Bibliography for FILM 304 | Victoria University Of Wellington

@misc{Agnès Varda_2000, title={The Gleaners and I Les Glaneurs et la Glaneuse}, url={https://vuw.kanopy.com/video/glaneurs-et-la-glaneuse}, publisher={Potential Films}, author={Agnès Varda}, year={2000} }

@book{Anne E. Duggan_2000, title={Queer Enchantments : Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy}, url={https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=3416608&query=}, publisher={Wayne State University Press}, author={Anne E. Duggan}, year={2000} }

@book{Assayas_Debord_Österreichisches Filmmuseum_SYNEMA-Gesellschaft für Film und Media_2012, address={[Vienna]}, title={A post-May adolescence: letter to Alice Debord and two essays on Guy Debord}, volume={17}, publisher={Österreichisches Filmmuseum}, author={Assayas, Olivier and Debord, Alice and Österreichisches Filmmuseum and SYNEMA-Gesellschaft für Film und Media}, year={2012} }

@misc{Assayas_Gautier_Creton_Melayer_Armand_2013, address={[London]}, title={Something in the air}, publisher={Artificial Eye}, author={Assayas, Olivier and Gautier, Ric and Creton, Lola and Melayer, Clement and Armand, F.}, editor={Barnier, Luc}, year={2013} }

@misc{Auffay_Constantin_Decae_Léaud_Maurier_Moussy_Rémy_Truffaut_Umbrella Entertainment (Firm)_2003, address={[Sydney?]}, title={Les quatre cents coups: The 400 blows. Les mistons}, publisher={Umbrella Entertainment}, author={Auffay, Patrick and Constantin, Jean and Decae, Henri and Léaud, Jean-Pierre and Maurier, Claire and Moussy, Marcel and Rémy, A. and Truffaut, François and Umbrella Entertainment (Firm)}, year={2003} }

@book{Bardot_Léaud_Duport_Guillemont_Godard_Goya_Maupassant_Maupassant_Svensk filmindustri_Argos Films_et al._2005, address={[U.S.A.]}, title={Masculin féminin: 15 faits précis = Masculine feminine : 15 specific items}, volume={308}, publisher={Rialto Pictures}, author={Bardot, Brigitte and Léaud, Jean-Pierre and Duport, Catherine-Isabelle and Guillemont, Agnes and Godard, Jean Luc and Goya, Chantal and Maupassant, Guy de and Maupassant, Guy de and Svensk filmindustri and Argos Films and Anouchka Films and Rialto Pictures LLC.}, year={2005} }

@inbook{Barry Keith Grant , and Jeannette Sloniowski_2013, title={Massood, Paula J. "The Gleaners and ”Us": the Radical Modesty of Agnès Varda’s Les glaneurs et la glaneuse”. Documenting the Documentary : Close Readings of Documentary Film and Video}, url={https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=3416586&ppg=526}, publisher={Wayne State University Press}, author={Barry Keith Grant , and Jeannette Sloniowski}, year={2013} }

@book{Beugnet_2007, address={Edinburgh}, title={Cinema and sensation: French film and the art of transgression}, url={http://www.jstor.org/stable/10.3366/j.ctt1r2d8p}, publisher={Edinburgh University Press}, author={Beugnet, Martine}, year={2007} }

@book{British Film Institute_2018, address={London}, title={Paris in the cinema: beyond the Flâneur : locations, characters, history}, publisher={Published by Palgrave on behalf of the British Film Institute}, author={British Film Institute}, editor={Phillips, Alastair and Vincendeau, Ginette}, year={2018} }

@article{Corless, Kieron, title={CATCH THE WIND}, volume={23}, url={https://search.proquest.com/docview/1366043426/fulltextPDF/99559D7C62374591PQ/1?accountid=14782}, journal={Sight and Sound}, author={Corless, Kieron}, pages={46–49} }

@misc{Dauman_Rouch_Morin_Loridan_Parolini_Morillère_Coutard_Tarbès_Brault_Barbaud_et al._2013, address={[New York]}, title={Chronique d’un été (Paris 1960) =: Chronicle of a Summer (Paris 1960)}, volume={648}, publisher={Criterion Collection}, author={Dauman, Anatole and Rouch, Jean and Morin, Edgar and Loridan, Marceline and Parolini, Maria Ludovica and Morillère, Roger and Coutard, Raoul and Tarbès, Jean-Jacques and Brault, Michel and Barbaud, Pierre and Janus Films and Cineteca comunale (Bologna, Italy) and Argos Films and Criterion Collection (Firm)}, year={2013} }

