[1]
C. Johnston, House of games : making theatre in everyday life. London: Nick Hern Books, 1998.
[2]
R. Leach, Theatre Studies: The Basics, 2nd Revised edition. London: Taylor & Francis Ltd, 2013. [Online]. Available: https://www.taylorfrancis.com/books/9780203766675
[3]
R. Schechner and R. Schechner, Performance Studies, 3rd New edition. London: Taylor & Francis Ltd, 2017. [Online]. Available: https://ebookcentral.proquest.com/lib/VUW/detail.action?docID=1128311
[4]
R. Schechner, Performance Studies: An Introduction [What is Performance?]. Routledge, 2013. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=1128311
[5]
A. Oddey, Devising Theatre: A Practical and Theoretical Handbook. Routledge, 2013.
[6]
The Performers Guide to the Collaborative Process. Portsmouth: Heinemann USA, 2001.
[7]
T. Bicat, C. Baldwin, and C. Barker, ‘Introduction: Collaborative Invention’, in Devised and Collaborative Theatre: A Practical Guide, Ramsbury: The Crowood Press Ltd, 2002.
[10]
N. Holdsworth, ‘Practical Exercises’, in Joan Littlewood, Taylor & Francis Group, 2006, pp. 114–135. [Online]. Available: https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=1816193
[11]
‘Collaboration: Potholes in the road to devising’.
[12]
L. Stevens, ‘Who’s Pulling the Strings? The Politics of Puppetry in the Théâtre du Soleil’s Tambours sur la digue,Contemporary Theatre Review, October 2016, Vol.26(4), pp.429-443’, [Online]. Available: http://www.tandfonline.com/doi/abs/10.1080/10486801.2016.1216408
