‘1 Introduction: Background to the Boom’. Landmarks in Modern Latin American Fiction, n.d. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1051165&site=ehost-live.
‘1 Introduction: Background to the Boom’. Landmarks in Modern Latin American Fiction, n.d. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1051165&site=ehost-live.
Bueno, Eva, Caesar, Terry. Pitt Latin American Series : Imagination Beyond Nation : Latin American Popular Culture. University of Pittsburgh Press, 1999. http://site.ebrary.com/lib/vuw/reader.action?docID=10853124&ppg=94.
———. Pitt Latin American Series : Imagination Beyond Nation : Latin American Popular Culture. University of Pittsburgh Press, 1999. http://site.ebrary.com/lib/vuw/reader.action?docID=10853124&ppg=94.
Chicote, Gloria. ‘De Gauchos, Criollos y Folklores: Los Conceptos Detrás de Los Términos’. Anales de Literatura Hispanoamericana 42 (22 January 2014). https://doi.org/10.5209/rev_ALHI.2013.v42.43652.
‘Cien Años de Soledad: The Novel as Myth and Archive’, n.d. https://victoria.rl.talis.com/users/D0D587FE-98E3-63A1-B1C9-128978D2B5FA/bookmarks.html.
‘“Civilization and Barbarism”’. In The Companion to Latin American Studies. London, United Kingdom: Routledge, 2003. http://search.credoreference.com/content/entry/hodderlas/civilization_and_barbarism/0?id=9824366.
Conniff, Brian. ‘The Dark Side of Magical Realism: Science, Oppression, and Apocalypse in One Hundred Years of Solitude’. MFS Modern Fiction Studies 36, no. 2 (1990): 167–79. https://doi.org/10.1353/mfs.0.0821.
Cosse, Isabella. ‘Mafalda: Middle Class, Everyday Life, and Politics in Argentina, 1964-1973’. HAHR: The Hispanic American Historical Review 94, no. 1 (2014): 35–75. https://doi.org/10.1215/00182168-2390604.
Elena Castedo-Ellerman. ‘The Gaucho’s Attitude on Race and Nationality in Gauchesque Literature’. Afro-Hispanic Review 3, no. 1 (1984): 13–18. http://www.jstor.org/stable/23052993?seq=1#page_scan_tab_contents.
Foster, David William. From Mafalda to Los Supermachos: Latin American Graphic Humor as Popular Culture. Boulder: L. Rienner, 1988. http://www.gbv.de/dms/sub-hamburg/128810408.pdf.
———. From Mafalda to Los Supermachos: Latin American Graphic Humor as Popular Culture. Boulder: L. Rienner, 1988. http://www.gbv.de/dms/sub-hamburg/128810408.pdf.
Freidenberg, Judith Noemí. Invention of the Jewish Gaucho. University of Texas Press, 2009. http://site.ebrary.com/lib/vuw/reader.action?docID=10351555.
Giordano, Enrique A. ‘“Play and Playfulness in Garcia Marquez” One Hundred Years of Solitude’ 42, Nr 4 (1988). http://www.jstor.org/stable/pdf/1346974.pdf?_=1463003650018.
Huberman, Ariana. Gauchos and Foreigners : Glossing Culture and Identity in the Argentine Countryside. Lexington Books, 2010. http://site.ebrary.com/lib/vuw/reader.action?docID=10447155.
Klein, Sheri. ‘Breaking the Mold with Humor: Images of Women in the Visual Media’. Art Education 46, no. 5 (1993): 60–65. https://doi.org/10.2307/3193387.
Lienhard, Martín. ‘Oralidad’. Revista de Crítica Literaria Latinoamericana 20, no. 40 (1994): 371–74. https://doi.org/10.2307/4530780.
Ludmer, Josefina. ‘Oralidad y Escritura En El Genero Gauchesco Como Nucleo Del Nacionalismo’. Revista de Crítica Literaria Latinoamericana 17, no. 33 (1991). https://doi.org/10.2307/4530523.
———. ‘The Gaucho Genre’. In The Cambridge History of Latin American Literature, edited by Roberto Gonzalez Echevarria and Enrique Pupo-Walker, 608–31. Cambridge: Cambridge University Press, 1996. https://doi.org/10.1017/CHOL9780521340694.020.
Posadas-Carbo, Eduardo. ‘“Fiction as History: The Bananeras and Gabriel Garcia Marquez” One Hundred Years of Solitude’’ 3, Nr 2, May (1988). https://victoria.rl.talis.com/users/D0D587FE-98E3-63A1-B1C9-128978D2B5FA/bookmarks.html.
Premat, Adriana. ‘Popular Culture, Politics, and Alternative Gender Imaginaries in 1960s and 1970s Argentina’. Studies in Latin American Popular Culture 33 (2015): 41–56. https://doi.org/10.7560/SLAPC3304.
Rowe, William, and Vivian Schelling. Memory and Modernity: Popular Culture in Latin America. Vol. Critical studies in Latin American culture. London: Verso, 1991.
Shaw, Bradley A., and Nora Vera-Godwin. Critical Perspectives on Gabriel García Márquez. Lincoln, Neb: Society of Spanish and Spanish-American Studies, 1986.
———. ‘Critical Perspectives on Gabriel García Márquez’. Lincoln, Neb: Society of Spanish and Spanish-American Studies, 1986.
Swanson, Philip. ’Gabriel Garcia Marquez: Cien Anos de Soledad, Landmarks in Modern Latin American Fiction. Edited by Philip Swanson. Vol. Routledge revivals. Abingdon, Oxon: Routledge, 2014. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1051165.
Taylor, Anne Marie. ‘Cien Anos de Soledad: History and the Novel’ 2, Nr 3 (Autumn) (1975). https://victoria.rl.talis.com/users/D0D587FE-98E3-63A1-B1C9-128978D2B5FA/bookmarks.html.