@misc{Demy_Legrand_Bodard_Deneuve_Castelnuovo_Vernon_Michel_Rabier_Cotret_Ciné Tamaris (Firm)_et al._2004, address={[United States]}, edition={Widescreen}, title={Les parapluies de Cherbourg: The umbrellas of Cherbourg}, publisher={Koch Lorber Films}, author={Demy, Jacques and Legrand, Michel and Bodard, Mag and Deneuve, Catherine and Castelnuovo, Nino and Vernon, Anne and Michel, Marc and Rabier, Jean and Cotret, Anne-Marie and Ciné Tamaris (Firm) and Parc Film (Firm) and Madeleine Films and Beta Film GmbH. and France. Ministère de l’éducation nationale et de la culture and Centre national de la cinématographie (France)}, year={2004} }

@article{Forsyth, Scott_2013, title={The Sixties Redux}, url={https://search.proquest.com/docview/1370867155/fulltextPDF/ECE6B9017CA74799PQ/1?accountid=14782}, journal={Cineaction}, author={Forsyth, Scott}, year={2013}, pages={59–61} }

@misc{Godard_2004, address={London}, title={Weekend}, publisher={Artificial Eye}, author={Godard, Jean Luc}, year={2004} }

@misc{Haneke_Auteuil_Binoche_Bénichou_2006, address={Culver City, Calif}, title={Caché: Hidden}, publisher={Sony Pictures Home Entertainment}, author={Haneke, Michael and Auteuil, Daniel and Binoche, Juliette and Bénichou, Maurice}, year={2006} }

@book{Hayward_2005, address={Abingdon, Oxon [England]}, edition={2nd ed}, title={French national cinema ‘Introduction: Defining the “national” of a country’s cinematographic production’}, publisher={Routledge}, author={Hayward, Susan}, year={2005} }

@book{Kristin Ross_2008, title={May ’68 and Its Afterlives}, url={https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=496636&query=}, publisher={University of Chicago Press}, author={Kristin Ross}, year={2008} }

@book{Lefebvre_2014, address={Minneapolis}, title={The Urban Revolution}, url={http://www.jstor.org/stable/10.5749/j.ctt5vkbkv}, publisher={University of Minnesota Press}, author={Lefebvre, Henri}, year={2014} }

@misc{Marker_L’Homme_Varlin_Signoret_Montand_Becker_Clerval_Villemain_Zora_Meunier_et al._2013a, address={Brooklyn, NY}, edition={2-disc DVD deluxe edition}, title={Le joli mai}, publisher={Icarus Films}, author={Marker, Chris and L’Homme, Pierre and Varlin, Catherine and Signoret, Simone and Montand, Yves and Becker, Étienne and Clerval, Denys and Villemain, Pierre and Zora, Eva and Meunier, Annie and Lecompère, Madeleine and Legrand, Michel and Ravel, Jean and Sofracima (Firm) and Icarus Films}, year={2013} }

@misc{Marker_L’Homme_Varlin_Signoret_Montand_Becker_Clerval_Villemain_Zora_Meunier_et al._2013b, address={Brooklyn, NY}, edition={2-disc DVD deluxe edition}, title={Le joli mai}, publisher={Icarus Films}, author={Marker, Chris and L’Homme, Pierre and Varlin, Catherine and Signoret, Simone and Montand, Yves and Becker, Étienne and Clerval, Denys and Villemain, Pierre and Zora, Eva and Meunier, Annie and Lecompère, Madeleine and Legrand, Michel and Ravel, Jean and Sofracima (Firm) and Icarus Films}, year={2013} }

@misc{Melville_Borderie_Lépicier_Delon_Périer_Delon_2005, address={[S.l.]}, title={Le samouraï: The samurai}, publisher={Criterion Collection}, author={Melville, Jean-Pierre and Borderie, R. and Lépicier, Eugène and Delon, Alain and Périer, François and Delon, Nathalie}, year={2005} }

