Bibliography for NZSM431 BETA

Abbate, C. (2004) ‘Music—Drastic or Gnostic?’, Critical Inquiry, 30(3), pp. 505–536. Available at: https://doi.org/10.1086/421160.

Abbate, C., Parker, R., and Cornell Verdi-Wagner Conference (1989) Analyzing opera: Verdi and Wagner. Berkeley: University of California Press.

Agawu, K. (1997) ‘Analyzing Music under the New Musicological Regime’, The Journal of Musicology, 15(3), pp. 297–307. Available at: https://doi.org/10.2307/763911.

Babbitt, M. (no date) Who Cares if You Listen? Available at: http://www.palestrant.com/babbitt.html.

Barthes, R. and Heath, S. (1988) Image, music, text. New York, N.Y.: Noonday Press.

Barz, Gregory F., Cooley, Timothy J. (2008) Shadows in the Field. Oxford University Press, USA. Available at: http://site.ebrary.com/lib/vuw/reader.action?docID=10263700&ppg=97.

Beard, D. and Gloag, K. (2005a) Musicology: the key concepts. Abingdon, Oxfordshire: Routledge. Available at: http://www.loc.gov/catdir/toc/ecip0420/2004017044.html.

Beard, D. and Gloag, K. (2005b) Musicology: the key concepts. Abingdon, Oxfordshire: Routledge. Available at: http://www.loc.gov/catdir/toc/ecip0420/2004017044.html.

Benedict Anderson, ‘Imagined Communities’ (no date). Available at: https://www2.bc.edu/marian-simion/th406/readings/0420anderson.pdf.

BERGER, K. (2005) ‘Musicology According to Don Giovanni, or: Should We Get Drastic?’, Journal of Musicology, 22(3), pp. 490–501. Available at: https://doi.org/10.1525/jm.2005.22.3.490.

Bohlman, Philip V. and Bohlman, Philip Vilas (2011) Focus: music, nationalism, and the making of the new Europe. 2nd ed. New York: Routledge.

Born, G. (2010) ‘For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn’, Journal of the Royal Musical Association, 135(2), pp. 205–243. Available at: https://doi.org/10.1080/02690403.2010.506265.

Botstein, L. (2016) ‘Facing the Music: Scholarship and the Teaching of Music in the American University in the Era of Donald Trump’, The Musical Quarterly, 99(3–4), pp. 281–285. Available at: https://doi.org/10.1093/musqtl/gdx013.

Brett, P. (1997) ‘Piano Four-Hands: Schubert and the Performance of Gay Male Desire’, 19th-Century Music, 21(2), pp. 149–176. Available at: https://doi.org/10.2307/746896.

Bujic, B. (1988) Music in European thought, 1851-1912. Cambridge, U.K.: Cambridge University Press.

Clayton, M., Herbert, T. and Middleton, R. (2012) The cultural study of music: a critical introduction. 2nd ed. New York: Routledge.

Cook, N. and Everist, M. (1999a) Rethinking music. Oxford: Oxford University Press.

Cook, N. and Everist, M. (1999b) Rethinking music. Oxford: Oxford University Press.

Cook, N., Everist, M. and Cusick, S. (1999) ‘“Gender, musicology and feminism”’, in Rethinking music. Oxford: Oxford University Press. Available at: https://rl.talis.com/3/victoria/items/255B8FA5-ABD4-C8CF-7362-B6DADD203A56.html.

Cook, Nicholas, c1993. (no date) Beethoven, Symphony no. 9. Available at: http://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=acls&cc=acls&idno=heb07594.0001.001&node=heb07594.0001.001%3A7&view=image&seq=103&size=100.

Cusick, S. (1999a) ‘“Gender, musicology and feminism” - Chapter’, in Rethinking music. Oxford: Oxford University Press.

Cusick, S. (1999b) ‘On Musical Performances of Gender and Sex - Chapter’, in Audible traces: gender, identity, and music. Zurich: Carciofoli.

Dahlhaus, C. (1980) Between romanticism and modernism: four studies in the music of the later nineteenth century. Berkeley: University of California Press.

Dahlhaus, Carl, c1983. (no date) Foundations of music history. Available at: http://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=acls;cc=acls;rgn=full%20text;idno=heb06253.0001.001;didno=heb06253.0001.001;view=image;seq=00000011;node=heb06253.0001.001%3A3.

Danaher, G., Schirato, T. and Webb, J. (2000) ‘Chapters 1 and 2’, in Understanding Foucault. St. Leonards, N.S.W.: Allen & Unwin, pp. 1–29.

Derrida, J. (1978) Writing and difference. Chicago: University of Chicago Press.

