Allen, Robert C., ‘Narrative Theory and Television Sarah Kozloff 1995’ in Channels of Discourse, Reassembled (The University of North Carolina Press, 2006) <http://site.ebrary.com/lib/vuw/reader.action?docID=10367493&ppg=76>
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Amanda D. Lotz, Portals: A Treatise on Internet-Distributed Television 2017 <https://quod.lib.umich.edu/m/maize/mpub9699689/1:4/--portals-a-treatise-on-internet-distributed-television?rgn=div1;view=fulltext>
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Bondebjerg, Ib et al, ‘The Perfect Storm: European Television Policy and the Emergence of Streaming Services 2017’ in Transnational European Television Drama (Springer International Publishing, 2017) 49 <http://link.springer.com/10.1007/978-3-319-62806-6_3>
Creeber, Glen, ‘Killing Us Softly: Investigating the Aesthetics, Philosophy and Influence of Nordic Noir Television’ (2015) 3(1) The Journal of Popular Television 21
Creeber, Glen, Serial Television: Big Drama on the Small Screen (BFI Publishing, 2004)
Elkins, Evan, ‘Cultural Identity and Subcultural Forums’ (2014) 15(7) Television & New Media 595
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Foster, Derek, ‘“Jump in the Pool: The Competitive Culture of Survivor Fan Networks”’ (Routledge, 2004)
Geraghty, Christine, Women and Soap Opera: A Study of Prime Time Soaps (Polity Press, 1991)
Gray, Jonathan, Watching with the Simpsons: Television, Parody, and Intertextuality, vol Comedia (Routledge, 2005) <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=1047023&ppg=32>
Gripsrud, Jostein, Understanding Media Culture (Arnold, 2002) <https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=6159293>
Hill, Annette and Ebooks Corporation, Reality TV (Routledge, 2015) <https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=1843421>
Holmes, Susan and Deborah Jermyn, Understanding Reality Television (Routledge, 2004)
Jason Mittell, Complex TV <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=1991882&ppg=244>
Kavka, Misha, Reality TV (Edinburgh University Press, 2012)
Kilborn, RW and John Izod, An Introduction to Television Documentary: Confronting Reality (Manchester University Press, 1997)
Leverette, Marc, Brian L Ott and Cara Louise Buckley, It’s Not TV: Watching HBO in the Post-Television Era (Routledge, 2008)
Mills, Brett, ‘Comedy Verite: Contemporary Sitcom Form’ (2004) 45(1) Screen 63
Mittell, Jason, ‘Narrative Complexity in Contemporary American Television’ The Velvet Light Trap - A Critical Journal of Film and Television 29 <http://search.proquest.com/docview/2050435/fulltext/5B7C88EDD2D4496DPQ/1?accountid=14782>
Nelson, Robin, TV Drama in Transition: Forms, Values, and Cultural Change (St. Martin’s Press, 1997)
Ott, Brian and Cameron Walter, ‘Intertextuality: Interpretive Practice and Textual Strategy’ (2000) 17(4) Critical Studies in Media Communication 429
Porter, Michael JLarson, Deborah LHarthcock, AllisonKelly Berg Nellis, ‘Re(de)Fining Narrative Events: Examining Television Narrative Structure’ 30(1) Journal of Popular Film & Television 23 <http://search.proquest.com/docview/199388202/fulltextPDF/9250DA8871674D8FPQ/1?accountid=14782>
Steemers, Jeanette, Selling Television: British Television in the Global Marketplace (BFI, 2004)
Trisha, Dunleavy, Complex Serial Drama and Multiplatform Television 2018 (Routledge) <https://www.taylorfrancis.com/books/9781317402800>
Trisha Dunleavy, Complex Serials and Narrative Innovation | Complex Serial Drama and Multiplatform Television | Taylor & Francis Group 2018 <https://www.taylorfrancis.com/books/9781315682310>
Turnbull, Sue, The TV Crime Drama (Edinburgh University Press, 2014) <http://www.jstor.org/stable/10.3366/j.ctt1g0b60z>
Currie, Anna, ‘MTV’s The Hills: A Leading American Docusoap’ (2011) <https://viewer.waireto.victoria.ac.nz/client/viewer/IE160065/details?dps_dvs=1615503672376~980>
