Agnès Varda (2000) ‘The Gleaners and I Les Glaneurs et la Glaneuse’. Potential Films. Available at: https://vuw.kanopy.com/video/glaneurs-et-la-glaneuse.
‘Andrew, Dudley. “Amélie, or Le Fabuleux Destin du Cinéma Français”.’ (no date). Available at: https://www.jstor.org/stable/pdf/10.1525/fq.2004.57.3.34.pdf.
Anne E. Duggan (2000) Queer Enchantments : Gender, Sexuality, and Class in the Fairy-Tale Cinema of Jacques Demy. Wayne State University Press. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=3416608&query=.
Assayas, O. et al. (2012) A post-May adolescence: letter to Alice Debord and two essays on Guy Debord. [Vienna]: Österreichisches Filmmuseum.
Assayas, O. et al. (2013) ‘Something in the air’. Edited by L. Barnier. [London]: Artificial Eye.
Auffay, P. et al. (2003) ‘Les quatre cents coups: The 400 blows. Les mistons’. [Sydney?]: Umbrella Entertainment.
‘Banlieue chronicles: a “demigrantising”, historical look at cinematic representations of the ill-famed French suburbs’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1080/17411548.2017.1376858?needAccess=true.
Bardot, B. et al. (2005) Masculin féminin: 15 faits précis = Masculine feminine : 15 specific items. [U.S.A.]: Rialto Pictures.
Barry Keith Grant , and Jeannette Sloniowski (2013) ‘Massood, Paula J. "The Gleaners and ”Us": the Radical Modesty of Agnès Varda’s Les glaneurs et la glaneuse”. Documenting the Documentary : Close Readings of Documentary Film and Video’, in. Wayne State University Press. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=3416586&ppg=526.
‘Bazgan, Nicoleta. "Female bodies in Paris: icon urban femininity and Parisian journeys.”’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1386/sfc.10.2.95_1?needAccess=true.
Beugnet, M. (2007) Cinema and sensation: French film and the art of transgression. Edinburgh: Edinburgh University Press. Available at: http://www.jstor.org/stable/10.3366/j.ctt1r2d8p.
‘Beugnet, Martine and Jane Sillars. "Beau Travail: time, space and myths of identity”.’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1386/sfci.1.3.166?needAccess=true.
British Film Institute (2018) Paris in the cinema: beyond the Flâneur : locations, characters, history. Edited by A. Phillips and G. Vincendeau. London: Published by Palgrave on behalf of the British Film Institute.
‘Caché: Or what the past hides’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1080/10304310903362767?needAccess=true.
Chapter 1: 1-70 ‘La Belle Americaine’ ‘Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture’ (no date). Available at: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=49174&site=ehost-live.
Claire Mouflard ""Il y a des règles:” Gender, Surveillance, and Circulation in Céline Sciamma’s Bande de Filles " (no date). Available at: https://muse.jhu.edu/article/643838/pdf.
Corless, Kieron (no date) ‘CATCH THE WIND’, Sight and Sound, 23, pp. 46–49. Available at: https://search.proquest.com/docview/1366043426/fulltextPDF/99559D7C62374591PQ/1?accountid=14782.
Dauman, A. et al. (2013) ‘Chronique d’un été (Paris 1960) =: Chronicle of a Summer (Paris 1960)’. [New York]: Criterion Collection.
Demy, J. et al. (2004) ‘Les parapluies de Cherbourg: The umbrellas of Cherbourg’. [United States]: Koch Lorber Films.
‘“European Cinema and the Postheroic Narrative: Jean-Luc Nancy, Claire Denis, and Beau Travail”’ (no date). Available at: https://muse.jhu.edu/article/497942/pdf.
‘Ezra, Elisabeth. “Cléo’s Masks: Regimes of Objectification in the French New Wave”. Yale French Studies,118/119. Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (2010): 177-190’ (no date). Available at: https://www.jstor.org/stable/pdf/41337086.pdf.
‘Fevry, Sébastien. "Sepia cinema in Nicolas Sarkozy’s France: nostalgia and national identity”.’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1080/14715880.2016.1249208?needAccess=true.
‘Forbes, Jill. “Gender and Space in Cléo de 5 à 7”. Studies in French Cinema, 2:2 (2002), 83-89’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1386/sfci.2.2.83?needAccess=true.
Forsyth, Scott (2013) ‘The Sixties Redux’, Cineaction, pp. 59–61. Available at: https://search.proquest.com/docview/1370867155/fulltextPDF/ECE6B9017CA74799PQ/1?accountid=14782.
Godard, J.L. (2004) ‘Weekend’. London: Artificial Eye.
‘Handyside, Fiona. 2015. "Emotion, Girlhood, and Music in Naissance des pieuvres (Céline Sciamma, 2007) and Un amour de jeunesse (Mia Hansen-Løve, 2011).” In International Cinema and the Girl: Local Issues, Transnational Contexts’ (no date) in. Available at: https://link.springer.com/content/pdf/10.1057/9781137388926_10.pdf.
