search=quick&pos=3&_start=1#firsthit}, journal={Grove Music Online}, author={Jim Samson} }
@article{Joseph Kerman_1980, title={How We Got into Analysis, and How to Get out}, volume={7}, url={http://www.jstor.org/stable/1343130?seq=1#page_scan_tab_contents}, number={2}, journal={Critical Inquiry}, publisher={The University of Chicago PressThe University of Chicago Press}, author={Joseph Kerman}, year={1980}, pages={311–331} }
@book{Kerman, Joseph, c1985., title={Contemplating music: challenges to musicology}, url={https://www.fulcrum.org/concern/monographs/mc87pq637}, author={Kerman, Joseph, c1985.} }
@article{Laurence Dreyfus_1983, title={Early Music Defended against Its Devotees: A Theory of Historical Performance in the Twentieth Century}, volume={69}, url={http://www.jstor.org/stable/742175?seq=1#page_scan_tab_contents}, number={3}, journal={The Musical Quarterly}, publisher={Oxford University PressOxford University Press}, author={Laurence Dreyfus}, year={1983}, pages={297–322} }
@book{Le Guin, Elisabeth, Le Guin, Elisabeth_2005, title={Boccherini’s Body : An Essay in Carnal Musicology (1)}, url={http://site.ebrary.com/lib/vuw/reader.action?docID=10106457&ppg=26}, publisher={University of California Press}, author={Le Guin, Elisabeth, Le Guin, Elisabeth}, year={2005} }
@inbook{Lodge_2015, address={Farnham, Surrey}, title={Chapter 6: Music historiography as a braided river: The case of New Zealand}, url={https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=4442914&ppg=112}, booktitle={Critical music historiography: probing canons, ideologies and institutions}, publisher={Ashgate}, author={Lodge, Martin}, editor={Kurkela, Vesa and Mantere, Juha Markus}, year={2015} }
@inbook{Lydia Goehr_2000, address={Liverpool}, title={Chapters 6 (‘Looking back at ourselves’) and 11 (‘The problems of dating’)}, volume={1}, url={http://www.jstor.org/stable/10.2307/j.ctt5vjcnv}, booktitle={The musical work: reality or invention?}, publisher={Liverpool University Press}, author={Lydia Goehr, Reinhard Strohm}, editor={Talbot, Michael}, year={2000} }
@article{Mak, Su_2016, title={String Theory: An Ethnographic Study of a Professional Quartet in Hong Kong}, volume={30}, url={https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=TN_proquest2099979709&context=PC&vid=VUWNUI&lang=en_NZ&search_scope=64VUW_ALL&adaptor=primo_central_multiple_fe&tab=all&query=any,contains,Su%20yin%20mak%20string%20theory%20ethnographic%20string%20quartet&offset=0}, DOI={10.2979/}, journal={Integral : The Journal of Applied Musical Thought}, author={Mak, Su}, year={2016} }
@inbook{McClary, title={A Material Girl in Bluebeard’s Castle - Chapter}, url={http://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=acls;cc=acls;rgn=full%20text;idno=heb06265.0001.001;didno=heb06265.0001.001;view=image;seq=00000023;node=heb06265.0001.001%3A4}, booktitle={Feminine endings: music, gender, and sexuality}, author={McClary, Susan} }
@article{McClary, title={‘Feminine Endings at Twenty’, Article}, url={http://www.sibetrans.com/trans/articulo/348/i-feminine-endings-i-at-twenty}, journal={TRANS - Revista Transcultural de Música - Transcultural Music Review}, author={McClary, Susan} }
@book{Moore, Allan F._2003, title={Analyzing Popular Music}, url={http://site.ebrary.com/lib/vuw/reader.action?docID=10069911&ppg=28}, publisher={Cambridge University Press}, author={Moore, Allan F.}, year={2003} }
@article{Nettl, title={1 The Seminal Eighties: Historical Musicology and Ethnomusicology}, url={https://www.jstor.org/stable/10.5406/j.ctt1xcm42.5?refreqid=excelsior:d21cd8b12168cc965a0e05bf3e9c8279&seq=1#metadata_info_tab_contents}, publisher={University of Illinois Press}, author={Nettl, Bruno} }
@article{Nettl, title={14 Riding the Warhorses: On the Ethnomusicology of Canons}, url={https://www.jstor.org/stable/10.5406/j.ctt1xcm42.18?refreqid=excelsior:c3ac0e07b9505b0bc9460d7ff892c5a4&seq=10#metadata_info_tab_contents}, publisher={University of Illinois Press}, author={Nettl, Bruno} }
@book{Radano_Bohlman_2000, address={Chicago}, title={Music and the racial imagination}, url={http://catdir.loc.gov/catdir/toc/uchi051/00023672.html}, publisher={University of Chicago Press}, author={Radano, Ronald Michael and Bohlman, Philip V.}, year={2000} }
@inbook{Randal_1992, address={Chicago}, title={‘The Canons in the Musicological Toolbox’}, booktitle={Disciplining music: musicology and its canons}, publisher={University of Chicago Press}, author={Randal, Don}, year={1992} }
@article{Review by: Gary Tomlinson_2007, title={Review: Monumental Musicology}, volume={132}, url={http://www.jstor.org/stable/30161411?seq=1#page_scan_tab_contents}, number={2}, journal={Journal of the Royal Musical Association}, publisher={Taylor & Francis, Ltd.Royal Musical AssociationRoyal Musical Association}, author={Review by: Gary Tomlinson}, year={2007}, pages={349–374} }
