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Abbate, Carolyn, Roger Parker, and Cornell Verdi-Wagner Conference, Analyzing Opera: Verdi and Wagner, vol California studies in 19th century music (University of California Press, 1989)
Agawu, Kofi, ‘Analyzing Music under the New Musicological Regime’ (1997) 15(3) The Journal of Musicology 297
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Cusick, Suzanne, ‘“Gender, Musicology and Feminism” - Chapter’ in Rethinking Music (Oxford University Press, 1999)
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Gabriel Solis, ‘“A Unique Chunk of Jazz Reality”: Authorship, Musical Work Concepts, and Thelonious Monk’s Live Recordings from the Five Spot, 1958’ (2004) 48(3) Ethnomusicology 315 <http://www.jstor.org/stable/30046284?seq=1#page_scan_tab_contents>
Gloag, Kenneth, ‘Canon Formation and the Postmodern Condition (in Section IV)’ in Critical Music Historiography: Probing Canons, Ideologies and Institutions (Routledge) <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=4442914>
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Le Guin, Elisabeth, Le Guin, Elisabeth, Boccherini’s Body : An Essay in Carnal Musicology (1) (University of California Press, 2005) <http://site.ebrary.com/lib/vuw/reader.action?docID=10106457&amp;ppg=26>
Lodge, Martin, ‘Chapter 6: Music Historiography as a Braided River: The Case of New Zealand’ in Vesa Kurkela and Juha Markus Mantere (eds), Critical Music Historiography: Probing Canons, Ideologies and Institutions (Ashgate, 2015) <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=4442914&ppg=112>
Lydia Goehr, Reinhard Strohm, ‘Chapters 6 (“Looking Back at Ourselves”) and 11 (“The Problems of Dating”)’ in Michael Talbot (ed), The Musical Work: Reality or Invention? (Liverpool University Press, 2000) <http://www.jstor.org/stable/10.2307/j.ctt5vjcnv>
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Stobart, Henry, Baily, John, Bigenho, Michelle, Europea: Ethnomusicologies and Modernities : The New (Ethno)Musicologies (Scarecrow Press, 2008) <http://site.ebrary.com/lib/vuw/reader.action?docID=10639605&amp;ppg=4>
Tomlinson, Gary, ‘Cultural Dialogics and Jazz: A White Historian Signifies’ (2002) 22 Black Music Research Journal
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