Allen, R.C. and Hill, A. (2004) The television studies reader. New York: Routledge.
Allen, Robert C. (2006) ‘Narrative theory and television Sarah Kozloff 1995’, in Channels of Discourse, Reassembled. The University of North Carolina Press. Available at: http://site.ebrary.com/lib/vuw/reader.action?docID=10367493&ppg=76.
Amanda D. Lotz (no date) Portals: A Treatise on Internet-Distributed Television 2017. Available at: https://quod.lib.umich.edu/m/maize/mpub9699689/1:4/--portals-a-treatise-on-internet-distributed-television?rgn=div1;view=fulltext.
Bignell, J. and Lacey, S. (2005) Popular television drama: critical perspectives. Manchester: Manchester University Press.
Bondebjerg, I. et al. (2017) ‘The Perfect Storm: European Television Policy and the Emergence of Streaming Services 2017’, in Transnational European Television Drama. Cham: Springer International Publishing, pp. 49–77. Available at: https://doi.org/10.1007/978-3-319-62806-6_3.
Creeber, G. (2004) Serial television: big drama on the small screen. London: BFI Publishing.
Creeber, G. (2015) ‘Killing us softly: Investigating the aesthetics, philosophy and influence of Nordic Noir television’, The Journal of Popular Television, 3(1), pp. 21–35. Available at: https://doi.org/10.1386/jptv.3.1.21_1.
Currie, Anna (2011) MTV’s The Hills: A Leading American Docusoap. Available at: https://viewer.waireto.victoria.ac.nz/client/viewer/IE160065/details?dps_dvs=1615503672376~980.
Elkins, E. (2014) ‘Cultural Identity and Subcultural Forums’, Television & New Media, 15(7), pp. 595–610. Available at: https://doi.org/10.1177/1527476413489354.
Fiske, J. (1989) Television culture. London: Routledge.
Foster, D. (2004) ‘“Jump in the Pool: The Competitive Culture of Survivor Fan Networks”’, in. London: Routledge.
Geraghty, C. (1991) Women and soap opera: a study of prime time soaps. Cambridge, UK: Polity Press.
Gray, J. (2005) Watching with the Simpsons: television, parody, and intertextuality. Abingdon [England]: Routledge. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=1047023&ppg=32.
Gripsrud, J. (2002) Understanding media culture. London: Arnold. Available at: https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=6159293.
Hill, A. and Ebooks Corporation (2015) Reality TV. Abingdon, Oxon: Routledge. Available at: https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=1843421.
Holmes, S. and Jermyn, D. (2004) Understanding reality television. London: Routledge.
Jason Mittell (no date) Complex TV. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=1991882&ppg=244.
Kavka, M. (2012) Reality TV. Edinburgh: Edinburgh University Press.
Kilborn, R.W. and Izod, J. (1997) An introduction to television documentary: confronting reality. Manchester: Manchester University Press.
Leverette, M., Ott, B.L. and Buckley, C.L. (2008) It’s not TV: watching HBO in the post-television era. New York: Routledge.
Mills, B. (2004) ‘Comedy verite: contemporary sitcom form’, Screen, 45(1), pp. 63–78. Available at: https://doi.org/10.1093/screen/45.1.63.
Mittell, Jason (no date) ‘Narrative Complexity in Contemporary American Television’, The Velvet Light Trap - A Critical Journal of Film and Television, pp. 29–40. Available at: http://search.proquest.com/docview/2050435/fulltext/5B7C88EDD2D4496DPQ/1?accountid=14782.
Nelson, R. (1997) TV drama in transition: forms, values, and cultural change. New York, N.Y.: St. Martin’s Press.
Ott, B. and Walter, C. (2000) ‘Intertextuality: Interpretive practice and textual strategy’, Critical Studies in Media Communication, 17(4), pp. 429–446. Available at: https://doi.org/10.1080/15295030009388412.
Porter, Michael JLarson, Deborah LHarthcock, AllisonKelly Berg Nellis (no date) ‘Re(de)fining narrative events: Examining television narrative structure’, Journal of Popular Film & Television, 30(1), pp. 23–30. Available at: http://search.proquest.com/docview/199388202/fulltextPDF/9250DA8871674D8FPQ/1?accountid=14782.
Steemers, J. (2004) Selling television: British television in the global marketplace. London: BFI.
Trisha, D. (no date) Complex Serial Drama and Multiplatform Television 2018. New York: Routledge, 2018.: Routledge. Available at: https://doi.org/10.4324/9781315682310.
Trisha Dunleavy (no date) Complex Serials and Narrative Innovation | Complex Serial Drama and Multiplatform Television | Taylor & Francis Group 2018. Available at: https://www.taylorfrancis.com/books/9781315682310.
Turnbull, S. (2014) The TV crime drama. Edinburgh: Edinburgh University Press. Available at: http://www.jstor.org/stable/10.3366/j.ctt1g0b60z.