‘Bernard Herrmann--’pop’ composer?’ (2010) Popular Music History [Preprint]. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=a2h&AN=65123324&site=ehost-live.
Brackett, C., Wilder, B. and Marshman, D.M. (2002) ‘Sunset Blvd’. Hollywood, Calif: Paramount Pictures.
‘Chapter 9: Postwar Innovations and the Struggle for Survival’ (no date) in Film Music. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=371024&ppg=1.
Cohan, S., Hark, I.R., and ebrary, Inc (1993) ‘Feminizing the Song-And-Dance Man: Fred Astaire and the Spectacle of Masculinity in the Hollywood Musical (Chapter 2)’, in Screening the male: exploring masculinities in Hollywood cinema. London: Routledge. Available at: http://site.ebrary.com/lib/vuw/Doc?id=10060854.
Cooke, M. (2008a) ‘Hollywood’s Golden Age: Narrative Cinema and the Classical Film Score’, in A history of film music. New York: Cambridge University Press. Available at: http://www.loc.gov/catdir/enhancements/fy0833/2008019383-t.html.
Cooke, M. (2008b) ‘State of the Art: Film Music Since the New Hollywood’, in A history of film music. New York: Cambridge University Press. Available at: http://www.loc.gov/catdir/enhancements/fy0833/2008019383-t.html.
Crosland, A. et al. (2007) ‘The jazz singer’. [S.l.]: Warner Bros.
Curtiz, M. et al. (no date) ‘Casablanca’. Burbank, CA: Warner Home Video.
Edward W. Said (2003) Orientalism (introduction partial). New York: Vintage Books.
Exploring Afrofuturism in Film, Where Sci-Fi and Mythology Blur - The New York Times (no date). Available at: https://www.nytimes.com/2018/03/13/movies/touki-bouki-streaming-afrofuturism.html.
Freed, A. et al. (2002) ‘Singin’ in the rain’. Burbank, Calif: Warner Home Video.
Geiger, J. and Rutsky, R.L. (2005) ‘2001: A Space Odyssey by Robert Kolker’, in Film analysis: a Norton reader. 1st ed. New York: W.W. Norton.
Goldmark, Daniel.; Kramer, Lawrence, 1946-; Leppert, Richard D., c2007. (no date) ‘The Fantastical Gap Between Diegetic and Nondiegetic’, in Beyond the soundtrack: representing music in cinema. Available at: https://ebookcentral.proquest.com/lib/vuw/detail.action?docID=922914.
Gorbman, C. (1987a) ‘Chapter 4: Classical Hollywood Practice: The Model of Max Steiner’, in Unheard melodies: narrative film music. London: BFI Pub.
Gorbman, C. (1987b) ‘Why Music? From Silents to Sound’, in Unheard melodies: narrative film music. London: BFI Pub.
Grant, B.K. and ebrary, Inc (2012) ‘The Self-Reflexive Musical and the Myth of Entertainment (Chapter 32)’, in Film genre reader IV. 4th ed. Austin, Tex: University of Texas Press. Available at: http://site.ebrary.com/lib/vuw/docDetail.action?docID=10608359.
Harper-Scott, J.P.E. and Samson, J. (2009) ‘Music for Film and Television by Julie Brown’, in An introduction to music studies. Cambridge, UK: Cambridge University Press.
‘Harry Potter and the Deathly Hallows, Part 2’ (no date). Available at: https://www.amazon.com/Harry-Potter-Deathly-Hallows-Part/dp/B005UG542S.
Hasford, G. et al. (2001) ‘Stanley Kubrick’s Full metal jacket’. Pyrmont, NSW: Warner Home Video.
Hayward, P. (2004) ‘Forbidden Planet: Effects and Affects in the Electro Avant-Garde’, in Off the planet: music, sound and science fiction cinema. Eastleigh: John Libbey. Available at: https://www.jstor.org/stable/j.ctt2005s0z.