Dreyfus, L. (2011) ‘Postscript’, in Baroque music. Farnham, England: Ashgate Publishing Ltd.

Gabriel Solis (2004) ‘“A Unique Chunk of Jazz Reality”: Authorship, Musical Work Concepts, and Thelonious Monk’s Live Recordings from the Five Spot, 1958’, Ethnomusicology, 48(3), pp. 315–347. Available at: http://www.jstor.org/stable/30046284?seq=1#page_scan_tab_contents.

Gloag, K. (no date) ‘Canon formation and the postmodern condition (in Section IV)’, in Critical Music Historiography: Probing Canons, Ideologies and Institutions. Routledge. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=4442914.

Goehr, L. (1992) ‘9 Werktreue: Confirmation and Challenge in Contemporary Movements’, in The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Oxford: Clarendon.

Goehr, L. (1994) ‘Musical Production Without the Work‐Concept’, in The Imaginary Museum of Musical Works. Oxford University Press, pp. 176–204. Available at: https://doi.org/10.1093/0198235410.003.0008.

Hepokoski, J. (1991) ‘The Dahlhaus Project and Its Extra-Musicological Sources’, 19th-Century Music, 14(3), pp. 221–246. Available at: https://doi.org/10.2307/746536.

Hokowhitu, B. (2014) ‘Haka: Colonized Physicality, Body-Logic, and Embodied Sovereignty’, in L.R. Graham and H.G. Penny (eds) Performing Indigeneity. UNP - Nebraska. Available at: https://doi.org/10.2307/j.ctt1d9nmw6.

Howards End, by E. M. Forster (no date). Available at: http://www.gutenberg.org/files/2946/2946-h/2946-h.htm#link2HCH0005.

Introduction: The History of What? : Music from the Earliest Notations to the Sixteenth Century (no date). Available at: http://www.oxfordwesternmusic.com/view/Volume1/actrade-9780195384819-miscMatter-021008.xml.

Jim Samson (no date) ‘Canon (iii)’, Grove Music Online [Preprint]. Available at: http://www.oxfordmusiconline.com/subscriber/article/grove/music/40598?q=canon&search=quick&pos=3&_start=1#firsthit.

Joseph Kerman (1980) ‘How We Got into Analysis, and How to Get out’, Critical Inquiry, 7(2), pp. 311–331. Available at: http://www.jstor.org/stable/1343130?seq=1#page_scan_tab_contents.

Kerman, Joseph, c1985. (no date) Contemplating music: challenges to musicology. Available at: https://www.fulcrum.org/concern/monographs/mc87pq637.

Laurence Dreyfus (1983) ‘Early Music Defended against Its Devotees: A Theory of Historical Performance in the Twentieth Century’, The Musical Quarterly, 69(3), pp. 297–322. Available at: http://www.jstor.org/stable/742175?seq=1#page_scan_tab_contents.

Le Guin, Elisabeth, Le Guin, Elisabeth (2005) Boccherini’s Body : An Essay in Carnal Musicology (1). University of California Press. Available at: http://site.ebrary.com/lib/vuw/reader.action?docID=10106457&ppg=26.

Lodge, M. (2015) ‘Chapter 6: Music historiography as a braided river: The case of New Zealand’, in V. Kurkela and J.M. Mantere (eds) Critical music historiography: probing canons, ideologies and institutions. Farnham, Surrey: Ashgate. Available at: https://ebookcentral.proquest.com/lib/vuw/reader.action?docID=4442914&ppg=112.

Lydia Goehr, R.S. (2000) ‘Chapters 6 (“Looking back at ourselves”) and 11 (“The problems of dating”)’, in M. Talbot (ed.) The musical work: reality or invention? Liverpool: Liverpool University Press. Available at: http://www.jstor.org/stable/10.2307/j.ctt5vjcnv.

Mak, Su (2016) ‘String Theory: An Ethnographic Study of a Professional Quartet in Hong Kong’, Integral : The Journal of Applied Musical Thought, 30. Available at: https://doi.org/10.2979/.

McClary, S. (no date a) ‘A Material Girl in Bluebeard’s Castle - Chapter’, in Feminine endings: music, gender, and sexuality. Available at: http://quod.lib.umich.edu/cgi/t/text/pageviewer-idx?c=acls;cc=acls;rgn=full%20text;idno=heb06265.0001.001;didno=heb06265.0001.001;view=image;seq=00000023;node=heb06265.0001.001%3A4.

McClary, S. (no date b) ‘“Feminine Endings at Twenty”, Article’, TRANS - Revista Transcultural de Música - Transcultural Music Review [Preprint]. Available at: http://www.sibetrans.com/trans/articulo/348/i-feminine-endings-i-at-twenty.