Haneke, M. et al. (2006) ‘Caché: Hidden’. Culver City, Calif: Sony Pictures Home Entertainment.
Hayward, S. (2005) French national cinema ‘Introduction: Defining the “national” of a country’s cinematographic production’. 2nd ed. Abingdon, Oxon [England]: Routledge.
‘Hayward, Susan. "Claire Denis’ Films and the Post-colonial Body—with special reference to Beau travail (1999)”.’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1386/sfci.1.3.159?needAccess=true.
‘Hensman, Ravi. "Oracles of Suburbia: French Cinema and Portrayals of Paris Banlieues, 1958 – 1968” Modern & Contemporary France2013 21. 4 (2013): 435–451’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1080/09639489.2013.802681?needAccess=true.
‘Hensman, Ravi. “Oracles of Suburbia: French Cinema and Portrayals of Paris Banlieues, 1958–1968”.’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1080/09639489.2013.802681?needAccess=true.
‘Higbee, Will. "“Beyond Ethnicity” or a Return to Type?: Bande de filles/Girlhood and the Politics of Blackness in Contemporary French Cinema”.’ (no date). Available at: https://www.jstor.org/stable/pdf/j.ctv3hvc45.14.pdf.
‘Hip Hop Cinema in France’ (no date). Available at: https://muse.jhu.edu/article/7962/pdf.
Introduction ‘Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture’ (no date). Available at: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=49174&site=ehost-live.
Kristin Ross (2008) May ’68 and Its Afterlives. University of Chicago Press. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=496636&query=.
Lefebvre, H. (2014) The Urban Revolution. Minneapolis: University of Minnesota Press. Available at: http://www.jstor.org/stable/10.5749/j.ctt5vkbkv.
Marker, C. et al. (2013a) ‘Le joli mai’. Brooklyn, NY: Icarus Films.
Marker, C. et al. (2013b) ‘Le joli mai’. Brooklyn, NY: Icarus Films.
‘McNeil, Isabelle. “Shine Bright Like a Diamond”: music, performance and digitextuality in Céline Sciamma’s Bande de filles (2014)’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1080/14715880.2017.1345187?needAccess=true.
Melville, J.-P. et al. (2005) ‘Le samouraï: The samurai’. [S.l.]: Criterion Collection.
‘Memory, Trauma, and the French-Algerian War: Michael Haneke’s Caché (2005)’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1080/09639489.2011.588792?needAccess=true.
‘Morissey, Jim. “Paris and voyages of self-discovery in Cléo de 5 à 7 and Le Fabuleux destin d’Amélie Poulain”.’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1386/sfc.8.2.99_1?needAccess=true.
‘Morissey, Jim. “Paris and voyages of self-discovery in Cléo de 5 à 7 and Le Fabuleux destin d’Amélie Poulain”. Studies in French Cinema 8:2 (2014): 99-110’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1386/sfc.8.2.99_1?needAccess=true.
Naomi Vogt (2017) ‘DIVINE GIRLHOODS: FILMING YOUNG WOMEN IN FRANCE’S “BANLIEUES”’, Cinéaste, 42(3). Available at: https://www.jstor.org/stable/26356952?seq=1#metadata_info_tab_contents.
Nicholls, David (no date a) ‘Godard’s Weekend: Totem, Taboo and the Fifth Republic’, Monthly Film Bulletin, 49, pp. 22–24. Available at: https://search.proquest.com/docview/740624161/fulltextPDF/A2D2A90838534626PQ/1?accountid=14782.
Nicholls, David (no date b) ‘Godard’s Weekend: Totem, Taboo and the Fifth Republic’, Monthly Film Bulletin, 49, pp. 22–24. Available at: https://search.proquest.com/docview/740624161/fulltextPDF/C77FF5F041444244PQ/1?accountid=14782.
‘“Once Upon a Time that Never Was: Jean-Pierre Jeunet’s Le Fabuleux Destin d’Amelie Poulain (2001)”’ (no date). Available at: https://www.jstor.org/stable/pdf/25800167.pdf.
Ossard, C. et al. (2007) ‘Paris, je t’aime’. [Australia]: Madman Entertainment.
‘"Post-1995 French cinema: Return of the social, return of the political?”’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1080/09639480306933?needAccess=true.
‘Reid, Donald. “We Have a Situation Here: Coming After May 1968 With Olivier Assayas”’ (no date). Available at: https://muse.jhu.edu/article/548419/pdf.
Robert Philip Kolker (2009) Altering Eye : Contemporary International Cinema pages 121-152. Open Book Publishers. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=3384113&ppg=110.
‘Rollet, Brigitte. “Paris Nous Appartient: Flânerie in Paris and Film”. Film Quarterly 68.3 (2008): 46-51’ (no date). Available at: https://www.jstor.org/stable/pdf/10.1525/fq.2008.61.3.46.pdf.