Henderson, S.S. (2009) ‘A Streetcar Named Desire (1951)’, in Alex North, film composer: a biography, with musical analyses of A streetcar named desire, Spartacus, The Misfits, Under the Volcano and Prizzi’s honor. Jefferson, N.C.: McFarland.
Hilary Lapedis (1999) ‘Popping the Question: The Function and Effect of Popular Music in Cinema’, Popular Music, 18(3), pp. 367–379. Available at: http://www.jstor.org/stable/853613?seq=1#page_scan_tab_contents.
Kazan, E. et al. (2006) ‘A streetcar named Desire’. [Pyrmont, N.S.W.]: Warner Home Video [distributor].
Kirkham, P. and Thumim, J. (1995) ‘“Mad About the Boy”: Masculinity and Career in Sunset Boulevard’, in Me Jane: masculinity, movies, and women. 1st ed. New York: St. Martin’s Press.
Kolker, R.P. (1988) ‘Chapter 4: In the Patriarch’s Bosom: Steven Spielberg and the Politics of Recuperation’, in A cinema of loneliness: Penn, Kubrick, Scorsese, Spielberg, Altman. 2nd ed. New York: Oxford University Press.
Kubrick, S. and Clarke, A.C. (1999) ‘2001: a space odyssey’. Burbank, Calif: Warner Home Video.
Larsen, P. (2007) ‘Chapter 4: Musical Meanings’, in Film music. London: Reaktion.
Michael Rogin (1992) ‘Blackface, White Noise: The Jewish Jazz Singer Finds His Voice’, Critical Inquiry, 18(3), pp. 417–453. Available at: https://www.jstor.org/stable/1343811?seq=1#page_scan_tab_contents.
Murphy, S. (no date) ‘Transformational Theory and the Analysis of Film Music’, in The Oxford Handbook of Film Music Studies. Available at: http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780195328493.001.0001/oxfordhb-9780195328493-e-019.
Nielsen, L. et al. (2002) ‘Forbidden planet’. Pyrmont, NSW: Warner Home Video.
Perkins, A. et al. (1998) ‘Alfred Hitchcock’s Psycho’. Universal City, CA: Universal Home Video.
Rueschmann, E. (2018) ‘Contested terrains of identity and home: Coming of age, belonging and Māori-Pākehā relations in Taika Waititi’s Hunt for the Wilderpeople (2016)’, Journal of New Zealand & Pacific Studies, 6(2), pp. 151–166. Available at: https://doi.org/10.1386/nzps.6.2.151_1.
Schwartz, E. and Childs, B. (1967) ‘Who Cares if you Listen?’, in Contemporary composers on contemporary music. [1st ed.]. New York: Holt, Rinehart and Winston.
Spielberg, S. et al. (2005) ‘ET - the extra-terrestrial’. [Universal City, Calif.]: Universal Home Video.
‘‘"Stanley Hates this But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey’.’ (no date). Available at: https://mykindofstory.files.wordpress.com/2013/07/stanley-hates-this-but-i-like-it-north-vs-kubrick-on-the-music-of-2001-a-space-odyssey-by-paul-a-merkley.pdf.
Sullivan, Jack (2007) ‘Chapter 20: Psycho: the Music of Terror’, in Hitchcock’s Music. Yale University Press. Available at: http://site.ebrary.com/lib/vuw/reader.action?docID=10210240&ppg=266.
Waititi, T. et al. (2016) ‘Hunt for the Wilderpeople’. [Auckland, New Zealand]: Majestical Pictures. Available at: https://www.etv.org.nz/programme.php?id=149054.
Webster, J.L. (2012) ‘Creating Magic with Music: The Changing Dramatic Relationship between Music and Magic in Harry Potter Films’, in The music of fantasy cinema. Sheffield: Equinox Pub.
Williams, D. (2018) ‘Three Theses about Black Panther’, The Journal of Pan African Studies, 11(9). Available at: https://www.jpanafrican.org/docs/vol11no9/11.9-special-5-Williams.pdf.