@article{Naomi Vogt_2017, title={DIVINE GIRLHOODS: FILMING YOUNG WOMEN IN FRANCE’S ‘BANLIEUES’}, volume={42}, url={https://www.jstor.org/stable/26356952?seq=1#metadata_info_tab_contents}, number={3}, journal={Cinéaste}, publisher={Cineaste Publishers, Inc.}, author={Naomi Vogt}, year={2017} }

@article{Nicholls, David, title={Godard’s Weekend: Totem, Taboo and the Fifth Republic}, volume={49}, url={https://search.proquest.com/docview/740624161/fulltextPDF/A2D2A90838534626PQ/1?accountid=14782}, journal={Monthly Film Bulletin}, author={Nicholls, David}, pages={22–24} }

@article{Nicholls, David, title={Godard’s Weekend: Totem, Taboo and the Fifth Republic}, volume={49}, url={https://search.proquest.com/docview/740624161/fulltextPDF/C77FF5F041444244PQ/1?accountid=14782}, journal={Monthly Film Bulletin}, author={Nicholls, David}, pages={22–24} }

@misc{Ossard_Benbihy_Von Schenk_Assayas_Ardant_Bekhti_Beslon_Binoche_Boro_Buscemi_et al._2007, address={[Australia]}, title={Paris, je t’aime}, publisher={Madman Entertainment}, author={Ossard, Claudie and Benbihy, Emmanuel and Von Schenk, Burkhard and Assayas, Olivier and Ardant, Fanny and Bekhti, Leila and Beslon, Melchior and Binoche, Juliette and Boro, Seydou and Buscemi, Steve and Castellitto, Sergio and Dafoe, Willem and Depardieu, Gérard and Descours, Cyril and Faithfull, Marianne and Gazzara, Ben and Gyllenhaal, Maggie and Hoskins, Bob and Kurylenko, Olga and Li, Xin and McConnell, Elias and Maïga, Aïssa and Martindale, Margo and Moreau, Yolande and Mortimer, Emily and Muller, Florence and Nolte, Nick and Podalydès, Bruno and Portman, Natalie and Putner, Paul and Richardson, Miranda and Rowlands, Gena and Sandino Moreno, Catalina and Sagnier, Ludivine and Schroeder, Barbet and Sewell, Rufus and Ulliel, Gaspard and Wood, Elijah and Auburtin, Frédéric and Chadha, Gurinder and Chomet, Sylvain and Coen, Joel and Coen, Ethan and Coixet, Isabel and Craven, Wes and Cuarón, Alfonso and Doyle, Christopher and LaGravenese, Richard and Natali, Vincenzo and Payne, Alexander}, year={2007} }

@book{Robert Philip Kolker_2009, title={Altering Eye : Contemporary International Cinema pages 121-152}, url={https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=3384113&ppg=110}, publisher={Open Book Publishers}, author={Robert Philip Kolker}, year={2009} }

@misc{Rouch_Braunberger_Centre national de la recherche scientifique (France)_Institut française d’Afrique noire_1986, address={[New York, N.Y.?]}, title={Les Maitres fous}, publisher={Interama Video Classics}, author={Rouch, Jean and Braunberger, Pierre and Centre national de la recherche scientifique (France) and Institut française d’Afrique noire}, year={1986} }

@misc{Rouch_Braunberger_Ronin Films_Les Films de la Pleiade_2012, address={Mitchell, ACT}, title={Petit a petit}, publisher={Ronin Films [distributor]}, author={Rouch, Jean and Braunberger, Pierre and Ronin Films and Les Films de la Pleiade}, year={2012} }

@misc{Sciamma_Couvreur_Toure_Sylla_Karamoh_Toure_Fournier_Para One_2015, address={[Australia]}, title={Girlhood}, publisher={Madman Entertainment}, author={Sciamma, Céline and Couvreur, Benedicte and Toure, Karidja and Sylla, Assa and Karamoh, Lindsay and Toure, Marietou and Fournier, Crystel and Para One}, year={2015} }

@article{Spohrer, Jennifer1, title={Consumption and the Construction of Community in Jacques Tati’s Mon Oncle.}, url={http://search.ebscohost.com/login.aspx?direct=true&db=a2h&AN=73795073&site=ehost-live}, number={19}, journal={disClosure}, author={Spohrer, Jennifer1}, pages={61–72} }

@book{Sterritt_1999, address={Cambridge}, title={The films of Jean-Luc Godard: seeing the invisible}, publisher={Cambridge University Press}, author={Sterritt, David}, year={1999} }