@article{Richard Taruskin, title={Nationalism}, url={http://www.oxfordmusiconline.com/subscriber/article/grove/music/50846?q=nationalism&search=quick&pos=1&_start=1#firsthit}, journal={Grove Music Online}, author={Richard Taruskin} }
@article{Richard Taruskin, title={CLASSICAL VIEW; ‘Nationalism’: Colonialism In Disguise?}, url={http://go.galegroup.com/ps/i.do?&id=GALE%7CA174676981&v=2.1&u=vuw&it=r&p=AONE&sw=w&authCount=1}, journal={The New York Times}, author={Richard Taruskin} }
@article{van Rij_2018, title={‘Walking Backwards into the Future’: Music, Museum Culture, and the New Zealand and South Seas Exhibition (1889–1890)}, volume={99}, DOI={10.1093/ml/gcy038}, number={2}, journal={Music and Letters}, author={van Rij, Inge}, year={2018}, month={May}, pages={224–259} }
@inbook{Scruton_1999, title={Ontology}, url={http://www.oxfordscholarship.com/view/10.1093/019816727X.001.0001/acprof-9780198167273-chapter-4}, DOI={10.1093/019816727X.003.0004}, booktitle={The Aesthetics of Music}, publisher={Oxford University Press}, author={Scruton, Roger}, year={1999}, month={Jun}, pages={97–117} }
@book{Stobart, Henry, Baily, John, Bigenho, Michelle_2008, title={Europea: Ethnomusicologies and Modernities : The New (Ethno)musicologies}, url={http://site.ebrary.com/lib/vuw/reader.action?docID=10639605&ppg=4}, publisher={Scarecrow Press}, author={Stobart, Henry, Baily, John, Bigenho, Michelle}, year={2008} }
@book{Tomlinson_1993, address={Chicago}, title={Music in renaissance magic: toward a historiography of others}, url={http://www.loc.gov/catdir/enhancements/fy0608/92017755-t.html}, publisher={University of Chicago Press}, author={Tomlinson, Gary}, year={1993} }
@article{Tomlinson_2002, title={Cultural Dialogics and Jazz: A White Historian Signifies}, volume={22}, DOI={10.2307/1519944}, journal={Black Music Research Journal}, author={Tomlinson, Gary}, year={2002} }
@article{Vincent Duckles, title={Musicology, §I: The nature of musicology}, url={http://www.oxfordmusiconline.com/subscriber/article/grove/music/46710pg1#S46710.1}, journal={Grove Music Online}, author={Vincent Duckles} }
@article{Volgsten, Ulrik_2015, title={Work, Form and Phonogram: On the Significance of the Concept of Communication for the Modern Western Concept of Music}, volume={46}, url={https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=TN_swepuboai:DiVA.org:oru-46426&context=PC&vid=VUWNUI&lang=en_NZ&search_scope=64VUW_ALL&adaptor=primo_central_multiple_fe&tab=articles&query=any,contains,volgsten%20work%20form%20phonograph}, DOI={10.1017/}, number={2}, journal={International Review of the Aesthetics and Sociology of Music}, author={Volgsten, Ulrik}, year={2015}, pages={207–232} }
@article{Waksman, Steve_2010, title={Imagining an Interdisciplinary Canon}, volume={22}, url={https://tewaharoa.victoria.ac.nz/primo-explore/fulldisplay?docid=TN_gale_ofa221883436&context=PC&vid=VUWNUI&lang=en_NZ&search_scope=64VUW_ALL&adaptor=primo_central_multiple_fe&tab=all&query=any,contains,waksman%20interdisciplinary%20canon&offset=0}, DOI={10.1111/}, number={1}, journal={Journal of Popular Music Studies}, author={Waksman, Steve}, year={2010} }
@article{Waldo S. Pratt_1915, title={On Behalf of Musicology}, volume={1}, url={http://www.jstor.org/stable/738038?seq=1#page_scan_tab_contents}, number={1}, journal={The Musical Quarterly}, publisher={Oxford University Press}, author={Waldo S. Pratt}, year={1915}, pages={1–16} }
@book{Walls_2003, address={Woodbridge, Suffolk}, title={History, imagination, and the performance of music}, publisher={Boydell Press}, author={Walls, Peter}, year={2003} }
@inbook{Weber_1999, address={Oxford}, title={History of Musical Canons}, booktitle={Rethinking music}, publisher={Oxford University Press}, author={Weber, William}, year={1999} }
@book{Yoshihara_ProQuest (Firm)_2007, address={Philadelphia}, title={Musicians from a different shore: Asians and Asian Americans in classical music}, url={http://ebookcentral.proquest.com/lib/vuw/detail.action?docID=346038}, publisher={Temple University Press}, author={Yoshihara, Mari and ProQuest (Firm)}, year={2007} }
@article{Music and Sexuality_2013, volume={66}, DOI={10.1525/jams.2013.66.3.825}, number={3}, journal={Journal of the American Musicological Society}, year={2013}, month={Dec}, pages={825–872} }
@misc{Introduction: The History of What? : Music from the Earliest Notations to the Sixteenth Century, url={http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-miscMatter-021008.xml} }
@book{Howards End, by E. M. Forster, url={http://www.gutenberg.org/files/2946/2946-h/2946-h.htm#link2HCH0005} }
@misc{Benedict Anderson, ‘Imagined Communities’, url={https://www2.bc.edu/marian-simion/th406/readings/0420anderson.pdf} }