Ross, Kristin. ‘Hygiene and Modernization’. Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture. Cambridge: MIT Press, 1995. 71-122 (no date). Available at: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=49174&site=ehost-live.
Ross, Kristin. ‘New Men’. Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture. Cambridge: MIT Press, 1995. 157-196 (no date a). Available at: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=49174&site=ehost-live.
Ross, Kristin. ‘New Men’. Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture. Cambridge: MIT Press, 1995. 157-196 (no date b). Available at: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=49174&site=ehost-live.
Rouch, J. et al. (1986) ‘Les Maitres fous’. [New York, N.Y.?]: Interama Video Classics.
Rouch, J. et al. (2012) ‘Petit a petit’. Mitchell, ACT: Ronin Films [distributor].
‘“Scenes of hurt and rapture: Céline Sciamma’s Girlhood.”’ (no date). Available at: http://fq.ucpress.edu/content/ucpfq/70/3/10.full.pdf.
Sciamma, C. et al. (2015) ‘Girlhood’. [Australia]: Madman Entertainment.
‘Singkhra, Sutanya. “Dreams of Lost Time: A Study of Cinephilia and Time Realism in Bertolucci’s The Dreamers”’ (no date a) in. Available at: https://www.jstor.org/stable/pdf/j.ctt45kd32.6.pdf.
‘Singkhra, Sutanya. “Dreams of Lost Time: A Study of Cinephilia and Time Realism in Bertolucci’s The Dreamers”’ (no date b) in. Available at: https://www.jstor.org/stable/pdf/j.ctt45kd32.6.pdf.
Spohrer, Jennifer1 (no date) ‘Consumption and the Construction of Community in Jacques Tati’s Mon Oncle.’, disClosure, (19), pp. 61–72. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=a2h&AN=73795073&site=ehost-live.
Sterritt, D. (1999) The films of Jean-Luc Godard: seeing the invisible. Cambridge: Cambridge University Press.
‘Süner, Ahmet. “Reinventing the everyday in the age of spectacle: Jean-Luc Godard’s artistic and political response to modernity in his early works”. Studies in French Cinema 15:2 (2015): 123-137’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1080/14715880.2014.987517?needAccess=true.
Tati, J., Orain, F., Marquet, H., et al. (2001) ‘Les vacances de Monsieur Hulot: M. Hulot’s holiday’. [Irvington, NY]: Criterion Collection.
Tati, J., Orain, F., Lagrange, J., et al. (2001) ‘Mon oncle’. [United States]: Criterion Collection.
Tati, J. et al. (2004) ‘Playtime’. [Australia]: Madman Cinema/Potential Films/The AV Channel [distributor].
Tati, J. et al. (2008) ‘Trafic’. [New York?]: Criterion Collection.
Tati, J., Tati, J., and Madman Entertainment (2004) ‘Jour de Fete’. Australia: Madman [distributor].
‘Tension, transition and tone in Michael Haneke’s Caché’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1386/seci.9.2-3.99_1?needAccess=true.
‘"The Mise-en-Scène of Modernity: The French New Wave, Paris, and the Global 1960s”’ (no date) in. Available at: https://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199858286.001.0001/acprof-9780199858286-chapter-02?print=pdf.
Tweedie, J. (2013) ‘Walking in the City’, in The Age of New Waves. Oxford University Press, pp. 83–128. Available at: https://doi.org/10.1093/acprof:oso/9780199858286.003.0003.
Ungar, S. (2003) ‘In the Thick of Things: Rouch and Morin’s Chronique d’un été Reconsidered’, French Cultural Studies, 14(1), pp. 5–22. Available at: https://doi.org/10.1177/0097155803014001001.
Varda, A. et al. (2010) ‘Cleo from 5 to 7’. [S.l.]: Artificial Eye.
Varda, A., Zeitgeist Video (Firm), and Ciné Tamaris (Firm) (2002) ‘Les glaneurs et la glaneuse’. [New York, N.Y.]: Zeitgeist Video.
Vincendeau, G. (2005) La Haine: (Mathieu Kassovitz, 1995). London: I. B. Tauris.
Vincendeau, G. and British Film Institute (2003) Jean-Pierre Melville: an American in Paris. London: BFI Pub.
‘Virtue, Nancy.” Jacques Demy’s Les Parapluies de Cherbourg: A national allegory of the French-Algerian war”. Studies in French Cinema, 13:2 (2013): 127-140’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1386/sfc.13.2.127_1?needAccess=true.
‘"White paranoia: Michael Haneke’s Caché reflected through Alain Robbe-Grillet’s novel La Jalousie.”’ (no date). Available at: https://www.tandfonline.com/doi/pdf/10.1080/14715880.2016.1241585?needAccess=true.
Williams, J.S. (2013) Space and being in contemporary French cinema. Manchester: Manchester University Press. Available at: http://www.jstor.org/stable/10.2307/j.ctt18mvmfc.