@misc{Tati_Lagrange_Haanstra_Dorfmann_Fraval_Bostel_Kimberly_Films Corona_Films Gibé_Selenia Cinematografica (Firm)_et al._2008, address={[New York?]}, edition={Special ed}, title={Trafic}, volume={439}, publisher={Criterion Collection}, author={Tati, Jacques and Lagrange, Jacques and Haanstra, Bert and Dorfmann, Robert and Fraval, Marcel and Bostel, Honoré and Kimberly, Maria and Films Corona and Films Gibé and Selenia Cinematografica (Firm) and Criterion Collection (Firm)}, year={2008} }

@misc{Tati_Maurice_Specta Films_Potential Films_Madman Cinema_AV Channel (Firm)_2004, address={[Australia]}, title={Playtime}, publisher={Madman Cinema/Potential Films/The AV Channel [distributor]}, author={Tati, Jacques and Maurice, Bernard and Specta Films and Potential Films and Madman Cinema and AV Channel (Firm)}, year={2004} }

@misc{Tati_Orain_Lagrange_L’Hôte_Zola_Servantie_Bécourt_Janus Films_Panoramic Films (Firm)_Specta Films_et al._2001, address={[United States]}, title={Mon oncle}, volume={111}, publisher={Criterion Collection}, author={Tati, Jacques and Orain, Fred and Lagrange, Jacques and L’Hôte, Jean and Zola, Jean-Pierre and Servantie, Adrienne and Bécourt, Alain and Janus Films and Panoramic Films (Firm) and Specta Films and Gray-Film (Firm) and Alter Films (Firm)}, year={2001} }

@misc{Tati_Orain_Marquet_Aubert_Lagrange_Pascaud_Rolla_Carl_Fregis_Romans_et al._2001, address={[Irvington, NY]}, title={Les vacances de Monsieur Hulot: M. Hulot’s holiday}, volume={110}, publisher={Criterion Collection}, author={Tati, Jacques and Orain, Fred and Marquet, Henri and Aubert, Pierre and Lagrange, Jacques and Pascaud, Nathalie and Rolla, Michèle and Carl, Raymond and Fregis, Lucien and Romans, Alain and Cady-Films (Firm) and Janus Films and Panoramic Films (Firm) and Criterion Collection (Firm)}, year={2001} }

@misc{Tati_Tati_Madman Entertainment_2004, address={Australia}, title={Jour de Fete}, publisher={Madman [distributor]}, author={Tati, Jacques and Tati, Jacques and Madman Entertainment}, year={2004} }

@inbook{Tweedie_2013, title={Walking in the City}, url={http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199858286.001.0001/acprof-9780199858286-chapter-03}, DOI={10.1093/acprof:oso/9780199858286.003.0003}, booktitle={The Age of New Waves}, publisher={Oxford University Press}, author={Tweedie, James}, year={2013}, month={Sep}, pages={83–128} }

@article{Ungar_2003, title={In the Thick of Things: Rouch and Morin’s Chronique d’un été Reconsidered}, volume={14}, DOI={10.1177/0097155803014001001}, number={1}, journal={French Cultural Studies}, author={Ungar, Steven}, year={2003}, month={Feb}, pages={5–22} }

@misc{Varda_Marchand_Bourseiller_Rabier_Legrand_2010, address={[S.l.]}, title={Cleo from 5 to 7}, publisher={Artificial Eye}, author={Varda, Agnès and Marchand, Corinne and Bourseiller, Antoine and Rabier, Jean and Legrand, Michel}, year={2010} }

@misc{Varda_Zeitgeist Video (Firm)_Ciné Tamaris (Firm)_2002, address={[New York, N.Y.]}, title={Les glaneurs et la glaneuse}, publisher={Zeitgeist Video}, author={Varda, Agnès and Zeitgeist Video (Firm) and Ciné Tamaris (Firm)}, year={2002} }

@book{Vincendeau_2005, address={London}, title={La Haine: (Mathieu Kassovitz, 1995)}, publisher={I. B. Tauris}, author={Vincendeau, Ginette}, year={2005} }

@book{Vincendeau_British Film Institute_2003, address={London}, title={Jean-Pierre Melville: an American in Paris}, publisher={BFI Pub}, author={Vincendeau, Ginette and British Film Institute}, year={2003} }

