‘Bernard Herrmann--’pop’ Composer?’ [2010] Popular Music History <http://search.ebscohost.com/login.aspx?direct=true&db=a2h&AN=65123324&site=ehost-live>
‘Chapter 9: Postwar Innovations and the Struggle for Survival’ in Film Music <https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=371024&ppg=1>
Cohan, Steven, Ina Rae Hark, and ebrary, Inc, ‘Feminizing the Song-And-Dance Man: Fred Astaire and the Spectacle of Masculinity in the Hollywood Musical (Chapter 2)’ in Screening the Male: Exploring Masculinities in Hollywood Cinema (Routledge, 1993) <http://site.ebrary.com/lib/vuw/Doc?id=10060854>
Cooke, Mervyn, ‘Hollywood’s Golden Age: Narrative Cinema and the Classical Film Score’ in A History of Film Music (Cambridge University Press, 2008) <http://www.loc.gov/catdir/enhancements/fy0833/2008019383-t.html>
Cooke, Mervyn, ‘State of the Art: Film Music Since the New Hollywood’ in A History of Film Music (Cambridge University Press, 2008) <http://www.loc.gov/catdir/enhancements/fy0833/2008019383-t.html>
Edward W. Said, Orientalism (Introduction Partial) (Vintage Books, 2003)
Geiger, Jeffrey and RL Rutsky, ‘2001: A Space Odyssey by Robert Kolker’ in Film Analysis: A Norton Reader (W.W. Norton, 1st ed, 2005)
Goldmark, Daniel.; Kramer, Lawrence, 1946-; Leppert, Richard D., c2007., ‘The Fantastical Gap Between Diegetic and Nondiegetic’ in Beyond the Soundtrack: Representing Music in Cinema <https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=922914>
Gorbman, Claudia, ‘Chapter 4: Classical Hollywood Practice: The Model of Max Steiner’ in Unheard Melodies: Narrative Film Music (BFI Pub, 1987)
Gorbman, Claudia, ‘Why Music? From Silents to Sound’ in Unheard Melodies: Narrative Film Music (BFI Pub, 1987)
Grant, Barry Keith and ebrary, Inc, ‘The Self-Reflexive Musical and the Myth of Entertainment (Chapter 32)’ in Film Genre Reader IV (University of Texas Press, 4th ed, 2012) <http://site.ebrary.com/lib/vuw/docDetail.action?docID=10608359>
Harper-Scott, JPE and Jim Samson, ‘Music for Film and Television by Julie Brown’ in An Introduction to Music Studies (Cambridge University Press, 2009)
Hayward, Philip, ‘Forbidden Planet: Effects and Affects in the Electro Avant-Garde’ in Off the Planet: Music, Sound and Science Fiction Cinema (John Libbey, 2004) <https://www.jstor.org/stable/j.ctt2005s0z>
Henderson, Sanya Shoilevska, ‘A Streetcar Named Desire (1951)’ in Alex North, Film Composer: A Biography, with Musical Analyses of A Streetcar Named Desire, Spartacus, The Misfits, Under the Volcano and Prizzi’s Honor (McFarland, 2009)
Hilary Lapedis, ‘Popping the Question: The Function and Effect of Popular Music in Cinema’ (1999) 18(3) Popular Music 367 <http://www.jstor.org/stable/853613?seq=1#page_scan_tab_contents>
Kirkham, Pat and Janet Thumim, ‘“Mad About the Boy”: Masculinity and Career in Sunset Boulevard’ in Me Jane: Masculinity, Movies, and Women (St. Martin’s Press, 1st ed, 1995)
Kolker, Robert Phillip, ‘Chapter 4: In the Patriarch’s Bosom: Steven Spielberg and the Politics of Recuperation’ in A Cinema of Loneliness: Penn, Kubrick, Scorsese, Spielberg, Altman (Oxford University Press, 2nd ed, 1988)
Larsen, Peter, ‘Chapter 4: Musical Meanings’ in Film Music (Reaktion, 2007)
Michael Rogin, ‘Blackface, White Noise: The Jewish Jazz Singer Finds His Voice’ (1992) 18(3) Critical Inquiry 417 <https://www.jstor.org/stable/1343811?seq=1#page_scan_tab_contents>
Murphy, Scott, ‘Transformational Theory and the Analysis of Film Music’ in The Oxford Handbook of Film Music Studies <http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780195328493.001.0001/oxfordhb-9780195328493-e-019>
Rueschmann, Eva, ‘Contested Terrains of Identity and Home: Coming of Age, Belonging and Māori-Pākehā Relations in Taika Waititi’s Hunt for the Wilderpeople (2016)’ (2018) 6(2) Journal of New Zealand & Pacific Studies 151
Schwartz, Elliott and Barney Childs, ‘Who Cares If You Listen?’ in Contemporary Composers on Contemporary Music (Holt, Rinehart and Winston, [1st ed.], 1967)
‘‘"Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey’.’ <https://mykindofstory.files.wordpress.com/2013/07/stanley-hates-this-but-i-like-it-north-vs-kubrick-on-the-music-of-2001-a-space-odyssey-by-paul-a-merkley.pdf>
Sullivan, Jack, ‘Chapter 20: Psycho: The Music of Terror’ in Hitchcock’s Music (Yale University Press, 2007) <http://site.ebrary.com/lib/vuw/reader.action?docID=10210240&ppg=266>
Webster, Jamie Lynn, ‘Creating Magic with Music: The Changing Dramatic Relationship between Music and Magic in Harry Potter Films’ in The Music of Fantasy Cinema (Equinox Pub, 2012)
Williams, Délice, ‘Three Theses about Black Panther’ (2018) 11(9) The Journal of Pan African Studies <https://www.jpanafrican.org/docs/vol11no9/11.9-special-5-Williams.pdf>
Brackett, Charles, Billy Wilder and DM Marshman, ‘Sunset Blvd’
Crosland, Alan et al, ‘The Jazz Singer’
Curtiz, Michael et al, ‘Casablanca’
‘Exploring Afrofuturism in Film, Where Sci-Fi and Mythology Blur - The New York Times’ <https://www.nytimes.com/2018/03/13/movies/touki-bouki-streaming-afrofuturism.html>
Freed, Arthur et al, ‘Singin’ in the Rain’
‘Harry Potter and the Deathly Hallows, Part 2’ <https://www.amazon.com/Harry-Potter-Deathly-Hallows-Part/dp/B005UG542S>
Hasford, Gustav et al, ‘Stanley Kubrick’s Full Metal Jacket’
Kazan, Elia et al, ‘A Streetcar Named Desire’
Kubrick, Stanley and Arthur C Clarke, ‘2001: A Space Odyssey’
Nielsen, Leslie et al, ‘Forbidden Planet’
Perkins, Anthony et al, ‘Alfred Hitchcock’s Psycho’
Spielberg, Steven et al, ‘ET - the Extra-Terrestrial’
Waititi, Taika et al, ‘Hunt for the Wilderpeople’ <https://www.etv.org.nz/programme.php?id=149054>