Moore, Allan F. (2003) Analyzing Popular Music. Cambridge University Press. Available at: http://site.ebrary.com/lib/vuw/reader.action?docID=10069911&ppg=28.

‘Music and Sexuality’ (2013) Journal of the American Musicological Society, 66(3), pp. 825–872. Available at: https://doi.org/10.1525/jams.2013.66.3.825.

Nettl, B. (no date a) ‘1 The Seminal Eighties: Historical Musicology and Ethnomusicology’. Available at: https://www.jstor.org/stable/10.5406/j.ctt1xcm42.5?refreqid=excelsior:d21cd8b12168cc965a0e05bf3e9c8279&seq=1#metadata_info_tab_contents.

Nettl, B. (no date b) ‘14 Riding the Warhorses: On the Ethnomusicology of Canons’. Available at: https://www.jstor.org/stable/10.5406/j.ctt1xcm42.18?refreqid=excelsior:c3ac0e07b9505b0bc9460d7ff892c5a4&seq=10#metadata_info_tab_contents.

Radano, R.M. and Bohlman, P.V. (2000) Music and the racial imagination. Chicago: University of Chicago Press. Available at: http://catdir.loc.gov/catdir/toc/uchi051/00023672.html.

Randal, D. (1992) ‘“The Canons in the Musicological Toolbox”’, in Disciplining music: musicology and its canons. Chicago: University of Chicago Press.

Review by:                          Gary Tomlinson (2007) ‘Review: Monumental Musicology’, Journal of the Royal Musical Association, 132(2), pp. 349–374. Available at: http://www.jstor.org/stable/30161411?seq=1#page_scan_tab_contents.

Richard Taruskin (no date a) ‘CLASSICAL VIEW; “Nationalism”: Colonialism In Disguise?’, The New York Times [Preprint]. Available at: http://go.galegroup.com/ps/i.do?&id=GALE%7CA174676981&v=2.1&u=vuw&it=r&p=AONE&sw=w&authCount=1.

Richard Taruskin (no date b) ‘Nationalism’, Grove Music Online [Preprint]. Available at: http://www.oxfordmusiconline.com/subscriber/article/grove/music/50846?q=nationalism&search=quick&pos=1&_start=1#firsthit.

van Rij, I. (2018) ‘“Walking Backwards into the Future”: Music, Museum Culture, and the New Zealand and South Seas Exhibition (1889–1890)’, Music and Letters, 99(2), pp. 224–259. Available at: https://doi.org/10.1093/ml/gcy038.

Scruton, R. (1999) ‘Ontology’, in The Aesthetics of Music. Oxford University Press, pp. 97–117. Available at: https://doi.org/10.1093/019816727X.003.0004.

Stobart, Henry, Baily, John, Bigenho, Michelle (2008) Europea: Ethnomusicologies and Modernities : The New (Ethno)musicologies. Scarecrow Press. Available at: http://site.ebrary.com/lib/vuw/reader.action?docID=10639605&ppg=4.

Tomlinson, G. (1993) Music in renaissance magic: toward a historiography of others. Chicago: University of Chicago Press. Available at: http://www.loc.gov/catdir/enhancements/fy0608/92017755-t.html.

Tomlinson, G. (2002) ‘Cultural Dialogics and Jazz: A White Historian Signifies’, Black Music Research Journal, 22. Available at: https://doi.org/10.2307/1519944.

Vincent Duckles (no date) ‘Musicology, §I: The nature of musicology’, Grove Music Online [Preprint]. Available at: http://www.oxfordmusiconline.com/subscriber/article/grove/music/46710pg1#S46710.1.

Volgsten, Ulrik (2015) ‘Work, Form and Phonogram: On the Significance of the Concept of Communication for the Modern Western Concept of Music’, International Review of the Aesthetics and Sociology of Music, 46(2), pp. 207–232. Available at: https://doi.org/10.1017/.

Waksman, Steve (2010) ‘Imagining an Interdisciplinary Canon’, Journal of Popular Music Studies, 22(1). Available at: https://doi.org/10.1111/.

Waldo S. Pratt (1915) ‘On Behalf of Musicology’, The Musical Quarterly, 1(1), pp. 1–16. Available at: http://www.jstor.org/stable/738038?seq=1#page_scan_tab_contents.

Walls, P. (2003) History, imagination, and the  performance of music. Woodbridge, Suffolk: Boydell Press.

Weber, W. (1999) ‘History of Musical Canons’, in Rethinking music. Oxford: Oxford University Press.

Yoshihara, M. and ProQuest (Firm) (2007) Musicians from a different shore: Asians and Asian Americans in classical music. Philadelphia: Temple University Press. Available at: http://ebookcentral.proquest.com/lib/vuw/detail.action?docID=346038.