@book{Williams_2013, address={Manchester}, title={Space and being in contemporary French cinema}, url={http://www.jstor.org/stable/10.2307/j.ctt18mvmfc}, publisher={Manchester University Press}, author={Williams, James S.}, year={2013} }

@book{Introduction ‘Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture’, url={http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=49174&site=ehost-live} }

@article{Hensman, Ravi. ‘Oracles of Suburbia: French Cinema and Portrayals of Paris Banlieues, 1958–1968’., url={https://www.tandfonline.com/doi/pdf/10.1080/09639489.2013.802681?needAccess=true} }

@book{Chapter 1: 1-70 ‘La Belle Americaine’ ‘Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture’, url={http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=49174&site=ehost-live} }

@book{Ross, Kristin. ‘Hygiene and Modernization’. Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture. Cambridge: MIT Press, 1995. 71-122, url={http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=49174&site=ehost-live} }

@article{Forbes, Jill. ‘Gender and Space in Cléo de 5 à 7’. Studies in French Cinema, 2:2 (2002), 83-89, url={https://www.tandfonline.com/doi/pdf/10.1386/sfci.2.2.83?needAccess=true} }

@misc{Rollet, Brigitte. ‘Paris Nous Appartient: Flânerie in Paris and Film’. Film Quarterly 68.3 (2008): 46-51, url={https://www.jstor.org/stable/pdf/10.1525/fq.2008.61.3.46.pdf} }

@misc{Ezra, Elisabeth. ‘Cléo’s Masks: Regimes of Objectification in the French New Wave’. Yale French Studies,118/119. Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (2010): 177-190, url={https://www.jstor.org/stable/pdf/41337086.pdf} }

@article{Morissey, Jim. ‘Paris and voyages of self-discovery in Cléo de 5 à 7 and Le Fabuleux destin d’Amélie Poulain’. Studies in French Cinema 8:2 (2014): 99-110, url={https://www.tandfonline.com/doi/pdf/10.1386/sfc.8.2.99_1?needAccess=true} }

@article{Virtue, Nancy.” Jacques Demy’s Les Parapluies de Cherbourg: A national allegory of the French-Algerian war”. Studies in French Cinema, 13:2 (2013): 127-140, url={https://www.tandfonline.com/doi/pdf/10.1386/sfc.13.2.127_1?needAccess=true} }

@inbook{"The Mise-en-Scène of Modernity: The French New Wave, Paris, and the Global 1960s”, url={https://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199858286.001.0001/acprof-9780199858286-chapter-02?print=pdf} }

@misc{Ross, Kristin. ‘New Men’. Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture. Cambridge: MIT Press, 1995. 157-196, url={http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=49174&site=ehost-live} }

@article{Süner, Ahmet. ‘Reinventing the everyday in the age of spectacle: Jean-Luc Godard’s artistic and political response to modernity in his early works’. Studies in French Cinema 15:2 (2015): 123-137, url={https://www.tandfonline.com/doi/pdf/10.1080/14715880.2014.987517?needAccess=true} }

@article{Hensman, Ravi. "Oracles of Suburbia: French Cinema and Portrayals of Paris Banlieues, 1958 – 1968” Modern & Contemporary France2013 21. 4 (2013): 435–451, url={https://www.tandfonline.com/doi/pdf/10.1080/09639489.2013.802681?needAccess=true} }

@misc{Ross, Kristin. ‘New Men’. Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture. Cambridge: MIT Press, 1995. 157-196, url={http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=49174&site=ehost-live} }

@inbook{Singkhra, Sutanya. ‘Dreams of Lost Time: A Study of Cinephilia and Time Realism in Bertolucci’s The Dreamers’, url={https://www.jstor.org/stable/pdf/j.ctt45kd32.6.pdf} }

@article{Reid, Donald. ‘We Have a Situation Here: Coming After May 1968 With Olivier Assayas’, url={https://muse.jhu.edu/article/548419/pdf} }

@inbook{Singkhra, Sutanya. ‘Dreams of Lost Time: A Study of Cinephilia and Time Realism in Bertolucci’s The Dreamers’, url={https://www.jstor.org/stable/pdf/j.ctt45kd32.6.pdf} }

@article{Hip Hop Cinema in France, url={https://muse.jhu.edu/article/7962/pdf} }

@article{McNeil, Isabelle. ‘Shine Bright Like a Diamond’: music, performance and digitextuality in Céline Sciamma’s Bande de filles (2014), url={https://www.tandfonline.com/doi/pdf/10.1080/14715880.2017.1345187?needAccess=true} }

@inbook{Handyside, Fiona. 2015. "Emotion, Girlhood, and Music in Naissance des pieuvres (Céline Sciamma, 2007) and Un amour de jeunesse (Mia Hansen-Løve, 2011).” In International Cinema and the Girl: Local Issues, Transnational Contexts, url={https://link.springer.com/content/pdf/10.1057/9781137388926_10.pdf} }

@article{‘Scenes of hurt and rapture: Céline Sciamma’s Girlhood.’, url={http://fq.ucpress.edu/content/ucpfq/70/3/10.full.pdf} }

@misc{Claire Mouflard ""Il y a des règles:” Gender, Surveillance, and Circulation in Céline Sciamma’s Bande de Filles ", url={https://muse.jhu.edu/article/643838/pdf} }

@misc{Higbee, Will. "‘Beyond Ethnicity’ or a Return to Type?: Bande de filles/Girlhood and the Politics of Blackness in Contemporary French Cinema”., url={https://www.jstor.org/stable/pdf/j.ctv3hvc45.14.pdf} }

@article{Banlieue chronicles: a ‘demigrantising’, historical look at cinematic representations of the ill-famed French suburbs, url={https://www.tandfonline.com/doi/pdf/10.1080/17411548.2017.1376858?needAccess=true} }

@article{Beugnet, Martine and Jane Sillars. "Beau Travail: time, space and myths of identity”., url={https://www.tandfonline.com/doi/pdf/10.1386/sfci.1.3.166?needAccess=true} }

@article{Hayward, Susan. "Claire Denis’ Films and the Post-colonial Body—with special reference to Beau travail (1999)”., url={https://www.tandfonline.com/doi/pdf/10.1386/sfci.1.3.159?needAccess=true} }

@article{‘European Cinema and the Postheroic Narrative: Jean-Luc Nancy, Claire Denis, and Beau Travail’, url={https://muse.jhu.edu/article/497942/pdf} }

@misc{Andrew, Dudley. ‘Amélie, or Le Fabuleux Destin du Cinéma Français’., url={https://www.jstor.org/stable/pdf/10.1525/fq.2004.57.3.34.pdf} }

@article{Morissey, Jim. ‘Paris and voyages of self-discovery in Cléo de 5 à 7 and Le Fabuleux destin d’Amélie Poulain’., url={https://www.tandfonline.com/doi/pdf/10.1386/sfc.8.2.99_1?needAccess=true} }

@article{Bazgan, Nicoleta. "Female bodies in Paris: icon urban femininity and Parisian journeys.”, url={https://www.tandfonline.com/doi/pdf/10.1386/sfc.10.2.95_1?needAccess=true} }

@article{Fevry, Sébastien. "Sepia cinema in Nicolas Sarkozy’s France: nostalgia and national identity”., url={https://www.tandfonline.com/doi/pdf/10.1080/14715880.2016.1249208?needAccess=true} }

@article{‘Once Upon a Time that Never Was: Jean-Pierre Jeunet’s Le Fabuleux Destin d’Amelie Poulain (2001)’, url={https://www.jstor.org/stable/pdf/25800167.pdf} }

@article{"White paranoia: Michael Haneke’s Caché reflected through Alain Robbe-Grillet’s novel La Jalousie.”, url={https://www.tandfonline.com/doi/pdf/10.1080/14715880.2016.1241585?needAccess=true} }

@article{Memory, Trauma, and the French-Algerian War: Michael Haneke’s Caché (2005), url={https://www.tandfonline.com/doi/pdf/10.1080/09639489.2011.588792?needAccess=true} }

@article{Tension, transition and tone in Michael Haneke’s Caché, url={https://www.tandfonline.com/doi/pdf/10.1386/seci.9.2-3.99_1?needAccess=true} }

@article{Caché: Or what the past hides, url={https://www.tandfonline.com/doi/pdf/10.1080/10304310903362767?needAccess=true} }

@article{"Post-1995 French cinema: Return of the social, return of the political?”, url={https://www.tandfonline.com/doi/pdf/10.1080/09639480306933?needAccess=true} }

Bibliography for FILM 304 BETA